Los

2005

Antonio CicognaraDie hl. Lucia vor dem Richter kann nicht von der Stelle bewegt werden

In Alte Kunst / Old Masters

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Antonio CicognaraDie hl. Lucia vor dem Richter kann nicht von der Stelle bewegt werden
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Antonio Cicognara
Die hl. Lucia vor dem Richter kann nicht von der Stelle bewegt werden

Tempera auf Holz. 43 x 71 cm.

Die Tafel stellt eines der Wunder der hl. Lucia dar, die ihr Leben Christus weiht und sich der bereits ausgehandelten Ehe verweigert. Ihr Bräutigam verklagt sie wegen des gebrochenen Eheversprechens, und der Präfekt ordnet an, dass sie in ein Dirnenhaus verbracht werde; 1000 Männer jedoch und ein Ochsengespann vermögen es nicht, sie von der Stelle zu bewegen. Später sollte die Heilige durch einen Schwertstich in ihren Hals das Martyrium erleiden. Antonio Cicognara zeigt die junge Heilige im Zentrum eines Stadtprospekts, links den Präfekten mit ausgestrecktem Arm, rechts die Männer mit dem Ochsengespann vor einem Rundbau, die sich mühen, Lucia fortzubewegen.
Bei dieser Tafel handelt es sich um den Mittelteil einer mehrteiligen Predella, von der sich zwei weitere Szenen erhalten haben, im Isabella Stewart Gardner Museum, Boston, und in der Sammlung Bernard Berenson in der Villa I Tatti in Florenz. Die Bostoner Tafel zeigt die „Hl. Lucia mit ihrer Mutter am Grab der Heiligen Agatha betend“, die Florentiner Tafel stellt die „Engel am Leichnam der Heiligen Lucia wachend“ dar.
Antonio Cicognara war im lombardischen Cremona zwischen 1480 und 1516 als Maler von Tafeln und Miniaturen tätig. Seine Kunst wurde beeinflusst von der Malerei Mailands und Ferraras jener Zeit, aber auch von Skulpturen, die er in Cremona sah. Drei von Cicognara signierte Tafeln, darunter eine Madonna mit Kind in der Pinacoteca Nazionale in Ferrara, bilden die Grundlage für eine Einordnung seines künstlerischen Schaffens.





Antonio Cicognara
Saint Lucy before the Judge, unable to be moved

Tempera on panel. 43 x 71 cm.

This panel depicts one of the miracles of St. Lucy, a saint who consecrated her life to Christ and refused to marry the man who had been arranged for her. Her bridegroom sued her for breaking her marriage vows, and the prefect ordered that she be taken to a brothel, but 1,000 men and a team of oxen could not move her. Later, the saint was to suffer martyrdom by having a sword thrust through her neck. Antonio Cicognara shows the young saint in the center of a city. To the left of her is the prefect with his arm outstretched, on the right in front of the rotunda, the men with a team of oxen struggle to move Lucy from the spot.
This painting is the central panel of a multi-part predella, from which two other scenes have survived. One is housed in the Isabella Stewart Gardner Museum, Boston, and one in the Bernard Berenson Collection in the Villa I Tatti in Florence. The Boston panel depicts "St. Lucy with her mother praying at the tomb of St. Agatha", the Florentine panel depicts "Angels watching over the body of St. Lucy".
Antonio Cicognara worked as a panel painter and miniaturist in Cremona, Lombardy, between 1480 and 1516. His art was influenced by the painting of Milan and Ferrara of that era, but also by sculptures that he saw in Cremona. Three panels signed by Cicognara, including a Madonna and Child in the Pinacoteca Nazionale in Ferrara, form the basis for the attribution of further works to his oeuvre.





Antonio Cicognara
Die hl. Lucia vor dem Richter kann nicht von der Stelle bewegt werden

Tempera auf Holz. 43 x 71 cm.

Die Tafel stellt eines der Wunder der hl. Lucia dar, die ihr Leben Christus weiht und sich der bereits ausgehandelten Ehe verweigert. Ihr Bräutigam verklagt sie wegen des gebrochenen Eheversprechens, und der Präfekt ordnet an, dass sie in ein Dirnenhaus verbracht werde; 1000 Männer jedoch und ein Ochsengespann vermögen es nicht, sie von der Stelle zu bewegen. Später sollte die Heilige durch einen Schwertstich in ihren Hals das Martyrium erleiden. Antonio Cicognara zeigt die junge Heilige im Zentrum eines Stadtprospekts, links den Präfekten mit ausgestrecktem Arm, rechts die Männer mit dem Ochsengespann vor einem Rundbau, die sich mühen, Lucia fortzubewegen.
Bei dieser Tafel handelt es sich um den Mittelteil einer mehrteiligen Predella, von der sich zwei weitere Szenen erhalten haben, im Isabella Stewart Gardner Museum, Boston, und in der Sammlung Bernard Berenson in der Villa I Tatti in Florenz. Die Bostoner Tafel zeigt die „Hl. Lucia mit ihrer Mutter am Grab der Heiligen Agatha betend“, die Florentiner Tafel stellt die „Engel am Leichnam der Heiligen Lucia wachend“ dar.
Antonio Cicognara war im lombardischen Cremona zwischen 1480 und 1516 als Maler von Tafeln und Miniaturen tätig. Seine Kunst wurde beeinflusst von der Malerei Mailands und Ferraras jener Zeit, aber auch von Skulpturen, die er in Cremona sah. Drei von Cicognara signierte Tafeln, darunter eine Madonna mit Kind in der Pinacoteca Nazionale in Ferrara, bilden die Grundlage für eine Einordnung seines künstlerischen Schaffens.





Antonio Cicognara
Saint Lucy before the Judge, unable to be moved

Tempera on panel. 43 x 71 cm.

This panel depicts one of the miracles of St. Lucy, a saint who consecrated her life to Christ and refused to marry the man who had been arranged for her. Her bridegroom sued her for breaking her marriage vows, and the prefect ordered that she be taken to a brothel, but 1,000 men and a team of oxen could not move her. Later, the saint was to suffer martyrdom by having a sword thrust through her neck. Antonio Cicognara shows the young saint in the center of a city. To the left of her is the prefect with his arm outstretched, on the right in front of the rotunda, the men with a team of oxen struggle to move Lucy from the spot.
This painting is the central panel of a multi-part predella, from which two other scenes have survived. One is housed in the Isabella Stewart Gardner Museum, Boston, and one in the Bernard Berenson Collection in the Villa I Tatti in Florence. The Boston panel depicts "St. Lucy with her mother praying at the tomb of St. Agatha", the Florentine panel depicts "Angels watching over the body of St. Lucy".
Antonio Cicognara worked as a panel painter and miniaturist in Cremona, Lombardy, between 1480 and 1516. His art was influenced by the painting of Milan and Ferrara of that era, but also by sculptures that he saw in Cremona. Three panels signed by Cicognara, including a Madonna and Child in the Pinacoteca Nazionale in Ferrara, form the basis for the attribution of further works to his oeuvre.




Alte Kunst / Old Masters

Auktionsdatum
Lose: 2000 - 2155
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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Conditions of Sale

1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.

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Henrik Hanstein, sworn public auctioneer
Takuro Ito, Kilian Jay von Seldeneck, auctioneers

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