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Louise Nevelson, Maquette for Sun Disc/Moon Shadow V

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Louise Nevelson, Maquette for Sun Disc/Moon Shadow V
Stahl, farbig gefasst 86,4 x 61 x 67,3 cm. Auf der Unterseite geritzt signiert und nummeriert. Exemplar 5/6. - Mit Atelier- und geringfügigen Altersspuren.

Provenienz
Pace Gallery, New York; Christie's, New York, 16.05.2019, Lot 766; Privatsammlung, USA

Ausstellungen
Genf 2018 (Pace Gallery), LeWitt, Nevelson, Pendleton Part II
Paris 1996 (Galerie Marwan Hoss), Louise Nevelson, Sculpture and Works on Paper (anderes Exemplar)
New York 1980 (Pace Gallery), Louise Nevelson, Maquettes for Monumental Sculpture/Wood Sculpture and Collages (anderes Exemplar)

Literatur
Louise Nevelson, Maquettes for monumental sculpture, Ausst.Kat. The Pace Gallery, New York 1980, auf dem Vorsatzblatt mit Farbabb. (anderes Exemplar)

Louise Nevelson ist eine der wichtigsten Bildhauerinnen des 20. Jahrhunderts. 1959 werden die Holzarbeiten der ukrainischstämmigen Künstlerin erstmals in der Ausstellung „Sixteen Americans“ im Museum of Modern Art gezeigt. 1962 bespielt die Künstlerin den amerikanischen Pavillon der Biennale in Venedig, 2022 wird ihr ebendort eine umfangreiche Retrospektive gewidmet.
Der Kubismus, aber auch die Werke Marcel Duchamps und der afrikanischen und präkolumbianischen Kunst zählen zu ihren wichtigsten Inspirationsquellen. Sie arbeitet zunächst mit Keramik, wechselt dann aber zum Werkstoff Holz, mit dem sie bekannt wird. In den 1970er Jahren verlegt sich Nevelson auch auf Materialien wie Aluminium, Stahl und Plexiglas. Für ihre unverwechselbaren, abstrakten Assemblagen und Reliefs kombiniert sie alltägliche Fundstücke und selbst geschaffene Elemente und überzieht sie mit einer monochromen Farbfassung in Schwarz, Weiß oder Gold. Diese Fassung bewirkt eine optische Vereinheitlichung der disparaten Einzelelemente und verleiht den Plastiken eine sakral-entrückte Ausstrahlung. Das Universum und die Himmelserscheinungen faszinieren Nevelson in besonderem Maße, ebenso der Schatten. So thematisiert auch die Auflagenarbeit „Maquette for Sun Disc/Moon Shadow V“ die vielfältigen, komplexen Licht- und Schattenwirkungen der Himmelskörper Sonne und Mond. Die Maquette liegt der großen Einzelausführung „Sun Disc/Moon Shadow V“ von 1976 zugrunde, die sich heute im Middelheim Museum, Antwerpen, befindet.
Louise Nevelson, Maquette for Sun Disc/Moon Shadow V
Steel, painted 86.4 x 61 x 67.3 cm. Scratched signature and number to underside. Cast 5/6. - Traces of studio and minor traces of age.

Provenance
Pace Gallery, New York; Christie's, New York, 16.05.2019, lot 766; private collection, USA

Exhibitions
Geneva 2018 (Pace Gallery), LeWitt, Nevelson, Pendleton Part II
Paris 1996 (Galerie Marwan Hoss), Louise Nevelson, Sculpture and Works on Paper (other cast)
New York 1980 (Pace Gallery), Louise Nevelson, Maquettes for Monumental Sculpture/Wood Sculpture and Collages (other example)

Literature
Louise Nevelson, Maquettes for monumental sculpture, exhib.cat. The Pace Gallery, New York 1980, col.ill. to endpaper (other cast)

Louise Nevelson is one of the most significant sculptors of the 20th century. In 1959, the works in wood by the Ukrainian artist were shown for the first time in the exhibition „Sixteen Americans“ at the Museum of Modern Art. In 1962, the artist was featured in the American pavilion at the Venice Biennale, and in 2022 an extensive retrospective was dedicated to her there.
Cubism, the works of Marcel Duchamps, as well as African and Pre-Columbian art pertained to her most important sources of inspiration. Initially, she worked with ceramics but then switched to the material of wood for which she became well-known. During the 1970s Nevelson also resorted to materials such as aluminium, steel, and plexiglass. In her distinctive, abstract assemblages, she combined everyday objets trouvés with self-created elements and covered them in a monochrome layer of black, white, or gold paint. This layer gives a visual unification to the disparate individual elements and lends the sculptures a sacral and eccentric aura. Nevelson was particularly fascinated by the universe and celestial phenomena and by shadow. Thus, the edition work „Maquette for Sun Disc/Moon Shadow V“ also thematizes the diverse, complex light and shadow effects of the celestial bodies sun and moon. The maquette is based on the large single version „Sun Disc/Moon Shadow V“ of 1976, which is now in the Middelheim Museum, Antwerp.
Louise Nevelson, Maquette for Sun Disc/Moon Shadow V
Stahl, farbig gefasst 86,4 x 61 x 67,3 cm. Auf der Unterseite geritzt signiert und nummeriert. Exemplar 5/6. - Mit Atelier- und geringfügigen Altersspuren.

Provenienz
Pace Gallery, New York; Christie's, New York, 16.05.2019, Lot 766; Privatsammlung, USA

Ausstellungen
Genf 2018 (Pace Gallery), LeWitt, Nevelson, Pendleton Part II
Paris 1996 (Galerie Marwan Hoss), Louise Nevelson, Sculpture and Works on Paper (anderes Exemplar)
New York 1980 (Pace Gallery), Louise Nevelson, Maquettes for Monumental Sculpture/Wood Sculpture and Collages (anderes Exemplar)

Literatur
Louise Nevelson, Maquettes for monumental sculpture, Ausst.Kat. The Pace Gallery, New York 1980, auf dem Vorsatzblatt mit Farbabb. (anderes Exemplar)

Louise Nevelson ist eine der wichtigsten Bildhauerinnen des 20. Jahrhunderts. 1959 werden die Holzarbeiten der ukrainischstämmigen Künstlerin erstmals in der Ausstellung „Sixteen Americans“ im Museum of Modern Art gezeigt. 1962 bespielt die Künstlerin den amerikanischen Pavillon der Biennale in Venedig, 2022 wird ihr ebendort eine umfangreiche Retrospektive gewidmet.
Der Kubismus, aber auch die Werke Marcel Duchamps und der afrikanischen und präkolumbianischen Kunst zählen zu ihren wichtigsten Inspirationsquellen. Sie arbeitet zunächst mit Keramik, wechselt dann aber zum Werkstoff Holz, mit dem sie bekannt wird. In den 1970er Jahren verlegt sich Nevelson auch auf Materialien wie Aluminium, Stahl und Plexiglas. Für ihre unverwechselbaren, abstrakten Assemblagen und Reliefs kombiniert sie alltägliche Fundstücke und selbst geschaffene Elemente und überzieht sie mit einer monochromen Farbfassung in Schwarz, Weiß oder Gold. Diese Fassung bewirkt eine optische Vereinheitlichung der disparaten Einzelelemente und verleiht den Plastiken eine sakral-entrückte Ausstrahlung. Das Universum und die Himmelserscheinungen faszinieren Nevelson in besonderem Maße, ebenso der Schatten. So thematisiert auch die Auflagenarbeit „Maquette for Sun Disc/Moon Shadow V“ die vielfältigen, komplexen Licht- und Schattenwirkungen der Himmelskörper Sonne und Mond. Die Maquette liegt der großen Einzelausführung „Sun Disc/Moon Shadow V“ von 1976 zugrunde, die sich heute im Middelheim Museum, Antwerpen, befindet.
Louise Nevelson, Maquette for Sun Disc/Moon Shadow V
Steel, painted 86.4 x 61 x 67.3 cm. Scratched signature and number to underside. Cast 5/6. - Traces of studio and minor traces of age.

Provenance
Pace Gallery, New York; Christie's, New York, 16.05.2019, lot 766; private collection, USA

Exhibitions
Geneva 2018 (Pace Gallery), LeWitt, Nevelson, Pendleton Part II
Paris 1996 (Galerie Marwan Hoss), Louise Nevelson, Sculpture and Works on Paper (other cast)
New York 1980 (Pace Gallery), Louise Nevelson, Maquettes for Monumental Sculpture/Wood Sculpture and Collages (other example)

Literature
Louise Nevelson, Maquettes for monumental sculpture, exhib.cat. The Pace Gallery, New York 1980, col.ill. to endpaper (other cast)

Louise Nevelson is one of the most significant sculptors of the 20th century. In 1959, the works in wood by the Ukrainian artist were shown for the first time in the exhibition „Sixteen Americans“ at the Museum of Modern Art. In 1962, the artist was featured in the American pavilion at the Venice Biennale, and in 2022 an extensive retrospective was dedicated to her there.
Cubism, the works of Marcel Duchamps, as well as African and Pre-Columbian art pertained to her most important sources of inspiration. Initially, she worked with ceramics but then switched to the material of wood for which she became well-known. During the 1970s Nevelson also resorted to materials such as aluminium, steel, and plexiglass. In her distinctive, abstract assemblages, she combined everyday objets trouvés with self-created elements and covered them in a monochrome layer of black, white, or gold paint. This layer gives a visual unification to the disparate individual elements and lends the sculptures a sacral and eccentric aura. Nevelson was particularly fascinated by the universe and celestial phenomena and by shadow. Thus, the edition work „Maquette for Sun Disc/Moon Shadow V“ also thematizes the diverse, complex light and shadow effects of the celestial bodies sun and moon. The maquette is based on the large single version „Sun Disc/Moon Shadow V“ of 1976, which is now in the Middelheim Museum, Antwerp.

Evening Sale - Moderne und Zeitgenössische Kunst

Auktionsdatum
Lose: 98
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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Evening Sale - Modern and Contemporary Art

Evening Sale - Moderne und Zeitgenössische Kunst

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