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Hermine GOOSENS (1879-1967) und Johanna BIEHLER (1880-1954)
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Beschreibung
Hermine GOOSENS (1879-1967) und Johanna BIEHLER (1880-1954)
Thronende Madonna
Seltene Keramik aus der Majolika-Werkstatt Nymphenburg, kurz nach 1900, 56 cm hoch
Hermine Goossens, allgemein bekannt als "Minnie Goossens", stammte aus einer in Aachen ansässigen Fabrikantenfamilie. Im Umfeld der Münchener Debschitz-Schule lernte Goossens die Künstlerin Johanna Biehler (1880-1954) kennen, mit der sie gemeinsam im Jahr 1903 eine eigene Majolika-Manufaktur in Nymphenburg gründete. Während sich Goossens schwerpunktmäßig auf den Entwurf, die Modellierung und die plastische Gestaltung der Majolika-Werke und Großmedaillons konzentrierte, übernahm Biehler vor allem die Herstellungstechnik und die künstlerische Farbgestaltung, wobei sie im Besonderen mit den Scharffeuerfarben experimentierte und dazu neue Mischungen und Lasuren herstellte und erprobte.Das Künstlerpaar Goossens/Biehler wurde schnell in der Kunstszene bekannt und geschätzt und ihre Reliefs, Fliesen und Medaillons wurden von zahlreichen Baumeistern und Architekten in Privatvillen und Repräsentationsgebäuden als Hausschmuckobjekte zur Fassaden-, Portal-, Treppenhaus- und Wandgestaltung verwendet. Dabei legten sie Wert darauf, ausschließlich Unikate zu kreieren, die nur in ihrer keramischen Werkstatt hergestellt wurden und lehnten folglich mehrere Übernahmeangebote von Fabriken ab, die ihre Gegenstände in industrieller Serienanfertigung herstellen wollten.
Hermine GOOSENS (1879-1967) and Johanna BIEHLER (1880-1954), Enthroned Madonna, rare ceramic from the Majolika-Werkstatt Nymphenburg, shortly after 1900, 56 cm high // Hermine Goossens came from a family of manufacturers based in Aachen. In the surroundings of the Debschitz School in Munich, Goossens met the artist Johanna Biehler (1880-1954), with whom she founded the majolica factory in Nymphenburg in 1903. While Goossens focused on the design, modeling and plastic design of the majolica works and large medallions, Biehler mainly took over production technology and artistic color design, experimenting in particular with sharper colours and producing and testing new mixtures and varnishes. The artist couple Goossens/Biehler quickly became known and appreciated in the art scene and their reliefs, tiles and medallions were used by numerous builders and architects in private villas and representative buildings as home decor objects for facade, portal, staircase and wall design. They considered to create only unique items that were only produced in their ceramic workshop and therefore rejected several takeover offers from factories that wanted to manufacture their items in industrial series production.
Hermine GOOSENS (1879-1967) and Johanna BIEHLER (1880-1954), Enthroned Madonna, rare
ceramic from the Majolika-Werkstatt Nymphenburg, shortly after 1900, 56 cm high // Hermine
Goossens came from a family of manufacturers based in Aachen. In the surroundings of the
Debschitz School in Munich, Goossens met the artist Johanna Biehler (1880-1954), with whom
she founded the majolica factory in Nymphenburg in 1903. While Goossens focused on the
design, modeling and plastic design of the majolica works and large medallions, Biehler
mainly took over production technology and artistic color design, experimenting in
particular with sharper colours and producing and testing new mixtures and varnishes. The
artist couple Goossens/Biehler quickly became known and appreciated in the art scene and
their reliefs, tiles and medallions were used by numerous builders and architects in
private villas and representative buildings as home decor objects for facade, portal,
staircase and wall design. They considered to create only unique items that were only
produced in their ceramic workshop and therefore rejected several takeover offers from
factories that wanted to manufacture their items in industrial series production.
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Hermine GOOSENS (1879-1967) und Johanna BIEHLER (1880-1954)
Thronende Madonna
Seltene Keramik aus der Majolika-Werkstatt Nymphenburg, kurz nach 1900, 56 cm hoch
Hermine Goossens, allgemein bekannt als "Minnie Goossens", stammte aus einer in Aachen ansässigen Fabrikantenfamilie. Im Umfeld der Münchener Debschitz-Schule lernte Goossens die Künstlerin Johanna Biehler (1880-1954) kennen, mit der sie gemeinsam im Jahr 1903 eine eigene Majolika-Manufaktur in Nymphenburg gründete. Während sich Goossens schwerpunktmäßig auf den Entwurf, die Modellierung und die plastische Gestaltung der Majolika-Werke und Großmedaillons konzentrierte, übernahm Biehler vor allem die Herstellungstechnik und die künstlerische Farbgestaltung, wobei sie im Besonderen mit den Scharffeuerfarben experimentierte und dazu neue Mischungen und Lasuren herstellte und erprobte.Das Künstlerpaar Goossens/Biehler wurde schnell in der Kunstszene bekannt und geschätzt und ihre Reliefs, Fliesen und Medaillons wurden von zahlreichen Baumeistern und Architekten in Privatvillen und Repräsentationsgebäuden als Hausschmuckobjekte zur Fassaden-, Portal-, Treppenhaus- und Wandgestaltung verwendet. Dabei legten sie Wert darauf, ausschließlich Unikate zu kreieren, die nur in ihrer keramischen Werkstatt hergestellt wurden und lehnten folglich mehrere Übernahmeangebote von Fabriken ab, die ihre Gegenstände in industrieller Serienanfertigung herstellen wollten.
Hermine GOOSENS (1879-1967) and Johanna BIEHLER (1880-1954), Enthroned Madonna, rare ceramic from the Majolika-Werkstatt Nymphenburg, shortly after 1900, 56 cm high // Hermine Goossens came from a family of manufacturers based in Aachen. In the surroundings of the Debschitz School in Munich, Goossens met the artist Johanna Biehler (1880-1954), with whom she founded the majolica factory in Nymphenburg in 1903. While Goossens focused on the design, modeling and plastic design of the majolica works and large medallions, Biehler mainly took over production technology and artistic color design, experimenting in particular with sharper colours and producing and testing new mixtures and varnishes. The artist couple Goossens/Biehler quickly became known and appreciated in the art scene and their reliefs, tiles and medallions were used by numerous builders and architects in private villas and representative buildings as home decor objects for facade, portal, staircase and wall design. They considered to create only unique items that were only produced in their ceramic workshop and therefore rejected several takeover offers from factories that wanted to manufacture their items in industrial series production.
Hermine GOOSENS (1879-1967) and Johanna BIEHLER (1880-1954), Enthroned Madonna, rare
ceramic from the Majolika-Werkstatt Nymphenburg, shortly after 1900, 56 cm high // Hermine
Goossens came from a family of manufacturers based in Aachen. In the surroundings of the
Debschitz School in Munich, Goossens met the artist Johanna Biehler (1880-1954), with whom
she founded the majolica factory in Nymphenburg in 1903. While Goossens focused on the
design, modeling and plastic design of the majolica works and large medallions, Biehler
mainly took over production technology and artistic color design, experimenting in
particular with sharper colours and producing and testing new mixtures and varnishes. The
artist couple Goossens/Biehler quickly became known and appreciated in the art scene and
their reliefs, tiles and medallions were used by numerous builders and architects in
private villas and representative buildings as home decor objects for facade, portal,
staircase and wall design. They considered to create only unique items that were only
produced in their ceramic workshop and therefore rejected several takeover offers from
factories that wanted to manufacture their items in industrial series production.
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