21
Spanish school; mid-17th century."Saint Onofre".Oil on canvas. The original canvas is preserved.It
1/7
Beschreibung
Spanish school; mid-17th century.
"Saint Onofre".
Oil on canvas. The original canvas is preserved.
It has slight repainting.
Measurements: 130 x 85 cm; 150 x 104 cm (frame).
A hermit is kneeling in a penitent attitude, with his hands crossed in a pious way. From these hands hangs a small rosary which goes slightly unnoticed due to the darkness of the background. This darkness does not allow us to see the landscape clearly, but rather to make out the narrow, rocky space that opens up to the outside on the right-hand side of the scene. The saint, who stands out for the warmth of his skin tone, is accompanied by a skull, an open book, alluding to the Bible, and, as the last iconographic element, a bird with a flame in its beak. This, together with his clothing and characteristic beard, suggests that the artist is depicting the figure of Saint Onofre (300 AD). He is a saint venerated by both the Catholic Church and Coptic Christians. Legend has it that, as an infant, he escaped unharmed from the flames, where he was thrown by his father, who had been tricked by the devil. Onofre renounced a life of luxury and privilege to enter the monastic life at an early age. He would later leave the convent behind to live as a hermit in the desert for 60 years. It is said that he walked around naked, covered only by his hair and long beard, and that he fed on water, leaves and berries. The story of San Onofre says that he received bread, wine and communion from the hands of angels.
Spanish Baroque painting is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and their deepest feelings. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. The religious theme was therefore the subject matter.
"Saint Onofre".
Oil on canvas. The original canvas is preserved.
It has slight repainting.
Measurements: 130 x 85 cm; 150 x 104 cm (frame).
A hermit is kneeling in a penitent attitude, with his hands crossed in a pious way. From these hands hangs a small rosary which goes slightly unnoticed due to the darkness of the background. This darkness does not allow us to see the landscape clearly, but rather to make out the narrow, rocky space that opens up to the outside on the right-hand side of the scene. The saint, who stands out for the warmth of his skin tone, is accompanied by a skull, an open book, alluding to the Bible, and, as the last iconographic element, a bird with a flame in its beak. This, together with his clothing and characteristic beard, suggests that the artist is depicting the figure of Saint Onofre (300 AD). He is a saint venerated by both the Catholic Church and Coptic Christians. Legend has it that, as an infant, he escaped unharmed from the flames, where he was thrown by his father, who had been tricked by the devil. Onofre renounced a life of luxury and privilege to enter the monastic life at an early age. He would later leave the convent behind to live as a hermit in the desert for 60 years. It is said that he walked around naked, covered only by his hair and long beard, and that he fed on water, leaves and berries. The story of San Onofre says that he received bread, wine and communion from the hands of angels.
Spanish Baroque painting is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and their deepest feelings. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. The religious theme was therefore the subject matter.
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
Spanish school; mid-17th century.
"Saint Onofre".
Oil on canvas. The original canvas is preserved.
It has slight repainting.
Measurements: 130 x 85 cm; 150 x 104 cm (frame).
A hermit is kneeling in a penitent attitude, with his hands crossed in a pious way. From these hands hangs a small rosary which goes slightly unnoticed due to the darkness of the background. This darkness does not allow us to see the landscape clearly, but rather to make out the narrow, rocky space that opens up to the outside on the right-hand side of the scene. The saint, who stands out for the warmth of his skin tone, is accompanied by a skull, an open book, alluding to the Bible, and, as the last iconographic element, a bird with a flame in its beak. This, together with his clothing and characteristic beard, suggests that the artist is depicting the figure of Saint Onofre (300 AD). He is a saint venerated by both the Catholic Church and Coptic Christians. Legend has it that, as an infant, he escaped unharmed from the flames, where he was thrown by his father, who had been tricked by the devil. Onofre renounced a life of luxury and privilege to enter the monastic life at an early age. He would later leave the convent behind to live as a hermit in the desert for 60 years. It is said that he walked around naked, covered only by his hair and long beard, and that he fed on water, leaves and berries. The story of San Onofre says that he received bread, wine and communion from the hands of angels.
Spanish Baroque painting is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and their deepest feelings. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. The religious theme was therefore the subject matter.
"Saint Onofre".
Oil on canvas. The original canvas is preserved.
It has slight repainting.
Measurements: 130 x 85 cm; 150 x 104 cm (frame).
A hermit is kneeling in a penitent attitude, with his hands crossed in a pious way. From these hands hangs a small rosary which goes slightly unnoticed due to the darkness of the background. This darkness does not allow us to see the landscape clearly, but rather to make out the narrow, rocky space that opens up to the outside on the right-hand side of the scene. The saint, who stands out for the warmth of his skin tone, is accompanied by a skull, an open book, alluding to the Bible, and, as the last iconographic element, a bird with a flame in its beak. This, together with his clothing and characteristic beard, suggests that the artist is depicting the figure of Saint Onofre (300 AD). He is a saint venerated by both the Catholic Church and Coptic Christians. Legend has it that, as an infant, he escaped unharmed from the flames, where he was thrown by his father, who had been tricked by the devil. Onofre renounced a life of luxury and privilege to enter the monastic life at an early age. He would later leave the convent behind to live as a hermit in the desert for 60 years. It is said that he walked around naked, covered only by his hair and long beard, and that he fed on water, leaves and berries. The story of San Onofre says that he received bread, wine and communion from the hands of angels.
Spanish Baroque painting is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and their deepest feelings. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. The religious theme was therefore the subject matter.
10th March - Old Masters from America and Europe
Auktionsdatum
Ort der Versteigerung
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Wichtige Informationen
22% buyer´s premium
18% buyer´s premium at www.setdart.com
AGB
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
