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Pieter Paul Rubens (Siegen 1577 - Anversa 1640) bottega di
1/5
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Milan, Italy
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Beschreibung
Pieter Paul Rubens (Siegen 1577 - Anversa 1640) bottega di
L'angelo ristora il profeta Elia sul monte Oreb
Olio su tela
68 x 58,5 cm
Il dipinto rappresenta l'evoluzione pittorica, con una definizione più marcata e particolareggiata, del bozzetto eseguito da Rubens e conservato nel Museo Bonnat di Bayonne.
Provenienza: Asta Fischer del 27.12.1949, lotto 49 come Antoon van Dyck.
L'opera è corredata da uno studio del professore Alessandro Delpriori con attribuzione dell'opera a Jacob Jordaens.
La prima formazione di Rubens si deve ai maestri Otto van Veen e Jan Brueghel il Vecchio. Fondamentale per la sua crescita artistica fu il suo viaggio in Italia. Ha soggiornato, studiato e dipinto per otto anni nel Bel Paese, facendo tappa prima a Venezia, dove studiò Tiziano, Veronese e Tintoretto. In seguito, entrato in contatto con Vincenzo I Gonzaga duca di Mantova, divenne loro pittore di corte, carica che conservò sino alla fine del suo soggiorno italiano. A Mantova, Rubens ebbe modo di studiare da vicino e assiduamente la ricca collezione ducale. Realizzando copie di diversi dipinti famosi ebbe modo di esercitarsi tecnicamente sugli esempi dei più grandi maestri. Nel 1601 venne inviato dal duca a Roma, dove ebbe modo di ampliare ulteriormente i suoi orizzonti figurativi, grazie alla copia di modelli di Michelangelo e Raffaello e allo studio dell'antico, guardando anche alla coeva produzione artistica del Carracci, di Caravaggio e di Federico Barocci. Lasciata l’Italia si stabilì e ad Anversa, ove organizzò il suo atelier, applicando i metodi di produzione organizzata, ovvero impiegando i suoi collaboratori con criteri razionali e in base alle singole specializzazioni. Tra i molti pittori usciti dalla bottega di Rubens o fortemente influenzati dal maestro, ricordiamo: Cornelis e Paul de Vos, Thomas Willeboirts Bosschaert, Jacob Jordaens, Pieter Van Mol, Victor Wolvoet, Joanna Vergouwen, Jan Boeckhorst detto Lange Jan, Lucas Van Uden, Theodor Van Thulden, Peter Van Lint, Willem Van Harp, Vincent Adrianssen, Pieter Van Avont, Jan e Hendrick van Balen, Theodor Boeyemans o Boeijermans, Vincent Malò, Gerard Segher Gaspar de Crayer e Abraham Willemsens.
Pieter Paul Rubens (Siegen 1577 - Antwerp 1640) workshop of
The Angel Restores the Prophet Elijah on Mount Horeb
Oil on canvas
68 x 58,5 cm
The painting represents the pictorial evolution, with a more pronounced and detailed definition, of the sketch executed by Rubens and kept in the Bonnat Museum in Bayonne.
Provenance: Fischer Auction of 27.12.1949, lot 49 as Antoon van Dyck.
The artwork is accompanied by a study by Professor Alessandro Delpriori, attributing it to Jacob Jordaens.
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Pieter Paul Rubens (Siegen 1577 - Anversa 1640) bottega di
L'angelo ristora il profeta Elia sul monte Oreb
Olio su tela
68 x 58,5 cm
Il dipinto rappresenta l'evoluzione pittorica, con una definizione più marcata e particolareggiata, del bozzetto eseguito da Rubens e conservato nel Museo Bonnat di Bayonne.
Provenienza: Asta Fischer del 27.12.1949, lotto 49 come Antoon van Dyck.
L'opera è corredata da uno studio del professore Alessandro Delpriori con attribuzione dell'opera a Jacob Jordaens.
La prima formazione di Rubens si deve ai maestri Otto van Veen e Jan Brueghel il Vecchio. Fondamentale per la sua crescita artistica fu il suo viaggio in Italia. Ha soggiornato, studiato e dipinto per otto anni nel Bel Paese, facendo tappa prima a Venezia, dove studiò Tiziano, Veronese e Tintoretto. In seguito, entrato in contatto con Vincenzo I Gonzaga duca di Mantova, divenne loro pittore di corte, carica che conservò sino alla fine del suo soggiorno italiano. A Mantova, Rubens ebbe modo di studiare da vicino e assiduamente la ricca collezione ducale. Realizzando copie di diversi dipinti famosi ebbe modo di esercitarsi tecnicamente sugli esempi dei più grandi maestri. Nel 1601 venne inviato dal duca a Roma, dove ebbe modo di ampliare ulteriormente i suoi orizzonti figurativi, grazie alla copia di modelli di Michelangelo e Raffaello e allo studio dell'antico, guardando anche alla coeva produzione artistica del Carracci, di Caravaggio e di Federico Barocci. Lasciata l’Italia si stabilì e ad Anversa, ove organizzò il suo atelier, applicando i metodi di produzione organizzata, ovvero impiegando i suoi collaboratori con criteri razionali e in base alle singole specializzazioni. Tra i molti pittori usciti dalla bottega di Rubens o fortemente influenzati dal maestro, ricordiamo: Cornelis e Paul de Vos, Thomas Willeboirts Bosschaert, Jacob Jordaens, Pieter Van Mol, Victor Wolvoet, Joanna Vergouwen, Jan Boeckhorst detto Lange Jan, Lucas Van Uden, Theodor Van Thulden, Peter Van Lint, Willem Van Harp, Vincent Adrianssen, Pieter Van Avont, Jan e Hendrick van Balen, Theodor Boeyemans o Boeijermans, Vincent Malò, Gerard Segher Gaspar de Crayer e Abraham Willemsens.
Pieter Paul Rubens (Siegen 1577 - Antwerp 1640) workshop of
The Angel Restores the Prophet Elijah on Mount Horeb
Oil on canvas
68 x 58,5 cm
The painting represents the pictorial evolution, with a more pronounced and detailed definition, of the sketch executed by Rubens and kept in the Bonnat Museum in Bayonne.
Provenance: Fischer Auction of 27.12.1949, lot 49 as Antoon van Dyck.
The artwork is accompanied by a study by Professor Alessandro Delpriori, attributing it to Jacob Jordaens.
From a Veronese collection and other commitments
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