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Ercole Procaccini il Giovane (Milano 1605 - 1680) attribuito
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Milan, Italy
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Beschreibung
Ercole Procaccini il Giovane (Milano 1605 - 1680) attribuitoAssunzione di San Bruno Olio su tela132 x 94,5 cmErcole Procaccini il Giovane fece l'apprendistato a Milano presso suo padre, il pittore Carlantonio Procaccini, ed in seguito dal noto zio Giulio Cesare. Risulta iscritto nel 1621 all’Accademia Ambrosiana sotto la guida di Giovanni Battista Crespi, detto il Cerano, mentre già nel 1625, alla morte dello zio, divenne il direttore dell'Accademia. Sino al raggiungimento della sua maturità artistica la sua produzione si contraddistinse per le figure manieriste ingigantite, con pose enfatiche e forzate, realizzate con una tavolozza prevalentemente orientata sui toni cupi. Agli inizi degli anni Cinquanta l’artista prese parte a imprese di rilievo, come gli affreschi che ornano alcuni ambienti di palazzo Durini a Milano: in questo periodo le sue composizioni si tramutarono in soluzioni più ariose, con una tavolozza schiarita, probabilmente grazie al contatto con la pittura del genovese Giovan Battista Carlone e per l'influenza rubensiana di Johann Christoph Storer, entrambi operanti a Milano. All'inizio degli anni '60 fu a Torino con il suo allievo Antonio Busca, impegnati nelle opere perdute nella Vigna di Madama Reale. Sempre in Piemonte operò in palazzo Ferrero Fieschi a Masserano, nel Biellese, dove il maestro affiancò i fratelli Carlo Francesco e Giuseppe Nuvolone. Insieme a Giovanni Stefano Montalto, Antonio Busca, Carlo Cornara e Giuseppe Nuvolone, nel 1665 partecipò al ciclo di dipinti che ornavano la sala dei Senatori in Palazzo Ducale di Milano. In seguito continuò a lavorare a Milano e in Lombardia, spesso coadiuvato da Giovanni Stefano Danedi detto Montalto. Ercole Procaccini il Giovane (Milano 1605 - 1680) attributedAssumption of Saint Bruno Oil on canvas132 x 94,5 cm
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Ercole Procaccini il Giovane (Milano 1605 - 1680) attribuitoAssunzione di San Bruno Olio su tela132 x 94,5 cmErcole Procaccini il Giovane fece l'apprendistato a Milano presso suo padre, il pittore Carlantonio Procaccini, ed in seguito dal noto zio Giulio Cesare. Risulta iscritto nel 1621 all’Accademia Ambrosiana sotto la guida di Giovanni Battista Crespi, detto il Cerano, mentre già nel 1625, alla morte dello zio, divenne il direttore dell'Accademia. Sino al raggiungimento della sua maturità artistica la sua produzione si contraddistinse per le figure manieriste ingigantite, con pose enfatiche e forzate, realizzate con una tavolozza prevalentemente orientata sui toni cupi. Agli inizi degli anni Cinquanta l’artista prese parte a imprese di rilievo, come gli affreschi che ornano alcuni ambienti di palazzo Durini a Milano: in questo periodo le sue composizioni si tramutarono in soluzioni più ariose, con una tavolozza schiarita, probabilmente grazie al contatto con la pittura del genovese Giovan Battista Carlone e per l'influenza rubensiana di Johann Christoph Storer, entrambi operanti a Milano. All'inizio degli anni '60 fu a Torino con il suo allievo Antonio Busca, impegnati nelle opere perdute nella Vigna di Madama Reale. Sempre in Piemonte operò in palazzo Ferrero Fieschi a Masserano, nel Biellese, dove il maestro affiancò i fratelli Carlo Francesco e Giuseppe Nuvolone. Insieme a Giovanni Stefano Montalto, Antonio Busca, Carlo Cornara e Giuseppe Nuvolone, nel 1665 partecipò al ciclo di dipinti che ornavano la sala dei Senatori in Palazzo Ducale di Milano. In seguito continuò a lavorare a Milano e in Lombardia, spesso coadiuvato da Giovanni Stefano Danedi detto Montalto. Ercole Procaccini il Giovane (Milano 1605 - 1680) attributedAssumption of Saint Bruno Oil on canvas132 x 94,5 cm
From a Veronese collection and other commitments
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Buyer's Premium: 27.00% (taxes included)
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3) be preceded by the auction exhibition of objects, during which the Auctioneer or its representatives will be at your disposal for any clarification. After the award, he Lucas S.r.l. sellers will be liable for defects related to the state of preservation, to the erroneous attribution, authenticity, provenance, weight, or lack of quality of the items. Neither Lucas S.r.l.s. nor its personnel shall Lucas S.r.l. may issue any guarantee to that effect, except as provided by law.
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With Legislative Decree 118 of 13/2/2006 is in force since April 9, 2006 in Italy the "Right of Action" that is, the right of the author (living or deceased for less than 70 years) of works of arts and manuscripts should receive a percentage of the sale price of the originals of their works during the subsequent sales. This right shall be borne by the seller and will be calculated on the hammer price greater than or equal to € 3,000.00. This right may not exceed €12,500.00 per lot. The fee is payable for each lot is so determined:
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Exporting goods from the Italian Republic is subject to the norms contained in DL. No 29110/99. 490 (article. 65-72). Obtaining certificates of release tofree circulation cargo is the responsibility of the purchaser. Lack of, or a delayed release of, any license, even if two notifications to the State fromoccurring after a sale, does not Constitute cancellation of the sale, nor does it justify delayed payment for goods or payment for less than the total amounttwo .
