59
Novo-Hispanic School. Possibly Potosí. Bolivia. Signed Fonceca, 1774.
In Millésime 24
1/5
Beschreibung
Novo-Hispanic School. Possibly Potosí. Bolivia. Signed Fonceca, 1774.
"True Portrait of Our Lady of Soterraña"
Oil on canvas glued to wood. Signed "fonceca pint." and dated 1774.
41.5 x 31 cm
The cartouche at the bottom margin reads: "La Milagrosa Imagen de Nuestra Señora de la Soterraña venerada en Santa María de Nieva, especial defensora de rayos y centellas." (The Miraculous Image of Our Lady of Soterraña venerated in Santa María de Nieva, a special defender against lightning and sparks.)
The Virgin of Soterraña is a Marian advocation venerated in the church of the town of Santa María la Real de Nieva in Segovia, where, as reported by Josemi Lorenzo in his interesting research on the church, "ten representations of the Virgin of Soterraña, eight pictorial and two sculptural," are found, indicating the strong devotional weight this image has historically had in the place where it appeared."
The image of this Virgin Mary was found at the end of the 14th century buried in a cave on the hill that was then in the municipal district of Nieva. Its name, in fact, means 'subterranean' in old Castilian. As Lorenzo continues to explain, and as we indeed read on the cartouche of this painting, the image was the "special protector against storms and hail [and] was fundamental in an agrarian context which faced adverse weather."
Its worship spread to other areas of Spain such as Navarra and Logroño, Lorenzo continues to report, "shepherds and sailors [...], the former through migration, the latter by sailing the sea, spread her virtues and devotion to places such as Argentina, Bolivia, and the Philippines, where a ninth example which has been moved to an unknown location is documented."
Of the eight painted depictions in the parish church in Segovia, we would like to highlight the most complex of those preserved, from the first half of the 18th century, where the Virgin of Soterraña with the Child in her left arm is depicted, along with Ensign Alonso del Canto y Ocampo, conqueror of the Philippines in 1563. It is a votive offering made a century after the death of the ensign to whom it is dedicated, which adds additional interest to the painting, as Josemi Lorenzo affirms.
Another highlight from amongst these eight is the True Portrait of the Virgin of Soterraña, "exhibited in the northern end" of the church, which, was donated by Alejo Bonifaz and painted in San Luis de Potosí in 1785.
With the painting we have in the auction, added to the existing ones, we reach a dozen pictorial representations of this curious Marian advocation. Taking into account the expansion of the worship of the Virgin that we mentioned and that the painting was created in Potosí in 1785, it is reasonable to assume that this painting, from a similar time, came from the same cultural nucleus. Without a doubt, this True Portrait, with the accompanying angels and the liturgical scenery with candlesticks, candelabra, and drapery, is more elaborate than the True Portrait in the church.
Reference bibliography:
- Lorenzo Arribas, Josemi. (2016). La iglesia de Santa María la Real de Nieva (Segovia). Epigrafía en la portada norte; Lucas el estucador; exvotos pintados; un Niño montañesino, y un lienzo devocional de la Virgen de la Soterraña. Biblioteca. Estudio e investigación", 31, 197-218.
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Novo-Hispanic School. Possibly Potosí. Bolivia. Signed Fonceca, 1774.
"True Portrait of Our Lady of Soterraña"
Oil on canvas glued to wood. Signed "fonceca pint." and dated 1774.
41.5 x 31 cm
The cartouche at the bottom margin reads: "La Milagrosa Imagen de Nuestra Señora de la Soterraña venerada en Santa María de Nieva, especial defensora de rayos y centellas." (The Miraculous Image of Our Lady of Soterraña venerated in Santa María de Nieva, a special defender against lightning and sparks.)
The Virgin of Soterraña is a Marian advocation venerated in the church of the town of Santa María la Real de Nieva in Segovia, where, as reported by Josemi Lorenzo in his interesting research on the church, "ten representations of the Virgin of Soterraña, eight pictorial and two sculptural," are found, indicating the strong devotional weight this image has historically had in the place where it appeared."
The image of this Virgin Mary was found at the end of the 14th century buried in a cave on the hill that was then in the municipal district of Nieva. Its name, in fact, means 'subterranean' in old Castilian. As Lorenzo continues to explain, and as we indeed read on the cartouche of this painting, the image was the "special protector against storms and hail [and] was fundamental in an agrarian context which faced adverse weather."
Its worship spread to other areas of Spain such as Navarra and Logroño, Lorenzo continues to report, "shepherds and sailors [...], the former through migration, the latter by sailing the sea, spread her virtues and devotion to places such as Argentina, Bolivia, and the Philippines, where a ninth example which has been moved to an unknown location is documented."
Of the eight painted depictions in the parish church in Segovia, we would like to highlight the most complex of those preserved, from the first half of the 18th century, where the Virgin of Soterraña with the Child in her left arm is depicted, along with Ensign Alonso del Canto y Ocampo, conqueror of the Philippines in 1563. It is a votive offering made a century after the death of the ensign to whom it is dedicated, which adds additional interest to the painting, as Josemi Lorenzo affirms.
Another highlight from amongst these eight is the True Portrait of the Virgin of Soterraña, "exhibited in the northern end" of the church, which, was donated by Alejo Bonifaz and painted in San Luis de Potosí in 1785.
With the painting we have in the auction, added to the existing ones, we reach a dozen pictorial representations of this curious Marian advocation. Taking into account the expansion of the worship of the Virgin that we mentioned and that the painting was created in Potosí in 1785, it is reasonable to assume that this painting, from a similar time, came from the same cultural nucleus. Without a doubt, this True Portrait, with the accompanying angels and the liturgical scenery with candlesticks, candelabra, and drapery, is more elaborate than the True Portrait in the church.
Reference bibliography:
- Lorenzo Arribas, Josemi. (2016). La iglesia de Santa María la Real de Nieva (Segovia). Epigrafía en la portada norte; Lucas el estucador; exvotos pintados; un Niño montañesino, y un lienzo devocional de la Virgen de la Soterraña. Biblioteca. Estudio e investigación", 31, 197-218.
Millésime 24
Auktionsdatum
Lose: 73
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
Once again, we start the year with a special auction, called Millésime.
A catalog of 73 lots of European, Novo-Hispanic and Vicerregal art, so spanish americas art, where you will find paintings, furniture, decorative arts etc.
We hope you enjoy it!!
AGB
CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.
III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.
IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.
V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.
VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.
VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 24,5 % plus 21% VAT on the commission.
X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.
15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.
XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
