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Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773)

In Beauty and Devotion. Picasso between the Old a...

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Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 1 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 2 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 3 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 4 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 5 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 6 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 7 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 8 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 1 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 2 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 3 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 4 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 5 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 6 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 7 aus 8
Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773) - Bild 8 aus 8
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Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773)

"The Conversion of Saint Francis".

Oil on canvas.

156 x 124 cm. 

 

Saint Francis of Assisi, like all those who became saints, underwent a period of conversion. This marvellous painting depicts Francis of Assisi precisely at the stage of his personal search and introspection, praying in the family chapel.

Once, while he was praying, he heard a voice saying to him: "Vade, Francisce, et repara domum meam" (Go, Francis, and repair my house). "From that moment the compassion of the Crucified One was engraved on Francis' soul" (2Cel 10). The phrase appears in the painting, coming from the mouth of the Christ, before whom Francis is praying.

In the background, and no less important than the main scene, the Cuzco painter depicts the moment of "his firm vow of poverty and detachment" before his parents and the local bishop.

Saint Francis' father, Pedro de Bernardone, put up stiff resistance to his son's decision to follow Christ.

One day, no longer knowing what to do to dissuade him from his attempts, he denounced him to the bishop.  The bishop, however, discreet and wise, advised Francis to appear at his palace and answer his father's accusations, which he did.

On the appointed day he appeared before the bishop. After being comforted by the bishop's profound words, the young saint took an unexpected step: he went to a nearby room, stripped off his clothes and returned to the room completely naked (either out of modesty or because the painting was to be hung in a public place, or through the decision of the person who paid for the artwork, the painter does not reflect this) to deposit his clothes, together with all the money he was carrying, at the feet of his father, as a sign of a complete break with the world.

Pedro de Berbardone, on the left and weeping, stupefied and furious, picked up his "maddened" son's belongings and left without a word.

Then the prelate, with tears in his eyes, approached the young man and clothed him in his own cloak, hiding his painful nakedness in the large folds of it; he then held him tightly to his heart.

 

Marcos Zapata Inca was a Peruvian painter born in Cuzco. He is known as one of the last representatives of the Cuzco school. Zapata specialised in religious painting, and between the years 1748 and 1764 he painted nearly 200 artworks.
One of his most important commissions was the series of 24 paintings dedicated to the life of Saint Francis of Assisi that was created for the Capuchin order of Santiago de Chile in 1748.
Later in 1755 he painted 50 canvases on the theme of the Laurentian Litany for Cuzco Cathedral and in 1762 he painted close to 73 artworks for The Society of Jesus in Cuzco.
His style influenced the artists of his time, and was characterised by his special way of representing the Virgin Mary surrounded by angels' heads. The compositions related to the Virgin Mary with their allegories greatly interested him and it seems that he was inspired by engravings by Christoph Thomas Scheffler from 1732.
Artists such as Antonio Vilca and Ignacio Chacón continued working in a similar vein.

 

Attributed to Marcos Zapata Inca (Cuzco, Peru, circa 1710 - 1773)

"The Conversion of Saint Francis".

Oil on canvas.

156 x 124 cm. 

 

Saint Francis of Assisi, like all those who became saints, underwent a period of conversion. This marvellous painting depicts Francis of Assisi precisely at the stage of his personal search and introspection, praying in the family chapel.

Once, while he was praying, he heard a voice saying to him: "Vade, Francisce, et repara domum meam" (Go, Francis, and repair my house). "From that moment the compassion of the Crucified One was engraved on Francis' soul" (2Cel 10). The phrase appears in the painting, coming from the mouth of the Christ, before whom Francis is praying.

In the background, and no less important than the main scene, the Cuzco painter depicts the moment of "his firm vow of poverty and detachment" before his parents and the local bishop.

Saint Francis' father, Pedro de Bernardone, put up stiff resistance to his son's decision to follow Christ.

One day, no longer knowing what to do to dissuade him from his attempts, he denounced him to the bishop.  The bishop, however, discreet and wise, advised Francis to appear at his palace and answer his father's accusations, which he did.

On the appointed day he appeared before the bishop. After being comforted by the bishop's profound words, the young saint took an unexpected step: he went to a nearby room, stripped off his clothes and returned to the room completely naked (either out of modesty or because the painting was to be hung in a public place, or through the decision of the person who paid for the artwork, the painter does not reflect this) to deposit his clothes, together with all the money he was carrying, at the feet of his father, as a sign of a complete break with the world.

Pedro de Berbardone, on the left and weeping, stupefied and furious, picked up his "maddened" son's belongings and left without a word.

Then the prelate, with tears in his eyes, approached the young man and clothed him in his own cloak, hiding his painful nakedness in the large folds of it; he then held him tightly to his heart.

 

Marcos Zapata Inca was a Peruvian painter born in Cuzco. He is known as one of the last representatives of the Cuzco school. Zapata specialised in religious painting, and between the years 1748 and 1764 he painted nearly 200 artworks.
One of his most important commissions was the series of 24 paintings dedicated to the life of Saint Francis of Assisi that was created for the Capuchin order of Santiago de Chile in 1748.
Later in 1755 he painted 50 canvases on the theme of the Laurentian Litany for Cuzco Cathedral and in 1762 he painted close to 73 artworks for The Society of Jesus in Cuzco.
His style influenced the artists of his time, and was characterised by his special way of representing the Virgin Mary surrounded by angels' heads. The compositions related to the Virgin Mary with their allegories greatly interested him and it seems that he was inspired by engravings by Christoph Thomas Scheffler from 1732.
Artists such as Antonio Vilca and Ignacio Chacón continued working in a similar vein.

 

Beauty and Devotion. Picasso between the Old and New World.

Auktionsdatum
Lose: 118
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain

Generelle Versandinformationen vom Auktionshaus verfügbar

The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

Wichtige Informationen

   

AGB

CONDITIONS OF THE AUCTION:

I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.

II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.

III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.

IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.

V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.

VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.

VII. SCALE OF BIDS. The bids are set according to the following scale:

From 50.-€ to 200.-€…………………………………………..at 10.-€

From 200.-€ to 500.-€…………………………………… …25 in 25.-€

From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€

From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€

From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€

From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€

From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€

From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€

From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€

From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€

From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€

From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€

VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.

IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 24,5 % plus 21% VAT on the commission, at total 29,65 % on Hammer Price.

X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.

XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.

15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.

XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.

XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.

XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.

XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.

Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".

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Stichworte: Öl Gemälde