37
Agustin Arrieta (Santa Ana Chiautempan, Tlaxcala, Mexico, 1803 - Puebla, Mexico, 1874)
In Millésime 24
1/10
Beschreibung
Agustin Arrieta (Santa Ana Chiautempan, Tlaxcala, Mexico, 1803 - Puebla, Mexico, 1874)
"Still Life with Prickly Pears"
Oil on canvas.
80 x 106 cm.
As indicated in the report by art historian José Gómez Frechina:
"The 19th-century painter José Agustín Arrieta, son of the Basque Tomás Arrieta and María Rita Fernández, lived in the Mexican city of Puebla from an early age, where he began his artistic training at the Academy of Fine Arts under the supervision of painters such as Julián Ordóñez and Lorenzo Zandejas at the time of the recent independence of Mexico.
Arrieta painted portraits (Portrait of General Don Felipe Codallos's Family, Soumaya Museum) and religious paintings in the early years of his artistic career. Later, distancing himself from academic influences, he captured passages of sociological value on his canvases, reflecting the reality of the society of Puebla, especially the lower classes (Pulquería Gathering). He became famous for his paintings of "chinas poblanas" (women from Puebla) and especially for his still life paintings, known at the time as "dining room paintings."
Examples of his still life work and social-themed paintings were shown in exhibitions at the Academy of San Carlos in Mexico in 1850 and at the Academy of Fine Arts in Puebla in 1851, 1853, and 1855. Despite being one of the principal artists working in Angelópolis, as stated by his biographer Francisco Pérez Salazar, he faced certain difficulties: "However, his talent and skill were not enough to secure him a comfortable position, and around 1852, he had to take on the role of caretaker at the Congress to make a living."
The importance of the culinary world and the inclusion of fruits and crafts typical of Puebla and Tlaxcala are reflected in José Agustín Arrieta's still life paintings, as in this unique "Still Life with Prickly Pears," the symbolic nature of which is quite clear due to the presence of the nopal (prickly pear cactus) and its fruits. This sacred cactus, related to an Aztec legend identifying it with the founding of Mexico-Tenochtitlan, appears on the National Coat of Arms of Mexico. This native species of cactus, also known by other names such as xoconostle or chumbera, found in dry and semi-desert environments, was introduced to many areas of the Mediterranean by the Spanish in the 16th century.
The presence of fruits native to Mexico, such as limes, papayas, pitahayas, mameyes, and prickly pears, is often accompanied by other elements such as bottles, crystal glasses, pots, or baskets in Arrieta's still life work.
The still life in question features a jug in the central axis of the composition and two wicker baskets full of prickly pears (also known in the Hispanic world as higos chumbos) - one of them overturned. The popularity of the nopal and its edible fruit in Mexico is well-known, as are the fleshy paddles of the plant, highly appreciated for their healing properties.
In the foreground are two clay pots, common ceramic plates with floral decoration, a polychromed clay oil bottle and an oil lamp with glass sections. Various types of prickly pears with white or orange-reddish peel are depicted. It is also worth mentioning the scissors, the prickly pear sliced at both ends, and sectioned to show the edible part, and the presence of two snails (Helix aspersa Maxima).
As is customary in Arrieta's paintings, there is special attention to the depiction of objects and textures, observed in the glass, the clever arrangement of scissors with their shadows, and in the clay pots with water droplets."
Reference bibliography:
Castro Morales, Efraín, Homenaje Nacional a José Agustín Arrieta (1803-1874), Museo Nacional de Arte (México) INBA 1994; Fraile Martín, Isabel, "Pintura y pintores en Puebla: Una revisión a los modelos y tendencias del siglo XIX" Estudio, 2015, n. 20, p.17-31.
The study by José Gómez Frechina is included with the lot.
Auktionsdetails
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Agustin Arrieta (Santa Ana Chiautempan, Tlaxcala, Mexico, 1803 - Puebla, Mexico, 1874)
"Still Life with Prickly Pears"
Oil on canvas.
80 x 106 cm.
As indicated in the report by art historian José Gómez Frechina:
"The 19th-century painter José Agustín Arrieta, son of the Basque Tomás Arrieta and María Rita Fernández, lived in the Mexican city of Puebla from an early age, where he began his artistic training at the Academy of Fine Arts under the supervision of painters such as Julián Ordóñez and Lorenzo Zandejas at the time of the recent independence of Mexico.
Arrieta painted portraits (Portrait of General Don Felipe Codallos's Family, Soumaya Museum) and religious paintings in the early years of his artistic career. Later, distancing himself from academic influences, he captured passages of sociological value on his canvases, reflecting the reality of the society of Puebla, especially the lower classes (Pulquería Gathering). He became famous for his paintings of "chinas poblanas" (women from Puebla) and especially for his still life paintings, known at the time as "dining room paintings."
Examples of his still life work and social-themed paintings were shown in exhibitions at the Academy of San Carlos in Mexico in 1850 and at the Academy of Fine Arts in Puebla in 1851, 1853, and 1855. Despite being one of the principal artists working in Angelópolis, as stated by his biographer Francisco Pérez Salazar, he faced certain difficulties: "However, his talent and skill were not enough to secure him a comfortable position, and around 1852, he had to take on the role of caretaker at the Congress to make a living."
The importance of the culinary world and the inclusion of fruits and crafts typical of Puebla and Tlaxcala are reflected in José Agustín Arrieta's still life paintings, as in this unique "Still Life with Prickly Pears," the symbolic nature of which is quite clear due to the presence of the nopal (prickly pear cactus) and its fruits. This sacred cactus, related to an Aztec legend identifying it with the founding of Mexico-Tenochtitlan, appears on the National Coat of Arms of Mexico. This native species of cactus, also known by other names such as xoconostle or chumbera, found in dry and semi-desert environments, was introduced to many areas of the Mediterranean by the Spanish in the 16th century.
The presence of fruits native to Mexico, such as limes, papayas, pitahayas, mameyes, and prickly pears, is often accompanied by other elements such as bottles, crystal glasses, pots, or baskets in Arrieta's still life work.
The still life in question features a jug in the central axis of the composition and two wicker baskets full of prickly pears (also known in the Hispanic world as higos chumbos) - one of them overturned. The popularity of the nopal and its edible fruit in Mexico is well-known, as are the fleshy paddles of the plant, highly appreciated for their healing properties.
In the foreground are two clay pots, common ceramic plates with floral decoration, a polychromed clay oil bottle and an oil lamp with glass sections. Various types of prickly pears with white or orange-reddish peel are depicted. It is also worth mentioning the scissors, the prickly pear sliced at both ends, and sectioned to show the edible part, and the presence of two snails (Helix aspersa Maxima).
As is customary in Arrieta's paintings, there is special attention to the depiction of objects and textures, observed in the glass, the clever arrangement of scissors with their shadows, and in the clay pots with water droplets."
Reference bibliography:
Castro Morales, Efraín, Homenaje Nacional a José Agustín Arrieta (1803-1874), Museo Nacional de Arte (México) INBA 1994; Fraile Martín, Isabel, "Pintura y pintores en Puebla: Una revisión a los modelos y tendencias del siglo XIX" Estudio, 2015, n. 20, p.17-31.
The study by José Gómez Frechina is included with the lot.
Millésime 24
Auktionsdatum
Lose: 73
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
Once again, we start the year with a special auction, called Millésime.
A catalog of 73 lots of European, Novo-Hispanic and Vicerregal art, so spanish americas art, where you will find paintings, furniture, decorative arts etc.
We hope you enjoy it!!
AGB
CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.
III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.
IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.
V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.
VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.
VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 24,5 % plus 21% VAT on the commission.
X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.
15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.
XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
