27
FRANCIS PICABIA (Paris, 1879-1953)."Invitation vernissage at the Galerie Teophile Briant, Paris",
1/3
Beschreibung
FRANCIS PICABIA (Paris, 1879-1953).
"Invitation vernissage at the Galerie Teophile Briant, Paris", 1928.
Print on paper.
Size: 9 x 14,5 cm.
Invitation to the vernissage held at the Galerie Teophile Briant in Paris on the occasion of the exhibition dedicated to Francis Picabia.
Francis Picabia was a French avant-garde painter, poet and typographer. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract, flat compositions were colourful and rich in contrast. He was one of the first important figures of the Dada movement in the United States and France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Early in his career, from 1903 to 1908, Picabia was influenced by the Impressionist paintings of Alfred Sisley. From 1909 onwards, he came under the influence of the Cubists who would later form the Section d'Or (Golden Section). Picabia was the only member of the Cubist group to attend the Armory Show in New York in person, which enabled Alfred Stieglitz to facilitate a solo exhibition, Francis Picabia's New York Studies, at his gallery 291 (formerly Little Galleries of the Photo-Secession). Picabia travelled to New York City several times and was active in the avant-garde movements, introducing modern art to America. In 1922, André Breton relaunched the magazine Littérature with cover images by Picabia, to whom he gave carte blanche for each issue. 1925, Picabia returned to figurative painting, and during the 1930s he became a close friend of the modernist novelist Gertrude Stein. In the early 1940s he moved to the south of France, where his work took a surprising turn: he produced a series of paintings based on nude glamour shots in French "girlie" magazines such as Paris Sex-Appeal, and before the end of World War II, he returned to Paris, where he resumed abstract painting and writing poetry. Today his works are in important private and public collections. Highlights include the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tate Gallery, London; the Musée National d'Art Moderne, Paris; and Museum de Fundatie, Zwolle, The Netherlands.
"Invitation vernissage at the Galerie Teophile Briant, Paris", 1928.
Print on paper.
Size: 9 x 14,5 cm.
Invitation to the vernissage held at the Galerie Teophile Briant in Paris on the occasion of the exhibition dedicated to Francis Picabia.
Francis Picabia was a French avant-garde painter, poet and typographer. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract, flat compositions were colourful and rich in contrast. He was one of the first important figures of the Dada movement in the United States and France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Early in his career, from 1903 to 1908, Picabia was influenced by the Impressionist paintings of Alfred Sisley. From 1909 onwards, he came under the influence of the Cubists who would later form the Section d'Or (Golden Section). Picabia was the only member of the Cubist group to attend the Armory Show in New York in person, which enabled Alfred Stieglitz to facilitate a solo exhibition, Francis Picabia's New York Studies, at his gallery 291 (formerly Little Galleries of the Photo-Secession). Picabia travelled to New York City several times and was active in the avant-garde movements, introducing modern art to America. In 1922, André Breton relaunched the magazine Littérature with cover images by Picabia, to whom he gave carte blanche for each issue. 1925, Picabia returned to figurative painting, and during the 1930s he became a close friend of the modernist novelist Gertrude Stein. In the early 1940s he moved to the south of France, where his work took a surprising turn: he produced a series of paintings based on nude glamour shots in French "girlie" magazines such as Paris Sex-Appeal, and before the end of World War II, he returned to Paris, where he resumed abstract painting and writing poetry. Today his works are in important private and public collections. Highlights include the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tate Gallery, London; the Musée National d'Art Moderne, Paris; and Museum de Fundatie, Zwolle, The Netherlands.
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
FRANCIS PICABIA (Paris, 1879-1953).
"Invitation vernissage at the Galerie Teophile Briant, Paris", 1928.
Print on paper.
Size: 9 x 14,5 cm.
Invitation to the vernissage held at the Galerie Teophile Briant in Paris on the occasion of the exhibition dedicated to Francis Picabia.
Francis Picabia was a French avant-garde painter, poet and typographer. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract, flat compositions were colourful and rich in contrast. He was one of the first important figures of the Dada movement in the United States and France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Early in his career, from 1903 to 1908, Picabia was influenced by the Impressionist paintings of Alfred Sisley. From 1909 onwards, he came under the influence of the Cubists who would later form the Section d'Or (Golden Section). Picabia was the only member of the Cubist group to attend the Armory Show in New York in person, which enabled Alfred Stieglitz to facilitate a solo exhibition, Francis Picabia's New York Studies, at his gallery 291 (formerly Little Galleries of the Photo-Secession). Picabia travelled to New York City several times and was active in the avant-garde movements, introducing modern art to America. In 1922, André Breton relaunched the magazine Littérature with cover images by Picabia, to whom he gave carte blanche for each issue. 1925, Picabia returned to figurative painting, and during the 1930s he became a close friend of the modernist novelist Gertrude Stein. In the early 1940s he moved to the south of France, where his work took a surprising turn: he produced a series of paintings based on nude glamour shots in French "girlie" magazines such as Paris Sex-Appeal, and before the end of World War II, he returned to Paris, where he resumed abstract painting and writing poetry. Today his works are in important private and public collections. Highlights include the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tate Gallery, London; the Musée National d'Art Moderne, Paris; and Museum de Fundatie, Zwolle, The Netherlands.
"Invitation vernissage at the Galerie Teophile Briant, Paris", 1928.
Print on paper.
Size: 9 x 14,5 cm.
Invitation to the vernissage held at the Galerie Teophile Briant in Paris on the occasion of the exhibition dedicated to Francis Picabia.
Francis Picabia was a French avant-garde painter, poet and typographer. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract, flat compositions were colourful and rich in contrast. He was one of the first important figures of the Dada movement in the United States and France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Early in his career, from 1903 to 1908, Picabia was influenced by the Impressionist paintings of Alfred Sisley. From 1909 onwards, he came under the influence of the Cubists who would later form the Section d'Or (Golden Section). Picabia was the only member of the Cubist group to attend the Armory Show in New York in person, which enabled Alfred Stieglitz to facilitate a solo exhibition, Francis Picabia's New York Studies, at his gallery 291 (formerly Little Galleries of the Photo-Secession). Picabia travelled to New York City several times and was active in the avant-garde movements, introducing modern art to America. In 1922, André Breton relaunched the magazine Littérature with cover images by Picabia, to whom he gave carte blanche for each issue. 1925, Picabia returned to figurative painting, and during the 1930s he became a close friend of the modernist novelist Gertrude Stein. In the early 1940s he moved to the south of France, where his work took a surprising turn: he produced a series of paintings based on nude glamour shots in French "girlie" magazines such as Paris Sex-Appeal, and before the end of World War II, he returned to Paris, where he resumed abstract painting and writing poetry. Today his works are in important private and public collections. Highlights include the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tate Gallery, London; the Musée National d'Art Moderne, Paris; and Museum de Fundatie, Zwolle, The Netherlands.
8th March - Contemporary Art
Auktionsdatum
Ort der Versteigerung
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Wichtige Informationen
22% buyer´s premium
18% buyer´s premium at www.setdart.com
AGB
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
