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Spanish school of the 18th century."Crucified Christ".Carved and polychrome wood.It presents notable
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Beschreibung
Spanish school of the 18th century.
"Crucified Christ".
Carved and polychrome wood.
It presents notable flaws.
Measurements: 30 x 24 cm (Christ); 46 x 33 cm (Cross).
Round sculpture representing the body of Christ at the moment of the Crucifixion. It is a devotional image which attempts to awaken the passion and faith of the spectator. To this end, the sculptor has sought dramatisation through the use of the colour red in the hands, and the gesture of the face, with the mouth half-open in an agonising attitude. He also presents the wound in the side, which would seek to exacerbate the pathos of the message that this work is intended to convey. Crucifixions and crucifixes have appeared in the history of art and popular culture since before the era of the pagan Roman Empire. The crucifixion of Jesus has been depicted in religious art since the 4th century. It is one of the most recurrent themes in Christian art and the one with the most obvious iconography. Although Christ is sometimes depicted clothed, it is usual to represent his naked body, albeit with the genitals covered with a purity cloth (perizonium); full nudes are very rare, but prominent (Brunelleschi, Michelangelo, Cellini). The conventions of depicting the different attitudes of the crucified Christ are designated by the Latin expressions Christus triumphans ("triumphant" - not to be confused with the Maiestas Domini or the Pantocrator), Christus patiens ("resigned" - not to be confused with the Christ of patience) and Christus dolens ("suffering" - not to be confused with the Vir dolorum). The triumphans is represented alive, with his eyes open and his body erect; the patiens is represented dead, with his will totally emptied (kenosis), his head bowed, his face with a serene expression, his eyes closed and his body arched, showing the five wounds; the dolens is represented in a similar way to the patiens, but with a gesture of pain, particularly in his mouth (curved).
"Crucified Christ".
Carved and polychrome wood.
It presents notable flaws.
Measurements: 30 x 24 cm (Christ); 46 x 33 cm (Cross).
Round sculpture representing the body of Christ at the moment of the Crucifixion. It is a devotional image which attempts to awaken the passion and faith of the spectator. To this end, the sculptor has sought dramatisation through the use of the colour red in the hands, and the gesture of the face, with the mouth half-open in an agonising attitude. He also presents the wound in the side, which would seek to exacerbate the pathos of the message that this work is intended to convey. Crucifixions and crucifixes have appeared in the history of art and popular culture since before the era of the pagan Roman Empire. The crucifixion of Jesus has been depicted in religious art since the 4th century. It is one of the most recurrent themes in Christian art and the one with the most obvious iconography. Although Christ is sometimes depicted clothed, it is usual to represent his naked body, albeit with the genitals covered with a purity cloth (perizonium); full nudes are very rare, but prominent (Brunelleschi, Michelangelo, Cellini). The conventions of depicting the different attitudes of the crucified Christ are designated by the Latin expressions Christus triumphans ("triumphant" - not to be confused with the Maiestas Domini or the Pantocrator), Christus patiens ("resigned" - not to be confused with the Christ of patience) and Christus dolens ("suffering" - not to be confused with the Vir dolorum). The triumphans is represented alive, with his eyes open and his body erect; the patiens is represented dead, with his will totally emptied (kenosis), his head bowed, his face with a serene expression, his eyes closed and his body arched, showing the five wounds; the dolens is represented in a similar way to the patiens, but with a gesture of pain, particularly in his mouth (curved).
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Spanish school of the 18th century.
"Crucified Christ".
Carved and polychrome wood.
It presents notable flaws.
Measurements: 30 x 24 cm (Christ); 46 x 33 cm (Cross).
Round sculpture representing the body of Christ at the moment of the Crucifixion. It is a devotional image which attempts to awaken the passion and faith of the spectator. To this end, the sculptor has sought dramatisation through the use of the colour red in the hands, and the gesture of the face, with the mouth half-open in an agonising attitude. He also presents the wound in the side, which would seek to exacerbate the pathos of the message that this work is intended to convey. Crucifixions and crucifixes have appeared in the history of art and popular culture since before the era of the pagan Roman Empire. The crucifixion of Jesus has been depicted in religious art since the 4th century. It is one of the most recurrent themes in Christian art and the one with the most obvious iconography. Although Christ is sometimes depicted clothed, it is usual to represent his naked body, albeit with the genitals covered with a purity cloth (perizonium); full nudes are very rare, but prominent (Brunelleschi, Michelangelo, Cellini). The conventions of depicting the different attitudes of the crucified Christ are designated by the Latin expressions Christus triumphans ("triumphant" - not to be confused with the Maiestas Domini or the Pantocrator), Christus patiens ("resigned" - not to be confused with the Christ of patience) and Christus dolens ("suffering" - not to be confused with the Vir dolorum). The triumphans is represented alive, with his eyes open and his body erect; the patiens is represented dead, with his will totally emptied (kenosis), his head bowed, his face with a serene expression, his eyes closed and his body arched, showing the five wounds; the dolens is represented in a similar way to the patiens, but with a gesture of pain, particularly in his mouth (curved).
"Crucified Christ".
Carved and polychrome wood.
It presents notable flaws.
Measurements: 30 x 24 cm (Christ); 46 x 33 cm (Cross).
Round sculpture representing the body of Christ at the moment of the Crucifixion. It is a devotional image which attempts to awaken the passion and faith of the spectator. To this end, the sculptor has sought dramatisation through the use of the colour red in the hands, and the gesture of the face, with the mouth half-open in an agonising attitude. He also presents the wound in the side, which would seek to exacerbate the pathos of the message that this work is intended to convey. Crucifixions and crucifixes have appeared in the history of art and popular culture since before the era of the pagan Roman Empire. The crucifixion of Jesus has been depicted in religious art since the 4th century. It is one of the most recurrent themes in Christian art and the one with the most obvious iconography. Although Christ is sometimes depicted clothed, it is usual to represent his naked body, albeit with the genitals covered with a purity cloth (perizonium); full nudes are very rare, but prominent (Brunelleschi, Michelangelo, Cellini). The conventions of depicting the different attitudes of the crucified Christ are designated by the Latin expressions Christus triumphans ("triumphant" - not to be confused with the Maiestas Domini or the Pantocrator), Christus patiens ("resigned" - not to be confused with the Christ of patience) and Christus dolens ("suffering" - not to be confused with the Vir dolorum). The triumphans is represented alive, with his eyes open and his body erect; the patiens is represented dead, with his will totally emptied (kenosis), his head bowed, his face with a serene expression, his eyes closed and his body arched, showing the five wounds; the dolens is represented in a similar way to the patiens, but with a gesture of pain, particularly in his mouth (curved).
10th March - Old Masters from America and Europe
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Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
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