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Hans von Aachen (Colonia 1552 - Praga 1625)
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Milan, Italy
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Beschreibung
Hans von Aachen (Colonia 1552 - Praga 1625) Adorazione dei pastoriTela incollata su tavola56 x 42,5 cmL'opera, di rara qualità per l'eleganza con cui sono modellate le figure con l'uso del monocromo, riprende l'opera perduta giuntaci di Van Aachen conosciuta grazie a una incisione realizzata da Johann Sadeler il Vecchio. Questo prototipo del maestro tedesco, fu interpretato da altri artisti del tempo come Hendrick Goltzius a cui è attribuito il piccolo olio su rame della Galleria Sabauda di Torino, e l'olandese Gaspar Hovic, autore del dipinto conservato nella chiesa di San Bernardino a Molfetta. Pittore di nazionalità tedesca, il suo cognome deriva dal luogo di nascita del padre ed è conosciuto anche come Johann von Aachen, von Achen. Giovanissimo iniziò la sua attività pittorica copiando le opere di Bartholomeus Spranger. Poi fu in Italia, soggiornò a Venezia fra il 1574 ed il 1588 dove apprese il colorismo della scuola veneziana; probabilmente entrò in contatto con Tintoretto, artista che lasciò una traccia indelebile sul proseguo della sua produzione. Proseguì il suo viaggio di studio per Roma, dove apprese la lezione di Caravaggio e Michelangelo. Grazie alle sue eccezionali qualità, ben presto il suo nome iniziò a circolare tra le corti europee. L'elettore di Baviera e l'imperatore Rodolfo II d’Asburgo si avvalsero della sua arte.Hans von Aachen (Cologne 1552 - Prague 1625) Adoration of the ShepherdsCanvas glued on panel56 x 42,5 cmThis artwork of rare quality due to the elegance with which the figures are modelled with the use of monochrome, echoes the lost artwork by van Aachen known to us from an engraving by Johann Sadeler the Elder. This prototype by the German master was interpreted by other artists of the time such as Hendrick Goltzius, to whom the small oil on copper in the Galleria Sabauda in Turin is attributed, and the Dutchman Gaspar Hovic, author of the painting in the church of San Bernardino in Molfetta.
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Hans von Aachen (Colonia 1552 - Praga 1625) Adorazione dei pastoriTela incollata su tavola56 x 42,5 cmL'opera, di rara qualità per l'eleganza con cui sono modellate le figure con l'uso del monocromo, riprende l'opera perduta giuntaci di Van Aachen conosciuta grazie a una incisione realizzata da Johann Sadeler il Vecchio. Questo prototipo del maestro tedesco, fu interpretato da altri artisti del tempo come Hendrick Goltzius a cui è attribuito il piccolo olio su rame della Galleria Sabauda di Torino, e l'olandese Gaspar Hovic, autore del dipinto conservato nella chiesa di San Bernardino a Molfetta. Pittore di nazionalità tedesca, il suo cognome deriva dal luogo di nascita del padre ed è conosciuto anche come Johann von Aachen, von Achen. Giovanissimo iniziò la sua attività pittorica copiando le opere di Bartholomeus Spranger. Poi fu in Italia, soggiornò a Venezia fra il 1574 ed il 1588 dove apprese il colorismo della scuola veneziana; probabilmente entrò in contatto con Tintoretto, artista che lasciò una traccia indelebile sul proseguo della sua produzione. Proseguì il suo viaggio di studio per Roma, dove apprese la lezione di Caravaggio e Michelangelo. Grazie alle sue eccezionali qualità, ben presto il suo nome iniziò a circolare tra le corti europee. L'elettore di Baviera e l'imperatore Rodolfo II d’Asburgo si avvalsero della sua arte.Hans von Aachen (Cologne 1552 - Prague 1625) Adoration of the ShepherdsCanvas glued on panel56 x 42,5 cmThis artwork of rare quality due to the elegance with which the figures are modelled with the use of monochrome, echoes the lost artwork by van Aachen known to us from an engraving by Johann Sadeler the Elder. This prototype by the German master was interpreted by other artists of the time such as Hendrick Goltzius, to whom the small oil on copper in the Galleria Sabauda in Turin is attributed, and the Dutchman Gaspar Hovic, author of the painting in the church of San Bernardino in Molfetta.
From a Roman apartment and other commission
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Lose: 620
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Via Nino Bixio, 32
Milan
Italy
20129
Italy
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AGB
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With Legislative Decree 118 of 13/2/2006 is in force since April 9, 2006 in Italy the "Right of Action" that is, the right of the author (living or deceased for less than 70 years) of works of arts and manuscripts should receive a percentage of the sale price of the originals of their works during the subsequent sales. This right shall be borne by the seller and will be calculated on the hammer price greater than or equal to € 3,000.00. This right may not exceed €12,500.00 per lot. The fee is payable for each lot is so determined:
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