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Meister der Lille Anbetung, zugeschriebenAnna Selbdritt

In Meisterwerke der Sammlung Bischoff / Masterpie...

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Meister der Lille Anbetung, zugeschriebenAnna Selbdritt
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Meister der Lille Anbetung, zugeschrieben
Anna Selbdritt

Öl auf Eichenholz. 20,5 x 17,5 cm.

Literatur
Petra Müller, in: Ekkehard Mai (Hg.): Das Kabinett des Sammlers, Köln 1993, S. 34-36, Kat.-Nr. 14 mit Abb. (als Meister von 1518 i.e. Jan van Dornicke). - Zu dem Meister von 1518 (i. e. Jan Dornicke) siehe Georges Marlier: La Renaissance flamande. Pierre Coeck d´Alost, Brüssel 1966, S. 112-115. - Zu dem Meister der Lille Anbetung siehe Ellen Konowitz: Dirk Vellert and the Master of the Lille Adoration. Some Antwerp mannerist paintings reconsidered, in: Oud Holland 109, 1995, S. 177-188.

Das kleinformatige und reizvolle, für die private Andacht geschaffene Gemälde zeigt in Halbfiguren die Muttergottes mit dem Christuskind sowie mit der matronenhaft gekleideten Heiligen Anna die Mutter Mariens, die sich ebenfalls mit einer auf den zukünftigen Erlöser weisenden Geste ihrer rechten Hand dem Kind zuwendet und mit ihrer linken Hand ein Buch hält. Darüber schwebt die Taube des Heiligen Geistes. Die Gruppe, hinter einem in den Bildraum hineinführenden Tisch positioniert, wird von einem häuslichen Innenraum mit einem zur Seite geöffneten Fenster umgeben, wobei Maria von einem Brokatvorhang hinterfangen wird.
Das Gemälde ist bei seiner erstmaligen Publikation 1993 (Müller 1993, op. cit.) dem sogenannten "Meister von 1518" zugeschrieben worden, der durch Georges Marlier (Marlier 1966, op. cit.) als Jan van Dornicke - tätig in Antwerpen im ersten Viertel des 16. Jahrhunderts - identifiziert worden ist. Zuletzt ist jedoch mit dem "Meister der Lille Anbetung" ein anderer Künstler als Urheber unseres Gemäldes vorgeschlagen worden, der wie Jan van Dornicke ebenfalls zu den Antwerpener Manieristen zu zählen ist und um 1510-1530 in derselben Stadt tätig war. Benannt ist er nach einem 1512 datierten Gemälde mit der Darstellung der "Anbetung der Hirten" in Lille (Palais des Beaux-Arts de Lille, Inv.-Nr. P 739), das wie die weiteren ihm zugeschriebenen ca. zwanzig Werke offenbar unter dem direkten Einfluss des Antwerpener Meisters Dirk Jakobsz Vellert steht.
Wir danken Peter van den Brink, Aachen, für seine Hinweise und Unterstützung bei der Katalogisierung dieses Gemäldes.





Master of the Lille Adoration, attributed to
The Virgin and Child with Saint Anne

Oil on oak panel. 20.5 x 17.5 cm.

Literature
Petra Müller, in: Ekkehard Mai (ed.): Das Kabinett des Sammlers, Cologne 1993, pp. 34-36, no. 14, reproduced (as Master of 1518 i.e. Jan van Dornicke);
Concerning the Master of 1518 (i. e. Jan van Dornicke) cf. Georges Marlier: La Renaissance flamande. Pierre Coeck d´Alost, Brussels 1966, pp. 112-115;
Concerning the Master of the Lille Adoration cf. Ellen Konowitz: Dirk Vellert and the Master of the Lille Adoration. Some Antwerp Mannerist Paintings Reconsidered, in: Oud Holland CIX (1995), pp. 177-188.

The small-format charming painting, made for private devotion, shows the half-length figures of the Madonna and the Christ Child as well as the matronly clad St. Anna, who also gestures towards the future redeemer with her right hand whilst holding a book in her left. The dove of the Holy Ghost soars above. Positioned behind a table which pushes into the pictorial space, the group is surrounded by a domestic interior with an open window to one side with Mary framed by a brocade curtain.
When first published in 1993 (Müller 1993, op. cit.), the painting was attributed to the so-called Master of 1518, identified by Georges Marlier (Marlier 1966, op. cit.) as Jan van Dornicke, active in Antwerp in the first quarter of the 16th century. Most recently, the Master of the Lille Adoration has been suggested as the author of our painting, who, like Jan van Dornicke, belonged to the Antwerp mannerists and was active in the city around 1510-1530. He was named after a painting from 1512 depicting the Adoration of the Shepherds in Lille (Palais des Beaux-Arts de Lille, inv. no. P 739), which, like the other circa twenty works attributed to him, is obviously directly influenced by the Antwerp master Dirk Jakobsz Vellert.
We would like to thank Peter van den Brink, Aachen, for his advice and support with the cataloguing of this painting.





Meister der Lille Anbetung, zugeschrieben
Anna Selbdritt

Öl auf Eichenholz. 20,5 x 17,5 cm.

Literatur
Petra Müller, in: Ekkehard Mai (Hg.): Das Kabinett des Sammlers, Köln 1993, S. 34-36, Kat.-Nr. 14 mit Abb. (als Meister von 1518 i.e. Jan van Dornicke). - Zu dem Meister von 1518 (i. e. Jan Dornicke) siehe Georges Marlier: La Renaissance flamande. Pierre Coeck d´Alost, Brüssel 1966, S. 112-115. - Zu dem Meister der Lille Anbetung siehe Ellen Konowitz: Dirk Vellert and the Master of the Lille Adoration. Some Antwerp mannerist paintings reconsidered, in: Oud Holland 109, 1995, S. 177-188.

Das kleinformatige und reizvolle, für die private Andacht geschaffene Gemälde zeigt in Halbfiguren die Muttergottes mit dem Christuskind sowie mit der matronenhaft gekleideten Heiligen Anna die Mutter Mariens, die sich ebenfalls mit einer auf den zukünftigen Erlöser weisenden Geste ihrer rechten Hand dem Kind zuwendet und mit ihrer linken Hand ein Buch hält. Darüber schwebt die Taube des Heiligen Geistes. Die Gruppe, hinter einem in den Bildraum hineinführenden Tisch positioniert, wird von einem häuslichen Innenraum mit einem zur Seite geöffneten Fenster umgeben, wobei Maria von einem Brokatvorhang hinterfangen wird.
Das Gemälde ist bei seiner erstmaligen Publikation 1993 (Müller 1993, op. cit.) dem sogenannten "Meister von 1518" zugeschrieben worden, der durch Georges Marlier (Marlier 1966, op. cit.) als Jan van Dornicke - tätig in Antwerpen im ersten Viertel des 16. Jahrhunderts - identifiziert worden ist. Zuletzt ist jedoch mit dem "Meister der Lille Anbetung" ein anderer Künstler als Urheber unseres Gemäldes vorgeschlagen worden, der wie Jan van Dornicke ebenfalls zu den Antwerpener Manieristen zu zählen ist und um 1510-1530 in derselben Stadt tätig war. Benannt ist er nach einem 1512 datierten Gemälde mit der Darstellung der "Anbetung der Hirten" in Lille (Palais des Beaux-Arts de Lille, Inv.-Nr. P 739), das wie die weiteren ihm zugeschriebenen ca. zwanzig Werke offenbar unter dem direkten Einfluss des Antwerpener Meisters Dirk Jakobsz Vellert steht.
Wir danken Peter van den Brink, Aachen, für seine Hinweise und Unterstützung bei der Katalogisierung dieses Gemäldes.





Master of the Lille Adoration, attributed to
The Virgin and Child with Saint Anne

Oil on oak panel. 20.5 x 17.5 cm.

Literature
Petra Müller, in: Ekkehard Mai (ed.): Das Kabinett des Sammlers, Cologne 1993, pp. 34-36, no. 14, reproduced (as Master of 1518 i.e. Jan van Dornicke);
Concerning the Master of 1518 (i. e. Jan van Dornicke) cf. Georges Marlier: La Renaissance flamande. Pierre Coeck d´Alost, Brussels 1966, pp. 112-115;
Concerning the Master of the Lille Adoration cf. Ellen Konowitz: Dirk Vellert and the Master of the Lille Adoration. Some Antwerp Mannerist Paintings Reconsidered, in: Oud Holland CIX (1995), pp. 177-188.

The small-format charming painting, made for private devotion, shows the half-length figures of the Madonna and the Christ Child as well as the matronly clad St. Anna, who also gestures towards the future redeemer with her right hand whilst holding a book in her left. The dove of the Holy Ghost soars above. Positioned behind a table which pushes into the pictorial space, the group is surrounded by a domestic interior with an open window to one side with Mary framed by a brocade curtain.
When first published in 1993 (Müller 1993, op. cit.), the painting was attributed to the so-called Master of 1518, identified by Georges Marlier (Marlier 1966, op. cit.) as Jan van Dornicke, active in Antwerp in the first quarter of the 16th century. Most recently, the Master of the Lille Adoration has been suggested as the author of our painting, who, like Jan van Dornicke, belonged to the Antwerp mannerists and was active in the city around 1510-1530. He was named after a painting from 1512 depicting the Adoration of the Shepherds in Lille (Palais des Beaux-Arts de Lille, inv. no. P 739), which, like the other circa twenty works attributed to him, is obviously directly influenced by the Antwerp master Dirk Jakobsz Vellert.
We would like to thank Peter van den Brink, Aachen, for his advice and support with the cataloguing of this painting.




Meisterwerke der Sammlung Bischoff / Masterpieces from the Bischoff Collection

Auktionsdatum
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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Wichtige Informationen

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3 % live provision plus 16 % VAT

AGB

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