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2026

Adam WillaertsJesus predigt am See Genezareth

In Alte Kunst / Old Masters

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Adam WillaertsJesus predigt am See Genezareth
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Adam Willaerts
Jesus predigt am See Genezareth

Öl auf Holz. 65 x 92,2 cm.
Monogrammiert unten rechts: A.W.f.

Provenienz
Dr. Wilhelm Luz, Berlin, 1958. - Privatsammlung Luxemburg. - Van Ham, Köln 19./21.4.2007 (als Abraham Willaerts). - Bernheimer, München (als Adam Willaerts). - Deutsche Privatsammlung.

Adam Willaerts wurde 1577 in London geboren und nicht in Antwerpen, wie in der älteren Literatur zu lesen ist. Seine Eltern waren aus religiösen Gründen von Antwerpen nach London geflohen. Später siedelten sie sich im holländischen Leiden an. Adam Willaerts, schon als Maler ausgebildet, ließ sich 1597 in Utrecht nieder, wo er bis zu seinem Tode 1664 lebte. Er zählt in den Niederlanden zu den bedeutendsten frühen Marinemalern. Nicht nur ein brillanter Kolorist, sondern auch ein phantasievoller Erzähler begann Adam Willaerts in den 1620er Jahren auch biblische Sujets in seine Küstenlandschaften zu integrieren, wie das auf unserem Gemälde der Fall ist.
Jesus steht in seinem roten Mantel auf dem Bug eines Fischerbootes, und obwohl er das vordergründige Sujet des Gemäldes ist, wird unser Auge durch die vielen anderen Figuren in der Komposition abgelenkt - z. B. die Fischer, die ihren Fang auslegen, die Gruppe der drei Afrikaner und die der fantastisch gekleideten Reiter. Indem Willaerts die biblische Geschichte in einem derartigen zeitgenössischen Rahmen stellt, beispielsweise einige Figuren in Gewänder im Stil der Zeit Christi kleidet, während andere Gewänder des 17. Jahrhunderts tragen, führt er seinem Publikum die aktuelle Relevanz der biblischen Geschichte vor Augen. (Die Szene illustriert Matt. 14:34-36). Einen weiteren Hinweis auf das Hier und Jetzt gibt uns der Maler auch noch im Hintergrund des Bildes, denn das moderne Kriegsschiff ist eine beiläufige, aber auch eindeutige Bemerkung zu seiner Zeit, als sich nämlich die Vorherrschaft der holländischen Seeflotte auf ihrem Höhepunkt befand.
Bei seiner Versteigerung 2007 wurde unser Bild als Werk von Abraham Willaerts (1603-1669) angeboten, einer der Söhne Adams. Im RKD, wo es unter der Nummer 213409 geführt wird, ist es jedoch als eindeutiges Werk von Adam Willaerts identifiziert.





Adam Willaerts
Jesus Preaching by the Sea of Galilee

Oil on panel. 65 x 92.2 cm.
Monogrammed lower right: A.W.f.

Provenance
Dr. Wilhlem Luz, Berlin, 1958. - Private collection, Luxembourg. - Van Ham, Cologne 19./21.04.2007 (as Abraham Willaerts). - Bernheimer, Munich (as Adam Willaerts). - German private collection.

Adam Willaerts was born in London in 1577 and not in Antwerp, as stated in older literature. His parents had fled from Antwerp to London for religious reasons. Later they settled in Leiden in Holland. Adam Willaerts, already trained as a painter, settled in Utrecht in 1597, where he lived until his death in 1664.
He is considered one of the most important early painters of maritime scenes in the Netherlands. Not only a brilliant colourist, but also an imaginative narrator, Adam Willaerts began to integrate biblical subjects into his coastal landscapes in the 1620s, as is the case in the present work.
Jesus stands at the bow of a fishing boat in a red cloak. Although he is the main subject of the painting, we find our eyes distracted by the many other figures in the composition - for example, the fishermen laying out their catch, the group of three Africans or the group of fancifully dressed horsemen. By placing the biblical story in such a contemporary setting, with some figures dressed in robes in the style of the time of Christ and others in 17th century garments, Willaerts shows his audience the current relevance of the biblical story (the scene illustrated can be found in Matt. 14:34-36). The painter also provides us with a further nod towards the contemporary in the background of the work, for the modern warship is a casual, but unambiguous, remark on its time - an era when the supremacy of the Dutch naval fleet was at its height.
When it was auctioned in 2007, this work was attributed to Abraham Willaerts (1603-1669), one of Adam's sons. However, in the RKD, where it is listed under the number 213409, it is identified as a work by Adam Willaerts.





Adam Willaerts
Jesus predigt am See Genezareth

Öl auf Holz. 65 x 92,2 cm.
Monogrammiert unten rechts: A.W.f.

Provenienz
Dr. Wilhelm Luz, Berlin, 1958. - Privatsammlung Luxemburg. - Van Ham, Köln 19./21.4.2007 (als Abraham Willaerts). - Bernheimer, München (als Adam Willaerts). - Deutsche Privatsammlung.

Adam Willaerts wurde 1577 in London geboren und nicht in Antwerpen, wie in der älteren Literatur zu lesen ist. Seine Eltern waren aus religiösen Gründen von Antwerpen nach London geflohen. Später siedelten sie sich im holländischen Leiden an. Adam Willaerts, schon als Maler ausgebildet, ließ sich 1597 in Utrecht nieder, wo er bis zu seinem Tode 1664 lebte. Er zählt in den Niederlanden zu den bedeutendsten frühen Marinemalern. Nicht nur ein brillanter Kolorist, sondern auch ein phantasievoller Erzähler begann Adam Willaerts in den 1620er Jahren auch biblische Sujets in seine Küstenlandschaften zu integrieren, wie das auf unserem Gemälde der Fall ist.
Jesus steht in seinem roten Mantel auf dem Bug eines Fischerbootes, und obwohl er das vordergründige Sujet des Gemäldes ist, wird unser Auge durch die vielen anderen Figuren in der Komposition abgelenkt - z. B. die Fischer, die ihren Fang auslegen, die Gruppe der drei Afrikaner und die der fantastisch gekleideten Reiter. Indem Willaerts die biblische Geschichte in einem derartigen zeitgenössischen Rahmen stellt, beispielsweise einige Figuren in Gewänder im Stil der Zeit Christi kleidet, während andere Gewänder des 17. Jahrhunderts tragen, führt er seinem Publikum die aktuelle Relevanz der biblischen Geschichte vor Augen. (Die Szene illustriert Matt. 14:34-36). Einen weiteren Hinweis auf das Hier und Jetzt gibt uns der Maler auch noch im Hintergrund des Bildes, denn das moderne Kriegsschiff ist eine beiläufige, aber auch eindeutige Bemerkung zu seiner Zeit, als sich nämlich die Vorherrschaft der holländischen Seeflotte auf ihrem Höhepunkt befand.
Bei seiner Versteigerung 2007 wurde unser Bild als Werk von Abraham Willaerts (1603-1669) angeboten, einer der Söhne Adams. Im RKD, wo es unter der Nummer 213409 geführt wird, ist es jedoch als eindeutiges Werk von Adam Willaerts identifiziert.





Adam Willaerts
Jesus Preaching by the Sea of Galilee

Oil on panel. 65 x 92.2 cm.
Monogrammed lower right: A.W.f.

Provenance
Dr. Wilhlem Luz, Berlin, 1958. - Private collection, Luxembourg. - Van Ham, Cologne 19./21.04.2007 (as Abraham Willaerts). - Bernheimer, Munich (as Adam Willaerts). - German private collection.

Adam Willaerts was born in London in 1577 and not in Antwerp, as stated in older literature. His parents had fled from Antwerp to London for religious reasons. Later they settled in Leiden in Holland. Adam Willaerts, already trained as a painter, settled in Utrecht in 1597, where he lived until his death in 1664.
He is considered one of the most important early painters of maritime scenes in the Netherlands. Not only a brilliant colourist, but also an imaginative narrator, Adam Willaerts began to integrate biblical subjects into his coastal landscapes in the 1620s, as is the case in the present work.
Jesus stands at the bow of a fishing boat in a red cloak. Although he is the main subject of the painting, we find our eyes distracted by the many other figures in the composition - for example, the fishermen laying out their catch, the group of three Africans or the group of fancifully dressed horsemen. By placing the biblical story in such a contemporary setting, with some figures dressed in robes in the style of the time of Christ and others in 17th century garments, Willaerts shows his audience the current relevance of the biblical story (the scene illustrated can be found in Matt. 14:34-36). The painter also provides us with a further nod towards the contemporary in the background of the work, for the modern warship is a casual, but unambiguous, remark on its time - an era when the supremacy of the Dutch naval fleet was at its height.
When it was auctioned in 2007, this work was attributed to Abraham Willaerts (1603-1669), one of Adam's sons. However, in the RKD, where it is listed under the number 213409, it is identified as a work by Adam Willaerts.




Alte Kunst / Old Masters

Auktionsdatum
Lose: 2000 - 2155
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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Conditions of Sale

1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.

3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

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11. In the case of payment default, Lempertz will charge 1% interest on the outstanding amount of the gross price per month.. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.

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13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the German law for the protection of cultural goods applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods (CISG) are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.

Henrik Hanstein, sworn public auctioneer
Takuro Ito, Kilian Jay von Seldeneck, auctioneers

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