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MONET CLAUDE: (1840-1926) - Bild 1 aus 4
MONET CLAUDE: (1840-1926) - Bild 2 aus 4
MONET CLAUDE: (1840-1926) - Bild 3 aus 4
MONET CLAUDE: (1840-1926) - Bild 4 aus 4
MONET CLAUDE: (1840-1926) - Bild 1 aus 4
MONET CLAUDE: (1840-1926) - Bild 2 aus 4
MONET CLAUDE: (1840-1926) - Bild 3 aus 4
MONET CLAUDE: (1840-1926) - Bild 4 aus 4
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Estepona, Malaga
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Estepona, Malaga

MONET CLAUDE: (1840-1926) French Impressionist painter. A very fine A.L.S., Claude Monet, three pages, 8vo, on his printed stationery of Giverny par Vernon, Eure, 1st June [1917], to Georges Clemenceau, in bold purple pencil, in French. In his characteristic writing Monet writes a letter to his lifelong friend Georges Clemenceau, referring to a travel they plan together to visit the bombed Reims cathedral, and explains that he wishes to make a quick visit to his son but as usual wishes to be back at work on Monday, and states in part `Cher ami, je n´ai pu vous répondre plus tôt hier. Les distributions postales, ici, n´étant pas très régulières. Ai bien reçu ce matin votre 2eme dépêche, c´est entendu pour 7h dimanche rue Franklin... Je serai bien aise de savoir vers quelle heure vous pensez que nous [serons] de retour à Paris ne tenant pas à passer deux nuits à Paris, et voulant me mettre au travail dès lundi matin. Serait-il possible que je puisse embrasser mon fils qui se trouve à peu de distance de Reims entre Fismes et Craonne, exactement à Ventelay... Quelle joie ce serait et pour lui et pour moi. Vous verrez si c´est possible...´ (Translation: "Dear friend, I was unable to reply to you earlier yesterday. The postal deliveries here are not very regular. I received your 2nd dispatch this morning, it is understood for 7am Sunday rue Franklin... I would be very happy to know around what time you think we [will be] back in Paris, not wanting to spend two nights in Paris, and wanting to get to work on Monday morning. Would it be possible for me to kiss my son who is a short distance from Reims between Fismes and Craonne, exactly at Ventelay... What a joy that would be for him and for me. You will see if it is possible...") Accompanied by the original envelope, addressed in Monet´s hand, postmarked and stamped. Also including the permanent Certificate of exportation issued by the French Ministry of culture. In very good condition. VG to EX

Georges Clemenceau (1841-1929) French Politician. Nicknamed "the Tiger". Clemenceau served as French Prime Minister from 1906 to 1909, and again from 1917 to 1920 and did much for the French victory during the First World War.

Monet and Clemenceau met at the age of 20, but their friendship strengthened at the age of 50 when Clemenceau was finally introduced by the art critic Gustave Geoffroy in Monet’s house, in Giverny. Indeed, it was difficult to be greeted by Monet in his private paradise. Claude Monet was secretive and liked to work alone. But Clemenceau was an art lover, and the friendship between these two was unavoidable. They shared the same ideas on different things, like education and politics.

Claude Monet offered to his friend Clemenceau the famous painting "Le Bloc" ("Block of Creuse rocks”), now in the Royal collection in England. The title given to the painting refers to a sentence pronounced by Clemenceau in a speech of 1891 “the French Revolution is a block”. They both loved nature, shared bulbs and seeds. These two tireless workers have admired each other, waiting for the next time they will meet by writing letters. Some are funny because they use nicknames like "my poor crustacean" or "my old biped"

They almost had an argument when Monet, who was working on the Water Lilies, wanted to stop, discouraged. Clemenceau wrote to Monet that he was ready to give up to their friendship if Monet gave us his job. These paintings, now in the Orangerie Museum, are important because they were offered to the French State by Monet the day after the Armistice of November 11th, 1918, to pay homage to the young men who died in the trenches.

In January 1923, Clemenceau urged Monet to undergo an operation on the eyes. It was a small success, Monet could see the colors again, for the last 3 years of his life…

It has been reported that the 5th of December 1926, Monet died of lung cancer. When Clemenceau received the phone call telling him that Monet was dying, he jumped into his car, and shouted every minute on his driver "faster!!!". He arrived in Giverny, ran to Monet’s room, located on the second floor of the house, and took his friend in his arms. Monet died few minutes after. On the day of the funeral, a black drapery was placed over the coffin. Clemenceau, full of rage and energy, withdrew it, ran to the kitchen and took one of the yellow curtain, and said "No black for Monet! Black is not a color!"

MONET CLAUDE: (1840-1926) French Impressionist painter. A very fine A.L.S., Claude Monet, three pages, 8vo, on his printed stationery of Giverny par Vernon, Eure, 1st June [1917], to Georges Clemenceau, in bold purple pencil, in French. In his characteristic writing Monet writes a letter to his lifelong friend Georges Clemenceau, referring to a travel they plan together to visit the bombed Reims cathedral, and explains that he wishes to make a quick visit to his son but as usual wishes to be back at work on Monday, and states in part `Cher ami, je n´ai pu vous répondre plus tôt hier. Les distributions postales, ici, n´étant pas très régulières. Ai bien reçu ce matin votre 2eme dépêche, c´est entendu pour 7h dimanche rue Franklin... Je serai bien aise de savoir vers quelle heure vous pensez que nous [serons] de retour à Paris ne tenant pas à passer deux nuits à Paris, et voulant me mettre au travail dès lundi matin. Serait-il possible que je puisse embrasser mon fils qui se trouve à peu de distance de Reims entre Fismes et Craonne, exactement à Ventelay... Quelle joie ce serait et pour lui et pour moi. Vous verrez si c´est possible...´ (Translation: "Dear friend, I was unable to reply to you earlier yesterday. The postal deliveries here are not very regular. I received your 2nd dispatch this morning, it is understood for 7am Sunday rue Franklin... I would be very happy to know around what time you think we [will be] back in Paris, not wanting to spend two nights in Paris, and wanting to get to work on Monday morning. Would it be possible for me to kiss my son who is a short distance from Reims between Fismes and Craonne, exactly at Ventelay... What a joy that would be for him and for me. You will see if it is possible...") Accompanied by the original envelope, addressed in Monet´s hand, postmarked and stamped. Also including the permanent Certificate of exportation issued by the French Ministry of culture. In very good condition. VG to EX

Georges Clemenceau (1841-1929) French Politician. Nicknamed "the Tiger". Clemenceau served as French Prime Minister from 1906 to 1909, and again from 1917 to 1920 and did much for the French victory during the First World War.

Monet and Clemenceau met at the age of 20, but their friendship strengthened at the age of 50 when Clemenceau was finally introduced by the art critic Gustave Geoffroy in Monet’s house, in Giverny. Indeed, it was difficult to be greeted by Monet in his private paradise. Claude Monet was secretive and liked to work alone. But Clemenceau was an art lover, and the friendship between these two was unavoidable. They shared the same ideas on different things, like education and politics.

Claude Monet offered to his friend Clemenceau the famous painting "Le Bloc" ("Block of Creuse rocks”), now in the Royal collection in England. The title given to the painting refers to a sentence pronounced by Clemenceau in a speech of 1891 “the French Revolution is a block”. They both loved nature, shared bulbs and seeds. These two tireless workers have admired each other, waiting for the next time they will meet by writing letters. Some are funny because they use nicknames like "my poor crustacean" or "my old biped"

They almost had an argument when Monet, who was working on the Water Lilies, wanted to stop, discouraged. Clemenceau wrote to Monet that he was ready to give up to their friendship if Monet gave us his job. These paintings, now in the Orangerie Museum, are important because they were offered to the French State by Monet the day after the Armistice of November 11th, 1918, to pay homage to the young men who died in the trenches.

In January 1923, Clemenceau urged Monet to undergo an operation on the eyes. It was a small success, Monet could see the colors again, for the last 3 years of his life…

It has been reported that the 5th of December 1926, Monet died of lung cancer. When Clemenceau received the phone call telling him that Monet was dying, he jumped into his car, and shouted every minute on his driver "faster!!!". He arrived in Giverny, ran to Monet’s room, located on the second floor of the house, and took his friend in his arms. Monet died few minutes after. On the day of the funeral, a black drapery was placed over the coffin. Clemenceau, full of rage and energy, withdrew it, ran to the kitchen and took one of the yellow curtain, and said "No black for Monet! Black is not a color!"

AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DOCUMENTS AUCTION

Auktionsdatum
Lose: 650
Lose: 630
Ort der Versteigerung
El Real del Campanario
num.12 Bajo B
Estepona
Malaga
29688
Spain

IAA Europe offer an in house shipping service for the convenience of buyers. Lots are securely packed and shipped via courier with full tracking details which will be supplied upon despatch. 

Your invoice will include postage, packing and insurance charges.

Wichtige Informationen

Day One - Lots 1 - 650

Day Two - Lots 651- 1280

Bidding at the auction will be online only.

We offer in house shipping to worldwide destinations. 

AGB

Buyers Terms & Conditions

1. Interpretation

1.1. "Auctioneers" means " International Autograph Auctions Europe S.L. "

1.2. "Catalogue" means the brochure relating to a sale (including any addendum thereto) and any other related documents and advertisements.

1.3. "Conditions" means these terms and conditions of sale

1.4. "Hammer Price" means the price at which a lot is knocked down by the Auctioneers to the Purchaser.

1.5. "Purchaser" means the person who purchases a lot or lots pursuant to these conditions.

1.6. "Seller" means the person who is selling the lot or lots pursuant to these conditions.

1.7. "VAT" means Value Added Tax.

 

2. Bidding

2.1. The highest bidder for each lot shall be the Purchaser of that lot.

2.2. No person shall be entitled to retract a bid. The Auctioneers reserve the right of refusing any bid without giving any reason and of altering, adding to, dividing, consolidating or withdrawing any lot or lots for sale.

2.3. The Auctioneers reserve the right to fix a reserve price for any lot at a figure no higher than the lower estimate.

2.4. The Auctioneers reserve the right to bid on behalf of the Seller on lots which are subject to a reserve price. The Seller shall not be entitled to bid where the Auctioneers have reserved such a right.

2.5. In the case of a dispute as to any bid the Auctioneers may immediately determine the dispute or put up the lot again at the last undisputed bid or withdraw the lot.

2.6. The Auctioneers will accept written commission bids free of charge from any person who is unable to attend the sale. Bids will also be accepted by telephone and fax at the sender's risk.

2.7. Lots will not normally be sold at less than two-thirds bottom estimate.

 

3. Payment

3.1. Each Purchaser shall give in his name and address and proof of identity (if required) to the Auctioneers at a sale and shall if required pay such deposit as the Auctioneers may specify.

3.2. The Purchaser shall pay the Hammer Price together with a premium of 30.25% on the Hammer Price (this amount includes VAT and must not be shown separately or claimed as input tax). By the making of any bid the Purchaser acknowledges that his attention had been drawn to this fact and that he assents to the Auctioneers receiving the said commission. A 25% premium will be payable by Purchasers outside the European Union (EU). Zero-rated goods such as books will be subject to a premium of 25% whether within or outside the EU unless entered by a VAT registered Seller.

3.3. Payments for lots must be made in cash, bankers draft or cheque guaranteed by the bank upon which it is drawn. Lots will not be released against cheques from Purchasers unknown to the Auctioneers until cleared by such Purchaser's bank. Payment is accepted by Visa and Mastercard. A surcharge of 3% plus VAT will be levied to accounts settled by credit cards for non EU buyers. Payment is also accepted by most debit cards with no surcharge.

3.4. Overseas clients are requested to settle accounts by USA Dollars or Sterling bank transfer (details upon request), by Euro cheques, by Visa or Mastercard (a surcharge of 3% plus VAT [clients outside the EU exempt from VAT] will be levied to accounts settled by this method) or if payment is made on personal accounts in foreign currency the client is requested to add the equivalent of a further €10 to cover bank conversion charges. The Auctioneer reserves the right to claim back from the Purchasers any shortfall due to bank charges or currency fluctuations on that account.

3.5. No lots will be released by the Auctioneers until receipt of payment in full from the Purchaser.

 

4. Risk

4.1. All lots shall be the sole risk of the Purchaser from the fall of the hammer.

4.2. The Purchaser shall take all lots in the condition in which he finds them. It is the responsibility of all intending Purchasers to satisfy themselves by inspection or otherwise as to the authenticity in the authorship, date, age, period, condition or quality of any lot.

 

5. Liability

5.1. Neither the Seller of any lot nor the Auctioneers make or give nor has any person in the employment of the Auctioneers any authority to make or give any representation or warranty in relation to any lot and any implied conditions or warranties are excluded.

5.2. All statements contained in the Catalogue as to the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot are statements of opinion only and are not to be taken as or implying statements or representations of fact. Lots are sold subject to all faults and errors in description or otherwise.

5.3. Notwithstanding the provisions of paragraphs 5.1. and 5.2. of these Conditions in the event of a dispute as to authenticity of any lot(s) the item or items in question should be returned to the Auctioneers within 21 days of receipt by the Purchaser of such lot(s) together with a formal statement by a recognised expert The Auctioneers shall at their option and without admission of liability reimburse the price paid by the Purchaser in respect of such lot(s). This does not constitute an approval service.

5.4. Neither the Auctioneers nor the Seller shall be responsible for any loss, damage or injury occasioned to or sustained by any person on the premises before, during or after a sale save in respect of death or personal injury caused by negligence of the Seller or the Auctioneers.

 

6. Capacity of Auctioneers

For all purposes of a sale the Auctioneers shall be deemed to be the agent of both the Seller and the Purchaser and they shall not be considered responsible for any default on the part of either the Seller or Purchaser.

 

7. Delivery

7.1. Lots will only be released once payment in full has been received from the Purchaser.

7.2  An insurance charge of 1.8 % plus VAT will be applied to all invoices for packages sent from our offices

7.3. Postage is subject to VAT at 21% within the EU

7.4. The Auctioneers will provide full customs declarations on the Hammer Price plus the Purchaser's premium and Purchaser's shall be responsible for any customs charges made by the country of import.

7.5. A charge will be made for the packing & shipping of deliveries which is subject to VAT at 21% within the EU.

 

8. Auctioneers Remedies

In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:

8.1. to rescind the sale of the relevant lot(s)

8.2. to resell the lot(s) without further notice either by public or private sale and the deficiency (if any) arising from such second sale together with all charges and expenses relating to the same shall be the responsibility of the defaulting Purchaser and shall be recoverable as and for liquidated damages.

 

9. Jurisdiction

These Conditions shall be governed by Spanish law and the parties submit to the exclusive jurisdiction of the Spanish courts.

 

Online Bidding

International Autograph Auctions Europe S.L. offer an online bidding service for bidders who cannot attend the sale, however please be advised that a charge of 3% + VAT  is chargeable on all purchases made through  any of the online bidding facilities offered.

In completing the bidder registration and providing your credit card details and unless alternative arrangements are agreed with International Autograph Auctions Europe S.L.

1. You authorise International Autograph Auctions Europe S.L., if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction, and

2. confirm that you are authorised to provide these credit card details to International Autograph Auctions Europe S.L. and agree that International Autograph Auctions Europe S.L. are entitled to ship the goods to the card holder name and card holder address provided in fulfillment of the sale.

3. confirm that you accept that an additional charge of 3% + VAT will be applied to your invoice for use of an online bidding facility

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