Los

16

Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald)

In 19. Pommersche Kunstauktion

Diese Auktion ist eine LIVE Auktion! Sie müssen für diese Auktion registriert und als Bieter freigeschaltet sein, um bieten zu können.
Sie wurden überboten. Um die größte Chance zu haben zu gewinnen, erhöhen Sie bitte Ihr Maximal Gebot.
Ihre Registrierung wurde noch nicht durch das Auktionshaus genehmigt. Bitte, prüfen Sie Ihr E-Mail Konto für mehr Details.
Leider wurde Ihre Registrierung durch das Auktionshaus abgelehnt. Sie können das Auktionshaus direkt kontaktieren über +49 (0)38375 24054 um mehr Informationen zu erhalten.
Sie sind zurzeit Höchstbieter! Um sicher zustellen, dass Sie das Los ersteigern, melden Sie sich zum Live Bieten an unter , oder erhöhen Sie ihr Maximalgebot.
Geben Sie jetzt ein Gebot ab! Ihre Registrierung war erfolgreich.
Entschuldigung, die Gebotsabgabephase ist leider beendet. Es erscheinen täglich 1000 neue Lose auf lot-tissimo.com, bitte starten Sie eine neue Anfrage.
Das Bieten auf dieser Auktion hat noch nicht begonnen. Bitte, registrieren Sie sich jetzt, so dass Sie zugelassen werden bis die Auktion startet.
1/5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 1 aus 5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 2 aus 5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 3 aus 5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 4 aus 5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 5 aus 5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 1 aus 5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 2 aus 5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 3 aus 5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 4 aus 5
Friedrich, Joachim Christian (1779 Greifswald – 1843 Greifswald) - Bild 5 aus 5
Sie interessieren sich für den Preis dieses Loses?
Preisdatenbank abonnieren
Koserow
Friedrich, Joachim Christian (1779 Greifswald 1843 Greifswald)"Knabe mit Ziegenbock"Holzschnitt, um 1800, Maße: 6,5x11,2 cm, nach erfolgter Restaurierung befindet sich das Blatt in sehr gutem Zustand und wurde in Museumskarton passpartouriert; Vorliegende Arbeit Knabe mit Ziegenbock stammt aus dem Frühwerk des Künstlers. Sie befindet sich unter dem Titel Junge mit Ziegenbock auch in der Sammlung des Pommerschen Landesmuseums in Greifswald.Bei dem Holzschnitt "Knabe mit Ziegenbock" handelt es sich um eine Arbeit von Joachim Christian Friedrich (1779 1843), dem jüngsten Bruder von Caspar David Friedrich. Er war das neunte Kind des Seifensieders und Lichtgießers Adolf Gottlieb Friedrich. Seit 1811 wirkte er als Tischlermeister in Greifswald. Bekannt wurde er durch seine Beteiligung an der Neugestaltung des Kirchenraumes von St. Nicolai zwischen 1824 und 1832. Neben seinem Hauptberuf war er zwischen 1801 und 1825 als Holzschneider unter anderem nach Entwürfen seines Bruders Caspar David Friedrich tätig. Eine frühe Arbeit zeigt ein Bildnis Caspar David Friedrichs nach dessen Zeichnung, welches in der Literatur oft als Selbstbildnis bezeichnet wird. Weitere Vorlagen lieferte Caspar David Friedrich zum Beispiel für die Holzschnitte Knabe auf einem Grab schlafend, Die Frau mit dem Spinnennetz zwischen kahlen Bäumen, Die Frau mit den Raben am Abgrund oder Das Konzert zu Großschöppenstedt. Joachim Christian Friedrich beteiligte sich mit seinen Holzschnitten auch an Ausstellungen der Dresdner Kunstakademie und der Berliner Akademie der Künste. Neben Landschaftsdarstellungen, Portraits und figürlichen Kompositionen setzte sich Joachim Christian Friedrich auch mit aus der griechischen Mythologie stammenden Motiven auseinander wie Orpheus mit Leier und Sichel, Zug des Silen und Merkur auf der Tonne. - Wir danken Herrn Mario Scarabis vom Pommerschen Landesmuseum in Greifswald herzlich für seine Hinweise zur vorliegenden Arbeit. - Literatur: Ausstellungskatalog Die Künstler in der Familie Friedrich, Herausgeber: Caspar-David-Friedrich-Gesellschaft e.V., Greifswald 2014, S.11 ff. - The woodcut "Boy with billy goat" is a work by Joachim Christian Friedrich (1779 - 1843), the youngest brother of Caspar David Friedrich. He was the ninth child of the soap maker and light caster Adolf Gottlieb Friedrich. Since 1811 he worked as a master carpenter in Greifswald. He became known for his involvement in the redesign of the church interior of St. Nicolai between 1824 and 1832. In addition to his main profession, he worked as a wood cutter between 1801 and 1825 based on designs by his brother Caspar David Friedrich. An early work shows a portrait of Caspar David Friedrich after his drawing, which is often referred to in the literature as a self-portrait. Caspar David Friedrich also provided additional templates for the woodcuts "Boy sleeping on a grave", "The woman with the spider web between bare trees", "The woman with the ravens on the abyss" or "The concert at Großschöppenstedt". With his woodcuts, Joachim Christian Friedrich also participated in exhibitions at the Dresden Art Academy and the Berlin Academy of the Arts.
Friedrich, Joachim Christian (1779 Greifswald 1843 Greifswald)"Knabe mit Ziegenbock"Holzschnitt, um 1800, Maße: 6,5x11,2 cm, nach erfolgter Restaurierung befindet sich das Blatt in sehr gutem Zustand und wurde in Museumskarton passpartouriert; Vorliegende Arbeit Knabe mit Ziegenbock stammt aus dem Frühwerk des Künstlers. Sie befindet sich unter dem Titel Junge mit Ziegenbock auch in der Sammlung des Pommerschen Landesmuseums in Greifswald.Bei dem Holzschnitt "Knabe mit Ziegenbock" handelt es sich um eine Arbeit von Joachim Christian Friedrich (1779 1843), dem jüngsten Bruder von Caspar David Friedrich. Er war das neunte Kind des Seifensieders und Lichtgießers Adolf Gottlieb Friedrich. Seit 1811 wirkte er als Tischlermeister in Greifswald. Bekannt wurde er durch seine Beteiligung an der Neugestaltung des Kirchenraumes von St. Nicolai zwischen 1824 und 1832. Neben seinem Hauptberuf war er zwischen 1801 und 1825 als Holzschneider unter anderem nach Entwürfen seines Bruders Caspar David Friedrich tätig. Eine frühe Arbeit zeigt ein Bildnis Caspar David Friedrichs nach dessen Zeichnung, welches in der Literatur oft als Selbstbildnis bezeichnet wird. Weitere Vorlagen lieferte Caspar David Friedrich zum Beispiel für die Holzschnitte Knabe auf einem Grab schlafend, Die Frau mit dem Spinnennetz zwischen kahlen Bäumen, Die Frau mit den Raben am Abgrund oder Das Konzert zu Großschöppenstedt. Joachim Christian Friedrich beteiligte sich mit seinen Holzschnitten auch an Ausstellungen der Dresdner Kunstakademie und der Berliner Akademie der Künste. Neben Landschaftsdarstellungen, Portraits und figürlichen Kompositionen setzte sich Joachim Christian Friedrich auch mit aus der griechischen Mythologie stammenden Motiven auseinander wie Orpheus mit Leier und Sichel, Zug des Silen und Merkur auf der Tonne. - Wir danken Herrn Mario Scarabis vom Pommerschen Landesmuseum in Greifswald herzlich für seine Hinweise zur vorliegenden Arbeit. - Literatur: Ausstellungskatalog Die Künstler in der Familie Friedrich, Herausgeber: Caspar-David-Friedrich-Gesellschaft e.V., Greifswald 2014, S.11 ff. - The woodcut "Boy with billy goat" is a work by Joachim Christian Friedrich (1779 - 1843), the youngest brother of Caspar David Friedrich. He was the ninth child of the soap maker and light caster Adolf Gottlieb Friedrich. Since 1811 he worked as a master carpenter in Greifswald. He became known for his involvement in the redesign of the church interior of St. Nicolai between 1824 and 1832. In addition to his main profession, he worked as a wood cutter between 1801 and 1825 based on designs by his brother Caspar David Friedrich. An early work shows a portrait of Caspar David Friedrich after his drawing, which is often referred to in the literature as a self-portrait. Caspar David Friedrich also provided additional templates for the woodcuts "Boy sleeping on a grave", "The woman with the spider web between bare trees", "The woman with the ravens on the abyss" or "The concert at Großschöppenstedt". With his woodcuts, Joachim Christian Friedrich also participated in exhibitions at the Dresden Art Academy and the Berlin Academy of the Arts.

19. Pommersche Kunstauktion

Auktionsdatum
Ort der Versteigerung
Karlstraße 3
Koserow
17459
Germany

Generelle Versandinformationen vom Auktionshaus verfügbar

Bei Fragen zum Versand nehmen Sie bitte telefonisch bzw. per Email Kontakt zu uns auf unter: 03837524054 bzw. info@koserower-kunstsalon.de

Wichtige Informationen

Zu Aufgeld und Mehrwertsteuer prüfen Sie bitte das jeweilige Los.

For buyer’s premium and VAT please check particular lot.

AGB

standard | standard



Auction and sales conditions for bidders and/or purchasers

1. The participation in the preliminary review, the acceptance of a bidder number, or the submission of a bid in person, in writing or by phone is deemed as express confirmation by the bidder that he/she has received the auctioning and sales conditions below and recognizes them as agreed with Koserower Kunstsalon
2. The auction is carried out voluntarily on the basis of the suppliers' orders. Koserower Kunstsalon auction as commissioned agents on their own behalf and for the account of those suppliers who remain anonymous.
3. All objects to be auctioned may be reviewed and inspected prior to the auction at the scheduled dates. Interested parties shall be liable for damage caused by them on displayed objects and exposition-related equipment. The condition of the objects correspond to their age; defects are mentioned in the catalog only if they affect the overall visual appearance; a detailed report of the condition may be requested for each object free of charge.
4. The objects to be auctioned are used and are offered in the condition at the time of call without the auctioneers assuming liability for defects in title and/or quality defects. The catalog descriptions are made with due diligence and to the best knowledge and belief, however they do not represent any warranted qualities pursuant to the law of sales, particularly in accordance with 459 ff. BGB [German civil law]. The same applies for illustrations in the catalog; their purpose is to guide the interested parties in the preliminary review; they are not relevant for the condition or the quality of the object. The start prices stated in the catalog are EURO prices and have been agreed with the suppliers as the lowest permissible bid. Bids below are accepted subject to reservation, but require the consultation and consent of the suppliers.
5. The auctioneers reserve the right to combine or separate catalog numbers, to call them in an order different from that indicated in the catalog or to withdraw them. Bids are raised at the discretion of the auctioneers, generally by rounded 5-10 % of the previous bid.
6. Bidders personally present who are unknown to the auctioneers are principally requested to identify their authorization, e.g. by presenting an identification card. Parties interested in buying but cannot or do not wish to be present at the auction in person, may submit a written bid to the auctioneers. These bids are considered as bids already made during the auction, excluding, however surcharges, turnover tax or other relevant duties. The catalog number indicated is explicitly authoritative for any written bids that are unclear. The auctioneers may also request authorization from those submitting written bids who are unknown to them; such authorization must be submitted by 12:00 a.m. of the day prior to the auction. Any written bid is used only to the amount required to outbid another bid. The auctioneers assume no responsibility for the correctness of written bid processing. Bids received by phone are permitted only if the bidder has previously been admitted by the auctioneers in writing. In particular cases the auctioneers may, however, admit such bids by phone even if no previous written confirmation has been received. Incorrectly transmitted orders and bids are in the responsibility of the bidder. Otherwise the provisions for written bids are likewise applicable for such bids by phone.
7. If a bidder wishes to make a bid on behalf of another bidder, the auctioneers must be notified by supplying the name and address of the person being represented prior to the auction. Otherwise the purchase contract is concluded with the bidder in the case of an award. The bidder alone is liable to the auctioneers for the legal validity of the proxy; in the case of doubt, the purchase contract is considered concluded with the bidder in the case of an award.
8. An award is given if no higher bid is presented after three calls of a bid. However, an entitlement to the acceptance of a bid does basically not exist. Irrespective of the possibility to refuse an award, the auctioneers may give an award with reservation; this applies in particular if the minimum award price specified by the supplier has not been attained. In the case of a reserved award the bidder is bound by his/her bid for 21 days after the date of the award. Should the bid be confirmed in writing by the auctioneers within this period, the award is considered given; otherwise the award is considered refused. Should several equal bids be presented, the decision is made by the earlier time. If a disagreement on an award cannot be immediately resolved, the number is offered again. When the award is granted, a purchase contract is considered concluded between the auctioneers and the bidder who wins the award.
9. A surcharge of 22 % is added to the award price. In accordance with the provisions of the margin taxation (25a UStG), value added tax is not indicated.
10. An award implies the obligation of acceptance and payment. Ownership is transferred to the buyer only upon complete payment, the risk of damage is transferred to the buyer upon award. The purchase price is due upon award unless otherwise agreed to in writing. The payments are to be rendered in Euro to the auctioneers. Checks are only accepted on account of performance. Any costs, fees and taxes for bank transfers including deducted bank expenses are at the expense of the buyer. Payments from non-resident buyers who have bidden in writing or by phone are due within 10 days after the date of the invoice unless otherwise agreed to in writing. The buyer may only offset undisputed or legally enforceable claims against the auctioneers; rights of retention are excluded unless they are based on the same contractual relationship.Invoices issued during or immediately after the auction must be reviewed, errors excepted.
11. The delivery of the purchased objects is effected when cash payment is received. The objects, however, will principally not be handed over prior to full payment. The buyer is obligated to pick up his/her purchase immediately during the business hours of Koserower Kunstsalon or at the agreed time but within 14 days after the date of the award at the latest. A shipping order must be submitted in writing by the buyer to the auctioneers within 7 days after the date of the award. Orders for the shipment, storage and packaging will be given to competent forwarders specialized in art objects. Such orders are exclusively placed at the expense and risk of the buyer; the buyer is considered the orderer even if the auctioneers have placed the order on the buyer's behalf. Upon expiry of the terms mentioned above the buyer is in default of acceptance. Should the buyer fail to pick-up his/her purchase(s) despite an extension of time set by the auctioneers, the autioneers are entitled to have the purchase(s) stored by a fowarder specialized in art objects at the buyer's risk and expense, including the costs for insurance. The buyer will be notified of this in writing.
12. Should the buyer be in default in payment, the auctioneers may claim interest on defaulted payment in the amount of 1 % for each commenced month, irrespective of other claims.Thirty days after the commencement of the default, the auctioneers are entitled - and obligated upon request of the supplier - to inform the supplier of the name and address of the buyer. Otherwise the auctioneers may claim either the performance of the purchase contract or damages for default after setting an adequate deadline. In this case, the damages may be charged by auctioning the relevant object in another auction again and having the defaulting buyer pay for any reduced profit as against the previous auction as well as for the costs of the repeated auction. The buyer shall not be entitled to any additional profit.
13. The auctioneers shall not be liable for defects, provided that they have fulfilled their obligation to exercise due care; any liability on the part of the auctioneers for frames and glazing is excluded. The auctioneers however undertake to assert their guarantee claims against the supplier due to justified complaints submitted in due time within the limitation period. With regard to defects relating to the genuineness of an object, the limitation period is 365 days, for all other defects 180 days after the date of the award. In the case of a successful claim against the supplier, the auctioneers will reimburse the buyer the award price, the surcharge and the calculated costs, provided these amounts have been paid to the auctioneers. Any claims exceeding said claim are excluded.
14. All aforementioned provisions shall apply accordingly for the open-market sale of the objects supplied and not awarded in the auction. The open-market sale ends 30 days after the date of the auction.
15. The transactions concluded herein are governed exclusivelyby German law. Place of performance is Koserow. Place of jurisdiction, insofar as it can be agreed upon, is Greifswald.
16. Should one or several of the provisions of this contract be or become invalid, the validity of the remaining provisions is not affected.

Auctioneer
Ralf Waschkau

Vollständige AGBs