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17th century English School Portrait Painting of Henry IV Oil on Panel

In Fine and Decorative Arts of the Globe

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17th century English School Portrait Painting of Henry IV Oil on Panel - Bild 1 aus 5
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17th century English School Portrait Painting of Henry IV Oil on Panel - Bild 3 aus 5
17th century English School Portrait Painting of Henry IV Oil on Panel - Bild 4 aus 5
17th century English School Portrait Painting of Henry IV Oil on Panel - Bild 5 aus 5
17th century English School Portrait Painting of Henry IV Oil on Panel - Bild 1 aus 5
17th century English School Portrait Painting of Henry IV Oil on Panel - Bild 2 aus 5
17th century English School Portrait Painting of Henry IV Oil on Panel - Bild 3 aus 5
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St. Paul, Minnesota
English School, circa 17th century. Oil on panel portrait of Henry IV. Inscribed "H.R. IIII" along the upper left. There is a Minneapolis Institute of Arts label attached to the verso, which is inscribed L22-430, meaning the painting was loaned to the MIA in 1922. A partial label attached to the verso reads "Londo" and the letter "G." "T. B. Walker" is inscribed on the verso of the frame in pencil. Provenance: T.B. Walker Collection; private collection, Minnesota. Henry IV of England (1366-1413) was the first king in the Lancastrian line, which ruled England between 1399 and 1471, with a gap from 1461-1470 owing to the Wars of the Roses. His father, John of Gaunt, was the Earl of Lancaster and a major political figure during the early parts of Henry’s cousin Richard II’s reign. Henry entered politics in 1386 as part of the lords appellant, a group in opposition to the crown. Tensions quickly heated up, with conflicts resolved only by John of Gaunt’s timely return from a diplomatic expedition to Spain. At this point, Henry left England to go on Crusade to Central Europe for a few years. Upon his return to England, he immediately began stirring up political conflict, which eventually led to his exile in 1398. Later that year, John of Gaunt died. Richard immediately seized all of his--and, therefore, Henry’s--lands. Henry took this as an opportunity to invade England and usurp the throne, and was crowned king in 1399.He spent the early years of his reign pushing back uprisings of the Welsh, the French, and his own countrymen. Several of these wars dragged for years, particularly the now-legendary revolt led by the Welsh prince Owain Glyndŵr (ca. 1354-ca. 1416), who gained control of nearly the entirety of Wales before he was beaten back by Henry’s son Henry (1386-1422) in the first decade of the 15th century. King Henry grew increasingly incapacitated by illness, likely syphilis, in the later years of his reign, leading to further intrigue in government as various people competed for power and favor. He died in 1413 and was succeeded by his son Henry, who became Henry V of England. Despite the constant action and intrigue of Henry IV’s reign, which was even dramatized by Shakespeare, very few visual records of the man himself survive. The only image surviving from the king’s lifetime is his effigy from his grave in Canterbury. The image here, which is the standard depiction of Henry IV, is not actually based on Henry, but is instead based on a portrait of Charles VI of France, a contemporary of Henry’s. This portrait type was likely developed around the 1580s in response to the growing popularity of portrait halls. These halls were frequently lined with portraits of kings and queens of England as a way of emphasizing loyalty to the crown. The lack of a portrait of Henry created a gap in these halls, which led to the creation of this image, based on the engraving of Charles VI in the 1567 book "Recueil des effigies des roys de France avec un brief sommaire des genealogies faits et gestes d'iceux." Some alterations were made to the portrait: the face was altered to closer resemble that of the effigy, and a red rose, the symbol of the Lancastrian kings, was placed in Henry’s hand.This specific painting likely dates from the 17th century. Its entire history is not known, but once in the United States, it spent time in the collection of Thomas Barlow Walker (1840-1928), an important Minnesota lumberman with a passion for art collecting. Walker’s collection formed the basis for what became the Walker Art Center. This painting is an excellent and unique example of the standard portrait type for Henry IV due to the level of precise detail, and depicts the king in semi-profile to the left, wearing a burgundy tunic with a fur trim and collar. His right arm, which is armored, bears a scepter topped with a fleur de lis, and his left hand is holding a Lancastrian red rose. Around his neck is a gold necklace with a medallion of a lion rampant. The inscription to the left of his head reads H.R. (Henricus Rex) IIII. Unique among portraits of this type, instead of a plain dark background, this painting has scrolling designs on brown. Dimensions: Sight; height: 33 in x width: 22 in. Framed; height: 44 in x width: 33 1/2 in.Condition: Several vertical cracks to the panel, areas of visible inpainting under UV to the figure's face, areas in the background, and some along the body. Wooden supports along the verso, wear to the frame.
English School, circa 17th century. Oil on panel portrait of Henry IV. Inscribed "H.R. IIII" along the upper left. There is a Minneapolis Institute of Arts label attached to the verso, which is inscribed L22-430, meaning the painting was loaned to the MIA in 1922. A partial label attached to the verso reads "Londo" and the letter "G." "T. B. Walker" is inscribed on the verso of the frame in pencil. Provenance: T.B. Walker Collection; private collection, Minnesota. Henry IV of England (1366-1413) was the first king in the Lancastrian line, which ruled England between 1399 and 1471, with a gap from 1461-1470 owing to the Wars of the Roses. His father, John of Gaunt, was the Earl of Lancaster and a major political figure during the early parts of Henry’s cousin Richard II’s reign. Henry entered politics in 1386 as part of the lords appellant, a group in opposition to the crown. Tensions quickly heated up, with conflicts resolved only by John of Gaunt’s timely return from a diplomatic expedition to Spain. At this point, Henry left England to go on Crusade to Central Europe for a few years. Upon his return to England, he immediately began stirring up political conflict, which eventually led to his exile in 1398. Later that year, John of Gaunt died. Richard immediately seized all of his--and, therefore, Henry’s--lands. Henry took this as an opportunity to invade England and usurp the throne, and was crowned king in 1399.He spent the early years of his reign pushing back uprisings of the Welsh, the French, and his own countrymen. Several of these wars dragged for years, particularly the now-legendary revolt led by the Welsh prince Owain Glyndŵr (ca. 1354-ca. 1416), who gained control of nearly the entirety of Wales before he was beaten back by Henry’s son Henry (1386-1422) in the first decade of the 15th century. King Henry grew increasingly incapacitated by illness, likely syphilis, in the later years of his reign, leading to further intrigue in government as various people competed for power and favor. He died in 1413 and was succeeded by his son Henry, who became Henry V of England. Despite the constant action and intrigue of Henry IV’s reign, which was even dramatized by Shakespeare, very few visual records of the man himself survive. The only image surviving from the king’s lifetime is his effigy from his grave in Canterbury. The image here, which is the standard depiction of Henry IV, is not actually based on Henry, but is instead based on a portrait of Charles VI of France, a contemporary of Henry’s. This portrait type was likely developed around the 1580s in response to the growing popularity of portrait halls. These halls were frequently lined with portraits of kings and queens of England as a way of emphasizing loyalty to the crown. The lack of a portrait of Henry created a gap in these halls, which led to the creation of this image, based on the engraving of Charles VI in the 1567 book "Recueil des effigies des roys de France avec un brief sommaire des genealogies faits et gestes d'iceux." Some alterations were made to the portrait: the face was altered to closer resemble that of the effigy, and a red rose, the symbol of the Lancastrian kings, was placed in Henry’s hand.This specific painting likely dates from the 17th century. Its entire history is not known, but once in the United States, it spent time in the collection of Thomas Barlow Walker (1840-1928), an important Minnesota lumberman with a passion for art collecting. Walker’s collection formed the basis for what became the Walker Art Center. This painting is an excellent and unique example of the standard portrait type for Henry IV due to the level of precise detail, and depicts the king in semi-profile to the left, wearing a burgundy tunic with a fur trim and collar. His right arm, which is armored, bears a scepter topped with a fleur de lis, and his left hand is holding a Lancastrian red rose. Around his neck is a gold necklace with a medallion of a lion rampant. The inscription to the left of his head reads H.R. (Henricus Rex) IIII. Unique among portraits of this type, instead of a plain dark background, this painting has scrolling designs on brown. Dimensions: Sight; height: 33 in x width: 22 in. Framed; height: 44 in x width: 33 1/2 in.Condition: Several vertical cracks to the panel, areas of visible inpainting under UV to the figure's face, areas in the background, and some along the body. Wooden supports along the verso, wear to the frame.

Fine and Decorative Arts of the Globe

Auktionsdatum
Ort der Versteigerung
Vandalia Towers
550 Vandalia St
Suite 304
St. Paul
Minnesota
55114
United States

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Removal 

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Shipping 

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As a convenience to the Buyer, Revere Auctions will make a referral for packing and shipping to third-party shipping vendors. This is at the request, expense, and risk of the Buyer, and Revere Auctions assumes no responsibility for the items or the timing of delivery. Insurance for in-transit items is the responsibility of the buyer. The buyer must reach out to a third-party shipping vendor to arrange shipping.

 

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Wichtige Informationen

Preview:
January 14-18 10:00am to 5:00pm

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Before the Sale
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Hammer
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Removal
Property purchased from Revere Auctions by a successful bidder will not be released to such bidder until the full payment of the total purchase price (including the buyer's premium and online bidding service fee, and all applicable sales taxes) have been made. In addition to other remedies available to us by law, we reserve the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with these conditions. Please note that Revere Auctions reserves the right to refuse to accept payment form a source other than the buyer of record. The purchaser must remove all property from the auction premises at his/her expense the day following the auction. If the property is not picked up within 10 days of the auction, Revere Auctions reserves the right to charge a minimum storage and handling charge of $20 per lot per day. Revere Auctions also reserves the right to send the property to a public warehouse for the account and at the risk and expense of the purchaser, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. It is the purchaser's sole responsibility to arrange to collect or ship the property and to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Revere Auctions and the consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or embargoes. Purchasers are reminded that Revere Auctions liability for loss or damage to sold property shall cease no later than 10 days after the date of the auction.

Shipping
As a convenience to the Buyer, Revere Auctions will make a referral for packing and shipping. This is at the request, expense, and risk of the Buyer, and Revere Auctions assumes no responsibility for the items or the timing of delivery. Insurance for in transit items is the responsibility of the buyer


Remedies
If the purchaser fails to fulfill or comply with any of the conditions herein, the purchaser shall be in default and, in addition to all legal remedies available to the Revere Auctions and the consignor by law, including, without limitation, the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, Revere Auctions, at its option, may: a) cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same auction or any other auction, and retain all payments made by the purchaser as liquidated damages; b) resell the purchased property whether at public auction or by private sale, for the account of the purchaser, in which case the purchaser shall be liable to Revere Auctions for all its costs and damages, including the commissions for both auctions; c) remove the property to a public warehouse for the account and at the risk and expense of the purchaser; d) charge interest at such rate as we shall reasonably select, or e) effect any combination thereof. In any case, the purchaser will be liable for any deficiency and any and all costs, handling charges, late charges, expenses of both sales, our commissions on both sales at our regular rates, legal fees and expenses, collection fees and incidental damages. Payment will not be deemed to have been made in full until we have collected good funds. In the event that purchaser fails to pay any or all of the total purchase price for any lot and Revere Auctions nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Revere Auctions shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these conditions of sale. In addition, defaulting purchaser will be deemed to have granted and assigned to Revere Auctions a continuing security interest of first priority in any property or money of or owing to such purchaser in our possession, custody or control, in each case whether at the time of the auction, the default or if acquired at any time thereafter, and we may retain and apply such property or money as collateral security for the obligations due to us. 

Limited Liability
In no event will our liability to a purchaser with respect to an item of property exceed the purchase price actually paid by such purchaser for such item. If any part of these 

Copyright
The copyright in all images, illustrations and written material produced by or for Revere Auctions relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Revere Auctions and shall not be used by the buyer nor by anyone else, without our prior written consent. Revere Auctions reserves the right to reproduce any image of the lots sold in this catalogue.

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Minnesota. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

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