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Cesare Dandini (Firenze 1596 - 1657) attribuito
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Milan, Italy
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Beschreibung
Cesare Dandini (Firenze 1596 - 1657) attribuitoRitratto di giovane violinistaOlio su tela85,5 x 50,5 cmL'opera che denota una certa qualità pittorica, nasce dal medesimo disegno del Ritratto di ragazzo con berretto "a tagliere" e delle sue varie derivazioni autografe, conservato alla Galleria Palatina di Palazzo Pitti a Firenze (si veda opere dai numeri 24 al 27, pagg. 77-80, della monografia dedicata a Cesare Dandini, curata da Sandro Bellesi). Interessante notare le sostanziali varianti apportate come il colletto ricamato, l'assenza del berretto, l'aggiunta di un lungo riccioli di capelli cadente sulla spalla e soprattutto la trasformazione del ritratto del viso di ragazzo in un ritratto a mezzo busto di giovane violinista, tutte variazioni che stigmatizzano le proprietà di disegno e realizzative dell'autore dell'opera.Fratello minore dei pittori Cesare e Vincenzo Dandini, Pietro Dandini fu elemento di spicco del tardo barocco toscano, in quanto seppe osservare e far proprie le lezioni di Pietro da Cortona e di Luca Giordano, entrambi attivi in Firenze. A Prato e Pisa tutt’oggi si conservano numerose sue opere, mentre altri suoi lavori si trovano a Palazzo Corsini, alla Villa La Petraia (affreschi nella Cappella Nuova), alla Villa Bellavista nei pressi di Pistoia (affreschi), a Palazzo Marchetti e a Palazzo Gatteschi, a Pistoia. A Palazzo Montecitorio a Roma si conservano le Quattro Stagioni.Cesare Dandini (Florence 1596 - 1657) attributedPortrait of a Young ViolinistOil on canvas85,5 x 50,5 cmThis artwork, which denotes a certain painterly quality, is based on the same drawing as the Portrait of a Young Violinist with a "chopping board" cap and its various autograph derivations, conserved in the Galleria Palatina of Palazzo Pitti in Florence (you should see artworks numbers 24 to 27, pp. 77-80, of the monograph dedicated to Cesare Dandini by Sandro Bellesi). It is interesting to note the substantial variations made such as the embroidered collar, the absence of the beret, the addition of a long curl of hair falling over the shoulder and, above all, the transformation of the portrait of a boy's face into a half-length portrait of a young violinist, all variations that stigmatise the drawing and execution skills of the author of the artwork.
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Cesare Dandini (Firenze 1596 - 1657) attribuitoRitratto di giovane violinistaOlio su tela85,5 x 50,5 cmL'opera che denota una certa qualità pittorica, nasce dal medesimo disegno del Ritratto di ragazzo con berretto "a tagliere" e delle sue varie derivazioni autografe, conservato alla Galleria Palatina di Palazzo Pitti a Firenze (si veda opere dai numeri 24 al 27, pagg. 77-80, della monografia dedicata a Cesare Dandini, curata da Sandro Bellesi). Interessante notare le sostanziali varianti apportate come il colletto ricamato, l'assenza del berretto, l'aggiunta di un lungo riccioli di capelli cadente sulla spalla e soprattutto la trasformazione del ritratto del viso di ragazzo in un ritratto a mezzo busto di giovane violinista, tutte variazioni che stigmatizzano le proprietà di disegno e realizzative dell'autore dell'opera.Fratello minore dei pittori Cesare e Vincenzo Dandini, Pietro Dandini fu elemento di spicco del tardo barocco toscano, in quanto seppe osservare e far proprie le lezioni di Pietro da Cortona e di Luca Giordano, entrambi attivi in Firenze. A Prato e Pisa tutt’oggi si conservano numerose sue opere, mentre altri suoi lavori si trovano a Palazzo Corsini, alla Villa La Petraia (affreschi nella Cappella Nuova), alla Villa Bellavista nei pressi di Pistoia (affreschi), a Palazzo Marchetti e a Palazzo Gatteschi, a Pistoia. A Palazzo Montecitorio a Roma si conservano le Quattro Stagioni.Cesare Dandini (Florence 1596 - 1657) attributedPortrait of a Young ViolinistOil on canvas85,5 x 50,5 cmThis artwork, which denotes a certain painterly quality, is based on the same drawing as the Portrait of a Young Violinist with a "chopping board" cap and its various autograph derivations, conserved in the Galleria Palatina of Palazzo Pitti in Florence (you should see artworks numbers 24 to 27, pp. 77-80, of the monograph dedicated to Cesare Dandini by Sandro Bellesi). It is interesting to note the substantial variations made such as the embroidered collar, the absence of the beret, the addition of a long curl of hair falling over the shoulder and, above all, the transformation of the portrait of a boy's face into a half-length portrait of a young violinist, all variations that stigmatise the drawing and execution skills of the author of the artwork.
PAINTINGS, SILVERS AND FINE ARTS
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