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Andalusian school; second half of the 17th century."The Rape of Europa".Oil on canvas.It presents
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Beschreibung
Andalusian school; second half of the 17th century.
"The Rape of Europa".
Oil on canvas.
It presents patches and restorations.
Measurements: 122 x 165 cm.
The one of the abduction of Europa is one of the most known legends within the loves of Zeus. Europa was a Phoenician woman from Tyre, who was picking flowers on the beach accompanied by her ladies when she was spotted by the god. The god, smitten by her, transformed himself into a beautiful white bull and mingled with her father's cattle. She saw him and, seduced by his gentleness and beauty, rode on him, at which point the disguised god ran into the sea and swam to the island of Crete, carrying Europa on his back. Once there, Zeus revealed his true identity, and after joining her, made her the first queen of the island. In addition, the god gave Europa a necklace made by Hephaestus, a bronze automaton, a dog that never let go of its prey and a javelin that never missed.
The 17th century saw the arrival of the Baroque in the Andalusian school, with the triumph of naturalism over Mannerist idealism, loose workmanship and many other aesthetic liberties. At this time the school reached its greatest splendour, both in terms of the quality of its works and the primordial status of Sevillian Baroque painting. Thus, during the transition to the Baroque period, we find Juan del Castillo, Antonio Mohedano and Francisco Herrera el Viejo, whose works already display the rapid brushstrokes and crude realism of the style, and Juan de Roelas, who introduced Venetian colourism. The middle of the century saw the fullness of the period, with figures such as Zurbarán, a young Alonso Cano and Velázquez. Finally, in the last third of the century we find Murillo and Valdés Leal, founders in 1660 of an Academy where many of the painters active during the first quarter of the 18th century were trained, such as Meneses Osorio, Sebastián Gómez, Lucas Valdés and others.
"The Rape of Europa".
Oil on canvas.
It presents patches and restorations.
Measurements: 122 x 165 cm.
The one of the abduction of Europa is one of the most known legends within the loves of Zeus. Europa was a Phoenician woman from Tyre, who was picking flowers on the beach accompanied by her ladies when she was spotted by the god. The god, smitten by her, transformed himself into a beautiful white bull and mingled with her father's cattle. She saw him and, seduced by his gentleness and beauty, rode on him, at which point the disguised god ran into the sea and swam to the island of Crete, carrying Europa on his back. Once there, Zeus revealed his true identity, and after joining her, made her the first queen of the island. In addition, the god gave Europa a necklace made by Hephaestus, a bronze automaton, a dog that never let go of its prey and a javelin that never missed.
The 17th century saw the arrival of the Baroque in the Andalusian school, with the triumph of naturalism over Mannerist idealism, loose workmanship and many other aesthetic liberties. At this time the school reached its greatest splendour, both in terms of the quality of its works and the primordial status of Sevillian Baroque painting. Thus, during the transition to the Baroque period, we find Juan del Castillo, Antonio Mohedano and Francisco Herrera el Viejo, whose works already display the rapid brushstrokes and crude realism of the style, and Juan de Roelas, who introduced Venetian colourism. The middle of the century saw the fullness of the period, with figures such as Zurbarán, a young Alonso Cano and Velázquez. Finally, in the last third of the century we find Murillo and Valdés Leal, founders in 1660 of an Academy where many of the painters active during the first quarter of the 18th century were trained, such as Meneses Osorio, Sebastián Gómez, Lucas Valdés and others.
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Andalusian school; second half of the 17th century.
"The Rape of Europa".
Oil on canvas.
It presents patches and restorations.
Measurements: 122 x 165 cm.
The one of the abduction of Europa is one of the most known legends within the loves of Zeus. Europa was a Phoenician woman from Tyre, who was picking flowers on the beach accompanied by her ladies when she was spotted by the god. The god, smitten by her, transformed himself into a beautiful white bull and mingled with her father's cattle. She saw him and, seduced by his gentleness and beauty, rode on him, at which point the disguised god ran into the sea and swam to the island of Crete, carrying Europa on his back. Once there, Zeus revealed his true identity, and after joining her, made her the first queen of the island. In addition, the god gave Europa a necklace made by Hephaestus, a bronze automaton, a dog that never let go of its prey and a javelin that never missed.
The 17th century saw the arrival of the Baroque in the Andalusian school, with the triumph of naturalism over Mannerist idealism, loose workmanship and many other aesthetic liberties. At this time the school reached its greatest splendour, both in terms of the quality of its works and the primordial status of Sevillian Baroque painting. Thus, during the transition to the Baroque period, we find Juan del Castillo, Antonio Mohedano and Francisco Herrera el Viejo, whose works already display the rapid brushstrokes and crude realism of the style, and Juan de Roelas, who introduced Venetian colourism. The middle of the century saw the fullness of the period, with figures such as Zurbarán, a young Alonso Cano and Velázquez. Finally, in the last third of the century we find Murillo and Valdés Leal, founders in 1660 of an Academy where many of the painters active during the first quarter of the 18th century were trained, such as Meneses Osorio, Sebastián Gómez, Lucas Valdés and others.
"The Rape of Europa".
Oil on canvas.
It presents patches and restorations.
Measurements: 122 x 165 cm.
The one of the abduction of Europa is one of the most known legends within the loves of Zeus. Europa was a Phoenician woman from Tyre, who was picking flowers on the beach accompanied by her ladies when she was spotted by the god. The god, smitten by her, transformed himself into a beautiful white bull and mingled with her father's cattle. She saw him and, seduced by his gentleness and beauty, rode on him, at which point the disguised god ran into the sea and swam to the island of Crete, carrying Europa on his back. Once there, Zeus revealed his true identity, and after joining her, made her the first queen of the island. In addition, the god gave Europa a necklace made by Hephaestus, a bronze automaton, a dog that never let go of its prey and a javelin that never missed.
The 17th century saw the arrival of the Baroque in the Andalusian school, with the triumph of naturalism over Mannerist idealism, loose workmanship and many other aesthetic liberties. At this time the school reached its greatest splendour, both in terms of the quality of its works and the primordial status of Sevillian Baroque painting. Thus, during the transition to the Baroque period, we find Juan del Castillo, Antonio Mohedano and Francisco Herrera el Viejo, whose works already display the rapid brushstrokes and crude realism of the style, and Juan de Roelas, who introduced Venetian colourism. The middle of the century saw the fullness of the period, with figures such as Zurbarán, a young Alonso Cano and Velázquez. Finally, in the last third of the century we find Murillo and Valdés Leal, founders in 1660 of an Academy where many of the painters active during the first quarter of the 18th century were trained, such as Meneses Osorio, Sebastián Gómez, Lucas Valdés and others.
10th March - Old Masters from America and Europe
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
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