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PRICE MANOHAR BEING ENTERTAINED DECCAN, PROBABLY GOLCONDA, EARLY 18TH CENTURY Ink and wash on paper. Image: 7 1/2 x 3 3/4 in. (19.1 x 9.5 cm); Folio: 8 1/4 x 4 1/4 in. (20.9 x 36.2 cm) Footnotes: This painting is from a dispersed manuscript of Nusrati's Gulshan-I 'Ishg ('The Rose Garden of Love') that focuses on the complicated tale of several pairs of lovers. Starting with King Bikram and his wife, who cannot conceive until Bikram completes a journey of self-discovery, it continues with the adventures of their son, Prince Manohar, who, with another prince, rescues two kidnapped princesses. Although it is generally agreed that the series comes from the area of Golconda, scholars have been misled by the disparate dates on the verso inscriptions to assign dates from 1686 until about 1720. Bidar has been mentioned as a possible provenance by Zebrowski, in view of the series apparently being related to the Ragamala pages in the Nelson-Atkins Museum in Kansas City thought to be from there (Zebrowski, Deccani Painting, 1983, figs. 199-202) and the former Stuart Cary Welch collection (ibid., fig. 203). Other pages from this series are in Edwin Binney collection in San Diego (3 pages are published in Binney, Miniature Paintings, 1973, no. 148), the Rietberg Museum, Zurich (Blohm Led Up The Garden Path, 2011, fig. 1), the Foundation Custodia, Paris (ibid., fig. 3), the National Museum New Delhi, the former Paul Walter collection (Rieff, Rajput Miniatures, 1971-1972). Provenance Sam Fogg, London,30 November 2011 Conely Harris Collection, Boston For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
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PRICE MANOHAR BEING ENTERTAINED DECCAN, PROBABLY GOLCONDA, EARLY 18TH CENTURY Ink and wash on paper. Image: 7 1/2 x 3 3/4 in. (19.1 x 9.5 cm); Folio: 8 1/4 x 4 1/4 in. (20.9 x 36.2 cm) Footnotes: This painting is from a dispersed manuscript of Nusrati's Gulshan-I 'Ishg ('The Rose Garden of Love') that focuses on the complicated tale of several pairs of lovers. Starting with King Bikram and his wife, who cannot conceive until Bikram completes a journey of self-discovery, it continues with the adventures of their son, Prince Manohar, who, with another prince, rescues two kidnapped princesses. Although it is generally agreed that the series comes from the area of Golconda, scholars have been misled by the disparate dates on the verso inscriptions to assign dates from 1686 until about 1720. Bidar has been mentioned as a possible provenance by Zebrowski, in view of the series apparently being related to the Ragamala pages in the Nelson-Atkins Museum in Kansas City thought to be from there (Zebrowski, Deccani Painting, 1983, figs. 199-202) and the former Stuart Cary Welch collection (ibid., fig. 203). Other pages from this series are in Edwin Binney collection in San Diego (3 pages are published in Binney, Miniature Paintings, 1973, no. 148), the Rietberg Museum, Zurich (Blohm Led Up The Garden Path, 2011, fig. 1), the Foundation Custodia, Paris (ibid., fig. 3), the National Museum New Delhi, the former Paul Walter collection (Rieff, Rajput Miniatures, 1971-1972). Provenance Sam Fogg, London,30 November 2011 Conely Harris Collection, Boston For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing