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Serge PoliakoffComposition abstraite

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Serge PoliakoffComposition abstraite
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Serge Poliakoff
Composition abstraite

Öl auf Leinwand 81 x 65 cm Gerahmt. Unten links schwarz signiert 'SERGE POLIAKOFF'. Rückseitig auf der Leinwand signiert und datiert 'SERGE POLIAKOFF 1967'. - Zum Teil mit geringfügigem Craquelé. Winziger Farbausbruch Mitte links. Ansonsten in sehr schöner farbfrischer Erhaltung.

A. Poliakoff 67-128

Mit einer Foto-Expertise von Alexis Poliakoff, Carteret, vom 22.7.1994

Provenienz
Galleria Lorenzelli, Bergamo (1970); Galerie Française, München; Privatbesitz Baden-Württemberg

Ausstellungen
Bergamo 1970 (Galleria Lorenzelli), Serge Poliakoff, Kat. Nr. 52 (rückseitiges Etikett und Galeriestempel)

Im Verlauf seines Spätwerkes finden sich inmitten der charakteristischen, aus Formen gebauten Kompositionen Serge Poliakoffs immer wieder einzelne Werke von geradezu monochromatischer, sphärischer Qualität, die eine meditative Wirkung ausstrahlen. Eines davon ist das hier angebotene Gemälde, das sich aus dem malerischen Schaffen um das Jahr 1967 herum prägnant abhebt. Der Künstler variiert in dieser Zeit hauptsächlich Kompositionen mit scharfkantigen, deutlich voneinander abgegrenzten Formen in komplementären Farbkontrasten von Blau, Rot und Gelb. Diese Arbeit ist dagegen von kompositioneller Stille und Harmonie geprägt, mit ihrer Konzentration auf die Eigenwertigkeit der Farbe ist sie beredter Ausdruck des koloristischen Talentes von Poliakoff. Die weich ineinander fließenden lichten Blautöne sind in lebendigem Pinselduktus ausgeführt, die Farben und angedeuteten Formen changieren in einem freien Gefüge. Der satte Farbauftrag leuchtet, ist aber zugleich kreidig matt und von körnig strukturierter Oberfläche.
„Poliakoff zeichnet sich durch ein außergewöhnliches Farbempfinden aus und durch die Gabe, Materie, Licht, Form und Farbe vibrierend verschmelzen zu lassen. Durch das mehr oder weniger starke Durchscheinen der chromatischen Unterschichten erhält jede Farbform atmosphärische Qualität, eine innere Resonanz und eine vibrierende Präsenz.“ (Annette Gautherie-Kampka, in: Serge Poliakoff. Im Reich der Farbe, Ausst. Kat. Galerie Française, München 2000, S. 11).





Serge Poliakoff
Composition abstraite

Oil on canvas 81 x 65 cm Framed. Signed 'SERGE POLIAKOFF' in black lower left. Signed and dated 'SERGE POLIAKOFF 1967' verso on canvas. - Partially with minor craquelure. Minute colour loss left of centre. Otherwise in very fine condition with vibrant colours.

A. Poliakoff 67-128

With a photo-certificate by Alexis Poliakoff, Carteret, dated 22.7.1994

Provenance
Galleria Lorenzelli, Bergamo (1970); Galerie Française, Munich; Private possession, Baden-Württemberg

Exhibitions
Bergamo 1970 (Galleria Lorenzelli), Serge Poliakoff, cat. no. 52 (label and gallery stamp verso)

Over the course of Serge Poliakoff's late work - and in the midst of his characteristic compositions built up out of forms - we repeatedly find individual works which possess a veritably monochrome, spherical quality and exude a meditative effect. These include the painting offered here, which succinctly sets itself apart from the other works painted around 1967. During this period, the artist primarily created variations on compositions featuring sharp-edged, clearly delineated forms in complementary colour contrasts of blue, red and yellow. This work, on the other hand, is defined by compositional tranquillity and harmony and, with its concentration on the independent value of colour, it is an eloquent expression of Poliakoff's talent as a colourist. The luminous tones of blue softly merge together and have been applied with vigorous brushstrokes; the colours and the suggested forms shimmer within an open framework. The saturated colour glows, but it is simultaneously matt and chalky, and its surface has a grainy texture.
“Poliakoff is distinguished by his exceptional sense of colour and his talent for causing material, light, form and colour to vibrantly merge together. Through the greater or lesser extent to which the underlying chromatic layers shine through, each coloured form is provided with an atmospheric quality, an inner resonance and a vibrant presence.” (Annette Gautherie-Kampka, in: Serge Poliakoff. Im Reich der Farbe, exhib. cat. Galerie Française, München 2000, p. 11).





Serge Poliakoff
Composition abstraite

Öl auf Leinwand 81 x 65 cm Gerahmt. Unten links schwarz signiert 'SERGE POLIAKOFF'. Rückseitig auf der Leinwand signiert und datiert 'SERGE POLIAKOFF 1967'. - Zum Teil mit geringfügigem Craquelé. Winziger Farbausbruch Mitte links. Ansonsten in sehr schöner farbfrischer Erhaltung.

A. Poliakoff 67-128

Mit einer Foto-Expertise von Alexis Poliakoff, Carteret, vom 22.7.1994

Provenienz
Galleria Lorenzelli, Bergamo (1970); Galerie Française, München; Privatbesitz Baden-Württemberg

Ausstellungen
Bergamo 1970 (Galleria Lorenzelli), Serge Poliakoff, Kat. Nr. 52 (rückseitiges Etikett und Galeriestempel)

Im Verlauf seines Spätwerkes finden sich inmitten der charakteristischen, aus Formen gebauten Kompositionen Serge Poliakoffs immer wieder einzelne Werke von geradezu monochromatischer, sphärischer Qualität, die eine meditative Wirkung ausstrahlen. Eines davon ist das hier angebotene Gemälde, das sich aus dem malerischen Schaffen um das Jahr 1967 herum prägnant abhebt. Der Künstler variiert in dieser Zeit hauptsächlich Kompositionen mit scharfkantigen, deutlich voneinander abgegrenzten Formen in komplementären Farbkontrasten von Blau, Rot und Gelb. Diese Arbeit ist dagegen von kompositioneller Stille und Harmonie geprägt, mit ihrer Konzentration auf die Eigenwertigkeit der Farbe ist sie beredter Ausdruck des koloristischen Talentes von Poliakoff. Die weich ineinander fließenden lichten Blautöne sind in lebendigem Pinselduktus ausgeführt, die Farben und angedeuteten Formen changieren in einem freien Gefüge. Der satte Farbauftrag leuchtet, ist aber zugleich kreidig matt und von körnig strukturierter Oberfläche.
„Poliakoff zeichnet sich durch ein außergewöhnliches Farbempfinden aus und durch die Gabe, Materie, Licht, Form und Farbe vibrierend verschmelzen zu lassen. Durch das mehr oder weniger starke Durchscheinen der chromatischen Unterschichten erhält jede Farbform atmosphärische Qualität, eine innere Resonanz und eine vibrierende Präsenz.“ (Annette Gautherie-Kampka, in: Serge Poliakoff. Im Reich der Farbe, Ausst. Kat. Galerie Française, München 2000, S. 11).





Serge Poliakoff
Composition abstraite

Oil on canvas 81 x 65 cm Framed. Signed 'SERGE POLIAKOFF' in black lower left. Signed and dated 'SERGE POLIAKOFF 1967' verso on canvas. - Partially with minor craquelure. Minute colour loss left of centre. Otherwise in very fine condition with vibrant colours.

A. Poliakoff 67-128

With a photo-certificate by Alexis Poliakoff, Carteret, dated 22.7.1994

Provenance
Galleria Lorenzelli, Bergamo (1970); Galerie Française, Munich; Private possession, Baden-Württemberg

Exhibitions
Bergamo 1970 (Galleria Lorenzelli), Serge Poliakoff, cat. no. 52 (label and gallery stamp verso)

Over the course of Serge Poliakoff's late work - and in the midst of his characteristic compositions built up out of forms - we repeatedly find individual works which possess a veritably monochrome, spherical quality and exude a meditative effect. These include the painting offered here, which succinctly sets itself apart from the other works painted around 1967. During this period, the artist primarily created variations on compositions featuring sharp-edged, clearly delineated forms in complementary colour contrasts of blue, red and yellow. This work, on the other hand, is defined by compositional tranquillity and harmony and, with its concentration on the independent value of colour, it is an eloquent expression of Poliakoff's talent as a colourist. The luminous tones of blue softly merge together and have been applied with vigorous brushstrokes; the colours and the suggested forms shimmer within an open framework. The saturated colour glows, but it is simultaneously matt and chalky, and its surface has a grainy texture.
“Poliakoff is distinguished by his exceptional sense of colour and his talent for causing material, light, form and colour to vibrantly merge together. Through the greater or lesser extent to which the underlying chromatic layers shine through, each coloured form is provided with an atmospheric quality, an inner resonance and a vibrant presence.” (Annette Gautherie-Kampka, in: Serge Poliakoff. Im Reich der Farbe, exhib. cat. Galerie Française, München 2000, p. 11).




Evening Sale - Moderne und Zeitgenössische Kunst

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Köln
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Germany

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