8
Spanish school; second half of the 17th century."Saint Anthony Abbot".Polychrome carved wood.It
1/7
Beschreibung
Spanish school; second half of the 17th century.
"Saint Anthony Abbot".
Polychrome carved wood.
It presents faults in the polychromy and in the carving.
It has damage caused by xylophages.
Measurements: 52 x 30 x 12 cm.
Saint Anthony is represented following his basic iconography, with the hooded sackcloth typical of the Antonines and a long beard. The canon is stylised and the face is bony and expressive. His waist, far from being hieratic, adopts a slight movement due to the bending of one knee, which favours the naturalistic play of the folds of the tunic. Worked in the round, the carver shows great skill in the rendering of the different qualities.
According to legend, Saint Anthony Abbot was born in Egypt in 251, and at a very young age he retired to the solitude of the desert. The Order of the Antonines was founded in the 11th century under the patronage of Saint Anthony as a holy healer. In order to maintain their commendations and hospitals, the Antonines raised pigs. They enjoyed the privilege of letting their animals, recognisable by the bell that jingled on their necks, roam the streets of the villages and the communal lands. Hence one of the most popular attributes of the saint is a pig with a cowbell around its neck. Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and the deepest feelings that nestled in them. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, with the works sometimes being financed by popular subscription. Sculpture was thus forced to reflect the prevailing ideals in these environments, which were none other than religious ideals, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented.
"Saint Anthony Abbot".
Polychrome carved wood.
It presents faults in the polychromy and in the carving.
It has damage caused by xylophages.
Measurements: 52 x 30 x 12 cm.
Saint Anthony is represented following his basic iconography, with the hooded sackcloth typical of the Antonines and a long beard. The canon is stylised and the face is bony and expressive. His waist, far from being hieratic, adopts a slight movement due to the bending of one knee, which favours the naturalistic play of the folds of the tunic. Worked in the round, the carver shows great skill in the rendering of the different qualities.
According to legend, Saint Anthony Abbot was born in Egypt in 251, and at a very young age he retired to the solitude of the desert. The Order of the Antonines was founded in the 11th century under the patronage of Saint Anthony as a holy healer. In order to maintain their commendations and hospitals, the Antonines raised pigs. They enjoyed the privilege of letting their animals, recognisable by the bell that jingled on their necks, roam the streets of the villages and the communal lands. Hence one of the most popular attributes of the saint is a pig with a cowbell around its neck. Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and the deepest feelings that nestled in them. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, with the works sometimes being financed by popular subscription. Sculpture was thus forced to reflect the prevailing ideals in these environments, which were none other than religious ideals, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented.
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
Spanish school; second half of the 17th century.
"Saint Anthony Abbot".
Polychrome carved wood.
It presents faults in the polychromy and in the carving.
It has damage caused by xylophages.
Measurements: 52 x 30 x 12 cm.
Saint Anthony is represented following his basic iconography, with the hooded sackcloth typical of the Antonines and a long beard. The canon is stylised and the face is bony and expressive. His waist, far from being hieratic, adopts a slight movement due to the bending of one knee, which favours the naturalistic play of the folds of the tunic. Worked in the round, the carver shows great skill in the rendering of the different qualities.
According to legend, Saint Anthony Abbot was born in Egypt in 251, and at a very young age he retired to the solitude of the desert. The Order of the Antonines was founded in the 11th century under the patronage of Saint Anthony as a holy healer. In order to maintain their commendations and hospitals, the Antonines raised pigs. They enjoyed the privilege of letting their animals, recognisable by the bell that jingled on their necks, roam the streets of the villages and the communal lands. Hence one of the most popular attributes of the saint is a pig with a cowbell around its neck. Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and the deepest feelings that nestled in them. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, with the works sometimes being financed by popular subscription. Sculpture was thus forced to reflect the prevailing ideals in these environments, which were none other than religious ideals, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented.
"Saint Anthony Abbot".
Polychrome carved wood.
It presents faults in the polychromy and in the carving.
It has damage caused by xylophages.
Measurements: 52 x 30 x 12 cm.
Saint Anthony is represented following his basic iconography, with the hooded sackcloth typical of the Antonines and a long beard. The canon is stylised and the face is bony and expressive. His waist, far from being hieratic, adopts a slight movement due to the bending of one knee, which favours the naturalistic play of the folds of the tunic. Worked in the round, the carver shows great skill in the rendering of the different qualities.
According to legend, Saint Anthony Abbot was born in Egypt in 251, and at a very young age he retired to the solitude of the desert. The Order of the Antonines was founded in the 11th century under the patronage of Saint Anthony as a holy healer. In order to maintain their commendations and hospitals, the Antonines raised pigs. They enjoyed the privilege of letting their animals, recognisable by the bell that jingled on their necks, roam the streets of the villages and the communal lands. Hence one of the most popular attributes of the saint is a pig with a cowbell around its neck. Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and the deepest feelings that nestled in them. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, with the works sometimes being financed by popular subscription. Sculpture was thus forced to reflect the prevailing ideals in these environments, which were none other than religious ideals, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented.
9th March - Old Masters
Auktionsdatum
Ort der Versteigerung
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Wichtige Informationen
22% buyer´s premium
18% buyer´s premium at www.setdart.com
AGB
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
