55
Los
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George Morrison (1919-2000). Circular wooden sculpture made up of interlocking pieces of wood.
Provenance: Directly from artist; Private collection, Minnesota
Dimensions: Height: 5 3/4 in x diameter: 9 in.
Condition: Some surface wear and rubbing under the base and to the base edge.
Lot essay: George Morrison was born in 1919 in Grand Marais, Minnesota. He grew up primarily in neighboring Chippewa City, with his family, who were part of the Grand Portage Band of Anishinaabe (Ojibwe). His family was poor, but very loving, and very supportive of his constant desire to create. Morrison spent his early childhood roaming the shores of Lake Superior and creating toys and art out of any object he could find. His first introduction to formal art classes came when he was sent to attend the Bureau of Indian Affairs boarding school in Hayward, Wisconsin. After a year in Hayward, a case of tuberculosis in his hip led him to be sent to St. Paul for treatment. While bedridden, he was able to spend all his time reading, learning, and creating art with supplies provided for him by the hospital, solidifying his excitement in learning and love of art.
Morrison finished high school in Grand Marais with his family, excelling in his academic classes and also in his shop classes, where he learned skills, such as woodworking, that he would use throughout his later career. To make money, he learned traditional crafts and sold them to tourists. His artistic abilities were already gaining recognition in his hometown, and upon his graduation from high school, he was given a scholarship by the Consolidated Chippewa Agency to attend the Minneapolis School of Art. While there, he learned traditional artistic techniques and ideas, but was also introduced to newer, more radical ideas about art, such as abstract art and cubism. His instructors encouraged him to express himself in his art. Also while in Minneapolis, Morrison, always full of a voracious desire to learn, took advantage of all the cultural opportunities available to him there, attending lectures, dance performances, and many other things.
After graduation, Morrison received a scholarship to study in New York City, where he spent much of his artistic career. He took classes at the Art Students League, where he was part of a group of radical students, experimenting with new ideas on the forefront of art innovation. His work became increasingly Expressionist during this period, and he began participating in shows and receiving some positive critical reception. It was also during this period that he first traveled to Provincetown, which had a large effect on Morrison and his art. He had always felt connected to large bodies of water, something he attributed to his childhood on Lake Superior, and being in Provincetown provided Morrison with a great deal of inspiration. Horizon lines began appear in his work around this time, a major theme based around these large, powerful bodies of water, which would continue to be important in his work throughout his career.
Morrison began gaining more significant professional success in his last year at the Art Students League, exhibiting his work in major shows alongside important artists at the time. His art was featured throughout the United States to critical success, particularly in his home state of Minnesota. In 1947 he was offered his first teaching position, the first of many throughout his career. His work began to lean more toward abstraction at this time, a concept Morrison defined as "no longer recognizable; completely devoid of any kind of reference to realism or naturalism." He held his first one-man show in 1948 at Grand Central Moderns. With his growing success came more accolades: he received a Fulbright to study in Europe, where he traveled with his dog and his new wife, Ada, visiting Paris, where he studied at the Ecole de Beaux-Arts, along with other parts of France, Italy, and Spain. His work was displayed in Paris, where it received a great deal of positive attention.
While in France, he received the John Hay Whitney Scholarship, which he used to return to Minnesota and paint. This was a tremendously productive period for him, and he spent his time there either in his studio or with family. His work continued to be selected for shows, and his success grew. When he returned to New York in 1954, he and Ada divorced and he threw himself into his painting. He became involved with groups such as the Audubon Artists and the Federation of Modern Painters and Sculptors, and continued showing his work. He rubbed shoulders with the major Abstract Expressionists, and his work began to take on more of those qualities.
While his work gained critical acclaim, Morrison's relationship with the press was always complicated. Racism was abundant, and often Morrison felt as if people looked to his identity as a Native American to define him instead of to his art. While he was strongly connected to his culture, he did not make what was understood as "Indian art." In his words, "I was a painter, and I happened to be Indian. I wasn't exploiting the idea of being Indian at all, or using Indian themes. But as my work became better known, some critics would pick up on my Indian background, and they'd make something of it. I guess they were looking or a way to understand my work."
In the early 1960s, Morrison turned to teaching for steady employment. He taught at the Dayton Art Institute in Ohio, where he met his second wife, Hazel. He bounced around the United States, taking semester-long positions, until in 1963 he got a job as a faculty member at the Rhode Island School of Design. He and Hazel settled in a historic house in Providence and had a son, Briand. Morrison loved working in Providence, with his love for the ocean providing continued inspiration for him. They continued to summer in Provincetown. He began making forays into sculptural work at this time, creating wood collages from driftwood he found on the beach.
Despite his love for the ocean, Morrison eventually decided it was time to move back home to Minnesota, accepting a visiting professorship at the University of Minnesota in both the American Indian Studies department and in the Art department, where he taught painting. The position soon became permanent, and the Morrisons settled into St. Paul, building a vibrant community around themselves of artists and thinkers. Morrison was additionally very active in the local Anishinaabe community. After his retirement, Morrison moved back up to live on Lake Superior, at Red Rock, where he lived until his death in 2000.
This sculpture is an intriguing mixture of Morrison's sculpture styles. It is similar in many ways to his Chiringa Forms, which were inspired by aboriginal Australian churinga stones. Morrison understood these as a form of totem, an important motif through his sculptural work. Morrison began creating totems in 1977, and in many ways viewed them as a way to return to his cultural roots with his artwork. Totem means "family mark" in Anishinaabe, and Morrison had viewed his return to Minnesota as a return to his family and his culture, and honored this in his sculpture. His Totems and Chiringa Forms, like this sculpture, remained abstract and focused on shape, but they were tied for him to his re-involvement with his native culture. Additionally, the way the joints in the wood follow the curve of the form bring to mind Morrison's famous horizon lines, always just vanishing with the curve of the earth.
Removal
Property purchased from Revere Auctions by a successful bidder will not be released to such bidder until the full payment of the total purchase price (including the buyer’s premium and online bidding service fee, and all applicable sales taxes) has been made. In addition to other remedies available to us by law, we reserve the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with these conditions. Please note that Revere Auctions reserves the right to refuse to accept payment from a source other than the buyer of record. The purchaser must remove all property from the auction premises at his/her expense the day following the auction. Allproperty must be collected within ten (10) days of the auction. If you fail to retrieve the purchased property within thirty (30) days after the Sale Date (such that the 30-day period is termed the “Retrieval Period”) Revere Auctions reserves the right to charge a minimum storage and handling fee of $20 per lot per day. Revere Auctions also reserves the right to send the property to a public warehouse for the account and at the risk and expense of the purchaser, to be released only after payment in full of all removal, storage, handling, insurance, and any other costs incurred, together with payment of all other amounts due to us. It is the purchaser’s sole responsibility to arrange to collect or ship the property and to identify and obtain any necessary export, import, firearm, endangered species, or other permit for the lot. Revere Auctions and the consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or embargoes. Purchasers are reminded that Revere Auctions' liability for loss or damage to sold property shall cease no later than thirty (30) days after the date of the auction, and immediately upon removal from Revere Auctions’ facility if removal takes place within thirty (30) days after the date of sale.
Shipping
Revere Auctions offers in-house shipping for eligible orders and referrals to third-party shippers for all other orders. Customers with eligible orders will receive an email from ShippingSaint.com within two business days after an auction informing you of eligibility. Please allow 7-10 business days after submitting payment for your order for Revere Auctions to begin packaging your order. Eligible orders will include but are not limited to, unframed artwork, framed artwork, jewelry, coins, and decorative objects. Ineligible orders include but are not limited to, furniture, oversized lots, and any lot that must be shipped by a third party.
As a convenience to the Buyer, Revere Auctions will make a referral for packing and shipping to third-party shipping vendors. This is at the request, expense, and risk of the Buyer, and Revere Auctions assumes no responsibility for the items or the timing of delivery. Insurance for in-transit items is the responsibility of the buyer. The buyer must reach out to a third-party shipping vendor to arrange shipping.
“Oversized lots” are objects such as furniture, andirons, floor vases, sculptures, or any other item whose safe packing will exceed the limits of common carriers. The delivery of oversized, large, exceedingly heavy, or high-value objects is not an inexpensive proposition and we urge you to consider this before bidding.
The buyer must fill out the Shipping Release Form in order for their items to be released to a third-party shipper. This is to ensure that the won item(s) are given to the proper shipping company and reach their final destination safely. This form can be found here: revereauctions.com/shipping-release-authorization/
For a list of referrals for third-party shipping vendors, please see our Shipping Information page for more details. revereauctions.com/shipping-information/
A wonderful sale featuring works by Andy Warhol, Roy Lichtenstein, Gorg Jensen, and Alphonse Mucha, among many others. 28% buyer's premium.
The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed by Revere Auctions LLC. Hereinafter, Revere Auctions LLC is referred to Revere Auctions.
Revere Auctions acts as owner or as an agent for various owners and consignors. Revere Auctions reserves the right to change the terms of sale by oral announcement. Any such change shall become part of the Condition of Sale. By bidding at auction (whether present in person, by agent, by telephone, by absentee bid instruction, or though a live internet bidding platform) you agree to be bound by these terms.
Before the Sale
Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $500 and above.
All lots are sold 'AS IS' and without recourse and neither Revere Auctions, nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Revere Auctions makes a limited warranty only to the original buyer of record concerning the authenticity of each lot for a period of 14 days after bidder's receipt of the purchased lot. If a buyer is not satisfied that the lot purchased is genuine, the buyer may, at his or her own expense, obtain the opinion of two mutually agreed upon recognized experts in the field of the disputed lot. If these experts determine that the item is not genuine, the buyer's sole and exclusive remedy shall be the rescission of the sale and refund of the amount paid for the item. It is specifically understood and agreed that the rescission of the sale and refund is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law or in equity, and such remedy is conditioned upon the buyer returning the property in the same condition as at the time of sale. Revere Auctions shall not be liable for any incidental or consequential damages. All sales are final, with no returns or refunds except as provided in this limited warranty. The limited warrantee does not extend to the lots identified as attributions, school, circle, manner, or after.
Reserves
Some of the lots in this sale are offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. A reserve shall not be greater than the low estimate of the lot. A representative of Revere Auctions will execute such reserves by bidding on behalf of the consignor.
Withdrawl
Revere Auctions in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.
Buyers Premium
A buyer's premium will be added to the hammer price and is payable by the purchaser as part of the total purchase price. The buyer's premium is 25% of the hammer price. An additional fee will be charged on any purchase made using live online bidding. Those bidding live online or leaving absentee bids on Invaluable.com, liveauctioneers.com or any related site will pay an additional fee of 3% on the total hammer price of successful purchases. All purchases regardless of bidding method are subject to the Buyer's Premium and appropriate Sales Tax.
Bidding
The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Revere Auction sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.
Hammer
Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer's Premium, therefore or such part, upon such terms as Revere Auctions may require. Title in a purchased lot will not pass until Revere Auctions has received in full the total purchase price in cleared funds. Unless exempted by law, the purchaser will be required to pay Minnesota state sales tax as applicable, any applicable local sales tax, and any applicable compensating use tax of another state. Sale tax will not be collected on any lot that is shipped out of state.
Payment
Revere Auctions accepts checks (personal or business check in US dollars certified by a US bank, a cashier's/banker's check drawn on a US bank or US money order), cash (US currency not to exceed $10,000 in a single or multiple related payments). Visa, Discover, American Express or MasterCard may be used and are subject to a 2.5% convenience fee. The purchaser's obligation to pay immediately the full purchase price is absolute and unconditional and is not subject to any defenses, setoffs or counterclaims of any kind whatsoever. Revere Auctions is not obligated to release a lot to the purchaser until title to the lot has passed. The purchaser agrees to pay Revere Auctions handling charge of $30 for any check dishonored by the drawee.
Removal
Property purchased from Revere Auctions by a successful bidder will not be released to such bidder until the full payment of the total purchase price (including the buyer's premium and online bidding service fee, and all applicable sales taxes) have been made. In addition to other remedies available to us by law, we reserve the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with these conditions. Please note that Revere Auctions reserves the right to refuse to accept payment form a source other than the buyer of record. The purchaser must remove all property from the auction premises at his/her expense the day following the auction. If the property is not picked up within 10 days of the auction, Revere Auctions reserves the right to charge a minimum storage and handling charge of $20 per lot per day. Revere Auctions also reserves the right to send the property to a public warehouse for the account and at the risk and expense of the purchaser, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. It is the purchaser's sole responsibility to arrange to collect or ship the property and to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Revere Auctions and the consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or embargoes. Purchasers are reminded that Revere Auctions liability for loss or damage to sold property shall cease no later than 10 days after the date of the auction.
Shipping
As a convenience to the Buyer, Revere Auctions will make a referral for packing and shipping. This is at the request, expense, and risk of the Buyer, and Revere Auctions assumes no responsibility for the items or the timing of delivery. Insurance for in transit items is the responsibility of the buyer
Remedies
If the purchaser fails to fulfill or comply with any of the conditions herein, the purchaser shall be in default and, in addition to all legal remedies available to the Revere Auctions and the consignor by law, including, without limitation, the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, Revere Auctions, at its option, may: a) cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same auction or any other auction, and retain all payments made by the purchaser as liquidated damages; b) resell the purchased property whether at public auction or by private sale, for the account of the purchaser, in which case the purchaser shall be liable to Revere Auctions for all its costs and damages, including the commissions for both auctions; c) remove the property to a public warehouse for the account and at the risk and expense of the purchaser; d) charge interest at such rate as we shall reasonably select, or e) effect any combination thereof. In any case, the purchaser will be liable for any deficiency and any and all costs, handling charges, late charges, expenses of both sales, our commissions on both sales at our regular rates, legal fees and expenses, collection fees and incidental damages. Payment will not be deemed to have been made in full until we have collected good funds. In the event that purchaser fails to pay any or all of the total purchase price for any lot and Revere Auctions nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Revere Auctions shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these conditions of sale. In addition, defaulting purchaser will be deemed to have granted and assigned to Revere Auctions a continuing security interest of first priority in any property or money of or owing to such purchaser in our possession, custody or control, in each case whether at the time of the auction, the default or if acquired at any time thereafter, and we may retain and apply such property or money as collateral security for the obligations due to us.
Limited Liability
In no event will our liability to a purchaser with respect to an item of property exceed the purchase price actually paid by such purchaser for such item. If any part of these
Copyright
The copyright in all images, illustrations and written material produced by or for Revere Auctions relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Revere Auctions and shall not be used by the buyer nor by anyone else, without our prior written consent. Revere Auctions reserves the right to reproduce any image of the lots sold in this catalogue.
The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Minnesota. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
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George Morrison (1919-2000). Circular wooden sculpture made up of interlocking pieces of wood.
Provenance: Directly from artist; Private collection, Minnesota
Dimensions: Height: 5 3/4 in x diameter: 9 in.
Condition: Some surface wear and rubbing under the base and to the base edge.
Lot essay: George Morrison was born in 1919 in Grand Marais, Minnesota. He grew up primarily in neighboring Chippewa City, with his family, who were part of the Grand Portage Band of Anishinaabe (Ojibwe). His family was poor, but very loving, and very supportive of his constant desire to create. Morrison spent his early childhood roaming the shores of Lake Superior and creating toys and art out of any object he could find. His first introduction to formal art classes came when he was sent to attend the Bureau of Indian Affairs boarding school in Hayward, Wisconsin. After a year in Hayward, a case of tuberculosis in his hip led him to be sent to St. Paul for treatment. While bedridden, he was able to spend all his time reading, learning, and creating art with supplies provided for him by the hospital, solidifying his excitement in learning and love of art.
Morrison finished high school in Grand Marais with his family, excelling in his academic classes and also in his shop classes, where he learned skills, such as woodworking, that he would use throughout his later career. To make money, he learned traditional crafts and sold them to tourists. His artistic abilities were already gaining recognition in his hometown, and upon his graduation from high school, he was given a scholarship by the Consolidated Chippewa Agency to attend the Minneapolis School of Art. While there, he learned traditional artistic techniques and ideas, but was also introduced to newer, more radical ideas about art, such as abstract art and cubism. His instructors encouraged him to express himself in his art. Also while in Minneapolis, Morrison, always full of a voracious desire to learn, took advantage of all the cultural opportunities available to him there, attending lectures, dance performances, and many other things.
After graduation, Morrison received a scholarship to study in New York City, where he spent much of his artistic career. He took classes at the Art Students League, where he was part of a group of radical students, experimenting with new ideas on the forefront of art innovation. His work became increasingly Expressionist during this period, and he began participating in shows and receiving some positive critical reception. It was also during this period that he first traveled to Provincetown, which had a large effect on Morrison and his art. He had always felt connected to large bodies of water, something he attributed to his childhood on Lake Superior, and being in Provincetown provided Morrison with a great deal of inspiration. Horizon lines began appear in his work around this time, a major theme based around these large, powerful bodies of water, which would continue to be important in his work throughout his career.
Morrison began gaining more significant professional success in his last year at the Art Students League, exhibiting his work in major shows alongside important artists at the time. His art was featured throughout the United States to critical success, particularly in his home state of Minnesota. In 1947 he was offered his first teaching position, the first of many throughout his career. His work began to lean more toward abstraction at this time, a concept Morrison defined as "no longer recognizable; completely devoid of any kind of reference to realism or naturalism." He held his first one-man show in 1948 at Grand Central Moderns. With his growing success came more accolades: he received a Fulbright to study in Europe, where he traveled with his dog and his new wife, Ada, visiting Paris, where he studied at the Ecole de Beaux-Arts, along with other parts of France, Italy, and Spain. His work was displayed in Paris, where it received a great deal of positive attention.
While in France, he received the John Hay Whitney Scholarship, which he used to return to Minnesota and paint. This was a tremendously productive period for him, and he spent his time there either in his studio or with family. His work continued to be selected for shows, and his success grew. When he returned to New York in 1954, he and Ada divorced and he threw himself into his painting. He became involved with groups such as the Audubon Artists and the Federation of Modern Painters and Sculptors, and continued showing his work. He rubbed shoulders with the major Abstract Expressionists, and his work began to take on more of those qualities.
While his work gained critical acclaim, Morrison's relationship with the press was always complicated. Racism was abundant, and often Morrison felt as if people looked to his identity as a Native American to define him instead of to his art. While he was strongly connected to his culture, he did not make what was understood as "Indian art." In his words, "I was a painter, and I happened to be Indian. I wasn't exploiting the idea of being Indian at all, or using Indian themes. But as my work became better known, some critics would pick up on my Indian background, and they'd make something of it. I guess they were looking or a way to understand my work."
In the early 1960s, Morrison turned to teaching for steady employment. He taught at the Dayton Art Institute in Ohio, where he met his second wife, Hazel. He bounced around the United States, taking semester-long positions, until in 1963 he got a job as a faculty member at the Rhode Island School of Design. He and Hazel settled in a historic house in Providence and had a son, Briand. Morrison loved working in Providence, with his love for the ocean providing continued inspiration for him. They continued to summer in Provincetown. He began making forays into sculptural work at this time, creating wood collages from driftwood he found on the beach.
Despite his love for the ocean, Morrison eventually decided it was time to move back home to Minnesota, accepting a visiting professorship at the University of Minnesota in both the American Indian Studies department and in the Art department, where he taught painting. The position soon became permanent, and the Morrisons settled into St. Paul, building a vibrant community around themselves of artists and thinkers. Morrison was additionally very active in the local Anishinaabe community. After his retirement, Morrison moved back up to live on Lake Superior, at Red Rock, where he lived until his death in 2000.
This sculpture is an intriguing mixture of Morrison's sculpture styles. It is similar in many ways to his Chiringa Forms, which were inspired by aboriginal Australian churinga stones. Morrison understood these as a form of totem, an important motif through his sculptural work. Morrison began creating totems in 1977, and in many ways viewed them as a way to return to his cultural roots with his artwork. Totem means "family mark" in Anishinaabe, and Morrison had viewed his return to Minnesota as a return to his family and his culture, and honored this in his sculpture. His Totems and Chiringa Forms, like this sculpture, remained abstract and focused on shape, but they were tied for him to his re-involvement with his native culture. Additionally, the way the joints in the wood follow the curve of the form bring to mind Morrison's famous horizon lines, always just vanishing with the curve of the earth.
Generelle Versandinformationen vom Auktionshaus verfügbar
Removal
Property purchased from Revere Auctions by a successful bidder will not be released to such bidder until the full payment of the total purchase price (including the buyer’s premium and online bidding service fee, and all applicable sales taxes) has been made. In addition to other remedies available to us by law, we reserve the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with these conditions. Please note that Revere Auctions reserves the right to refuse to accept payment from a source other than the buyer of record. The purchaser must remove all property from the auction premises at his/her expense the day following the auction. Allproperty must be collected within ten (10) days of the auction. If you fail to retrieve the purchased property within thirty (30) days after the Sale Date (such that the 30-day period is termed the “Retrieval Period”) Revere Auctions reserves the right to charge a minimum storage and handling fee of $20 per lot per day. Revere Auctions also reserves the right to send the property to a public warehouse for the account and at the risk and expense of the purchaser, to be released only after payment in full of all removal, storage, handling, insurance, and any other costs incurred, together with payment of all other amounts due to us. It is the purchaser’s sole responsibility to arrange to collect or ship the property and to identify and obtain any necessary export, import, firearm, endangered species, or other permit for the lot. Revere Auctions and the consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or embargoes. Purchasers are reminded that Revere Auctions' liability for loss or damage to sold property shall cease no later than thirty (30) days after the date of the auction, and immediately upon removal from Revere Auctions’ facility if removal takes place within thirty (30) days after the date of sale.
Shipping
Revere Auctions offers in-house shipping for eligible orders and referrals to third-party shippers for all other orders. Customers with eligible orders will receive an email from ShippingSaint.com within two business days after an auction informing you of eligibility. Please allow 7-10 business days after submitting payment for your order for Revere Auctions to begin packaging your order. Eligible orders will include but are not limited to, unframed artwork, framed artwork, jewelry, coins, and decorative objects. Ineligible orders include but are not limited to, furniture, oversized lots, and any lot that must be shipped by a third party.
As a convenience to the Buyer, Revere Auctions will make a referral for packing and shipping to third-party shipping vendors. This is at the request, expense, and risk of the Buyer, and Revere Auctions assumes no responsibility for the items or the timing of delivery. Insurance for in-transit items is the responsibility of the buyer. The buyer must reach out to a third-party shipping vendor to arrange shipping.
“Oversized lots” are objects such as furniture, andirons, floor vases, sculptures, or any other item whose safe packing will exceed the limits of common carriers. The delivery of oversized, large, exceedingly heavy, or high-value objects is not an inexpensive proposition and we urge you to consider this before bidding.
The buyer must fill out the Shipping Release Form in order for their items to be released to a third-party shipper. This is to ensure that the won item(s) are given to the proper shipping company and reach their final destination safely. This form can be found here: revereauctions.com/shipping-release-authorization/
For a list of referrals for third-party shipping vendors, please see our Shipping Information page for more details. revereauctions.com/shipping-information/
A wonderful sale featuring works by Andy Warhol, Roy Lichtenstein, Gorg Jensen, and Alphonse Mucha, among many others. 28% buyer's premium.
The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed by Revere Auctions LLC. Hereinafter, Revere Auctions LLC is referred to Revere Auctions.
Revere Auctions acts as owner or as an agent for various owners and consignors. Revere Auctions reserves the right to change the terms of sale by oral announcement. Any such change shall become part of the Condition of Sale. By bidding at auction (whether present in person, by agent, by telephone, by absentee bid instruction, or though a live internet bidding platform) you agree to be bound by these terms.
Before the Sale
Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $500 and above.
All lots are sold 'AS IS' and without recourse and neither Revere Auctions, nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Revere Auctions makes a limited warranty only to the original buyer of record concerning the authenticity of each lot for a period of 14 days after bidder's receipt of the purchased lot. If a buyer is not satisfied that the lot purchased is genuine, the buyer may, at his or her own expense, obtain the opinion of two mutually agreed upon recognized experts in the field of the disputed lot. If these experts determine that the item is not genuine, the buyer's sole and exclusive remedy shall be the rescission of the sale and refund of the amount paid for the item. It is specifically understood and agreed that the rescission of the sale and refund is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law or in equity, and such remedy is conditioned upon the buyer returning the property in the same condition as at the time of sale. Revere Auctions shall not be liable for any incidental or consequential damages. All sales are final, with no returns or refunds except as provided in this limited warranty. The limited warrantee does not extend to the lots identified as attributions, school, circle, manner, or after.
Reserves
Some of the lots in this sale are offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. A reserve shall not be greater than the low estimate of the lot. A representative of Revere Auctions will execute such reserves by bidding on behalf of the consignor.
Withdrawl
Revere Auctions in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.
Buyers Premium
A buyer's premium will be added to the hammer price and is payable by the purchaser as part of the total purchase price. The buyer's premium is 25% of the hammer price. An additional fee will be charged on any purchase made using live online bidding. Those bidding live online or leaving absentee bids on Invaluable.com, liveauctioneers.com or any related site will pay an additional fee of 3% on the total hammer price of successful purchases. All purchases regardless of bidding method are subject to the Buyer's Premium and appropriate Sales Tax.
Bidding
The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Revere Auction sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.
Hammer
Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer's Premium, therefore or such part, upon such terms as Revere Auctions may require. Title in a purchased lot will not pass until Revere Auctions has received in full the total purchase price in cleared funds. Unless exempted by law, the purchaser will be required to pay Minnesota state sales tax as applicable, any applicable local sales tax, and any applicable compensating use tax of another state. Sale tax will not be collected on any lot that is shipped out of state.
Payment
Revere Auctions accepts checks (personal or business check in US dollars certified by a US bank, a cashier's/banker's check drawn on a US bank or US money order), cash (US currency not to exceed $10,000 in a single or multiple related payments). Visa, Discover, American Express or MasterCard may be used and are subject to a 2.5% convenience fee. The purchaser's obligation to pay immediately the full purchase price is absolute and unconditional and is not subject to any defenses, setoffs or counterclaims of any kind whatsoever. Revere Auctions is not obligated to release a lot to the purchaser until title to the lot has passed. The purchaser agrees to pay Revere Auctions handling charge of $30 for any check dishonored by the drawee.
Removal
Property purchased from Revere Auctions by a successful bidder will not be released to such bidder until the full payment of the total purchase price (including the buyer's premium and online bidding service fee, and all applicable sales taxes) have been made. In addition to other remedies available to us by law, we reserve the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with these conditions. Please note that Revere Auctions reserves the right to refuse to accept payment form a source other than the buyer of record. The purchaser must remove all property from the auction premises at his/her expense the day following the auction. If the property is not picked up within 10 days of the auction, Revere Auctions reserves the right to charge a minimum storage and handling charge of $20 per lot per day. Revere Auctions also reserves the right to send the property to a public warehouse for the account and at the risk and expense of the purchaser, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. It is the purchaser's sole responsibility to arrange to collect or ship the property and to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Revere Auctions and the consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or embargoes. Purchasers are reminded that Revere Auctions liability for loss or damage to sold property shall cease no later than 10 days after the date of the auction.
Shipping
As a convenience to the Buyer, Revere Auctions will make a referral for packing and shipping. This is at the request, expense, and risk of the Buyer, and Revere Auctions assumes no responsibility for the items or the timing of delivery. Insurance for in transit items is the responsibility of the buyer
Remedies
If the purchaser fails to fulfill or comply with any of the conditions herein, the purchaser shall be in default and, in addition to all legal remedies available to the Revere Auctions and the consignor by law, including, without limitation, the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, Revere Auctions, at its option, may: a) cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same auction or any other auction, and retain all payments made by the purchaser as liquidated damages; b) resell the purchased property whether at public auction or by private sale, for the account of the purchaser, in which case the purchaser shall be liable to Revere Auctions for all its costs and damages, including the commissions for both auctions; c) remove the property to a public warehouse for the account and at the risk and expense of the purchaser; d) charge interest at such rate as we shall reasonably select, or e) effect any combination thereof. In any case, the purchaser will be liable for any deficiency and any and all costs, handling charges, late charges, expenses of both sales, our commissions on both sales at our regular rates, legal fees and expenses, collection fees and incidental damages. Payment will not be deemed to have been made in full until we have collected good funds. In the event that purchaser fails to pay any or all of the total purchase price for any lot and Revere Auctions nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Revere Auctions shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these conditions of sale. In addition, defaulting purchaser will be deemed to have granted and assigned to Revere Auctions a continuing security interest of first priority in any property or money of or owing to such purchaser in our possession, custody or control, in each case whether at the time of the auction, the default or if acquired at any time thereafter, and we may retain and apply such property or money as collateral security for the obligations due to us.
Limited Liability
In no event will our liability to a purchaser with respect to an item of property exceed the purchase price actually paid by such purchaser for such item. If any part of these
Copyright
The copyright in all images, illustrations and written material produced by or for Revere Auctions relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Revere Auctions and shall not be used by the buyer nor by anyone else, without our prior written consent. Revere Auctions reserves the right to reproduce any image of the lots sold in this catalogue.
The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Minnesota. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.