Los

32

Attributed to Peter Lely (Soest, Germany 1618 - London 1680)

In Y nos dieron las 100...

Diese Auktion ist eine LIVE Auktion! Sie müssen für diese Auktion registriert und als Bieter freigeschaltet sein, um bieten zu können.
Sie wurden überboten. Um die größte Chance zu haben zu gewinnen, erhöhen Sie bitte Ihr Maximal Gebot.
Ihre Registrierung wurde noch nicht durch das Auktionshaus genehmigt. Bitte, prüfen Sie Ihr E-Mail Konto für mehr Details.
Leider wurde Ihre Registrierung durch das Auktionshaus abgelehnt. Sie können das Auktionshaus direkt kontaktieren über +34 93 3001477 um mehr Informationen zu erhalten.
Sie sind zurzeit Höchstbieter! Um sicher zustellen, dass Sie das Los ersteigern, melden Sie sich zum Live Bieten an unter , oder erhöhen Sie ihr Maximalgebot.
Geben Sie jetzt ein Gebot ab! Ihre Registrierung war erfolgreich.
Entschuldigung, die Gebotsabgabephase ist leider beendet. Es erscheinen täglich 1000 neue Lose auf lot-tissimo.com, bitte starten Sie eine neue Anfrage.
Das Bieten auf dieser Auktion hat noch nicht begonnen. Bitte, registrieren Sie sich jetzt, so dass Sie zugelassen werden bis die Auktion startet.
1/7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 1 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 2 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 3 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 4 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 5 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 6 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 7 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 1 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 2 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 3 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 4 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 5 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 6 aus 7
Attributed to Peter Lely (Soest, Germany 1618 - London 1680) - Bild 7 aus 7
Sie interessieren sich für den Preis dieses Loses?
Preisdatenbank abonnieren
Barcelona
Attributed to Peter Lely (Soest, Germany 1618 - London 1680)"Portrait of the renowned English composer Henry Purcell (1659 - 1695)"Oil on canvas.42.5 x 31 cm.An important portrait executed during the musician's lifetime, which makes it a highly exceptional piece.The National Portrait Gallery in London has a portrait of Henry Purcell in its collection, attributed to John Closterman or his workshop, circa 1695. (https://www.npg.org.uk/collections/search/portrait/mw05172/Henry-Purcell?LinkID=mp03677&role=sit&rNo=2)In addition to the evident pictorial characteristics typical of the brilliant Lely, the historical context is also interesting to examine: John Blow (1649 - 1708), who was Henry Purcell's teacher, was painted by Peter Lely at the approximate age of 30. It seems logical that Blow turned to the Master Lely to request that he, the best portraitist in England at the time, paint his pupil Purcell, who appears to be about 20 years old in this portrait.Sir Peter Lely was a renowned painter and art collector during the Restoration era in England. He was known for his portraits of court ladies and admirals, specialising in portraying the ladies of high-society as languid and voluptuous women. He began his career as a painter of landscapes and historical compositions but soon realised that portraits were more lucrative and shifted his focus. His skill in this genre earned him recognition and he became the "best painter in England."As well as being a successful painter, he was also a passionate art collector. His collection included works by prominent Venetian painters such as Veronese, Bassano, and Tintoretto, as well as European artists like Van Dyck, Claude Lorrain, Rubens, and other Dutch and Flemish painters. Lely was inspired by the Dutch pictorial style and reflected the spirit and character of its subjects in his works. Throughout his career, Lely emphasized the artificial elegance of his subjects, having them adopt similar poses and eliminating any distinctions between them. His legacy as a painter and collector left a remarkable imprint on the art world.After his death, his collection was sold and it also included artworks by Van Dyck, Claude Lorrain, Rubens, and various Dutch and Flemish landscapists. Lely was the first English painter to have a large studio, and his portraits were imitated by other artists until the mid-18th century.Henry Purcell (Westminster, England, 1659 - 1695) was an important English Baroque composer. He incorporated French and Italian stylistic elements into his music, creating a distinctive English style of Baroque music.He is considered one of the most significant composers of all time. As we read on the LAPhil website by conductor Gustavo Dudamel: "Henry Purcell is, arguably, England’s most famous composer. The son of a court musician, organist of Westminster Abbey at a mere 20 years of age, and the recipient of royal appointments by three different kings, he is considered one of the most original and prodigious composers of his – or any – time.Although he incorporated French and Italian elements into his writing, his compositions would come to define the English Baroque style. Purcell’s relatively short life produced a broad repertoire, including sacred music, theatre music and opera, fantasies and sonatas for keyboard, and vocal and chamber music – much of which endures in popularity and recognition to this day."Provenance: Important Spanish private collection.The painting has always been attributed to the artist Peter Lely (1618 - 1680) through the various generations that inherited it.Reference bibliography: - LA Phil. (n.d.). "Henry Purcell". https://es.laphil.com/musicdb/artists/4339/henry-purcell
Attributed to Peter Lely (Soest, Germany 1618 - London 1680)"Portrait of the renowned English composer Henry Purcell (1659 - 1695)"Oil on canvas.42.5 x 31 cm.An important portrait executed during the musician's lifetime, which makes it a highly exceptional piece.The National Portrait Gallery in London has a portrait of Henry Purcell in its collection, attributed to John Closterman or his workshop, circa 1695. (https://www.npg.org.uk/collections/search/portrait/mw05172/Henry-Purcell?LinkID=mp03677&role=sit&rNo=2)In addition to the evident pictorial characteristics typical of the brilliant Lely, the historical context is also interesting to examine: John Blow (1649 - 1708), who was Henry Purcell's teacher, was painted by Peter Lely at the approximate age of 30. It seems logical that Blow turned to the Master Lely to request that he, the best portraitist in England at the time, paint his pupil Purcell, who appears to be about 20 years old in this portrait.Sir Peter Lely was a renowned painter and art collector during the Restoration era in England. He was known for his portraits of court ladies and admirals, specialising in portraying the ladies of high-society as languid and voluptuous women. He began his career as a painter of landscapes and historical compositions but soon realised that portraits were more lucrative and shifted his focus. His skill in this genre earned him recognition and he became the "best painter in England."As well as being a successful painter, he was also a passionate art collector. His collection included works by prominent Venetian painters such as Veronese, Bassano, and Tintoretto, as well as European artists like Van Dyck, Claude Lorrain, Rubens, and other Dutch and Flemish painters. Lely was inspired by the Dutch pictorial style and reflected the spirit and character of its subjects in his works. Throughout his career, Lely emphasized the artificial elegance of his subjects, having them adopt similar poses and eliminating any distinctions between them. His legacy as a painter and collector left a remarkable imprint on the art world.After his death, his collection was sold and it also included artworks by Van Dyck, Claude Lorrain, Rubens, and various Dutch and Flemish landscapists. Lely was the first English painter to have a large studio, and his portraits were imitated by other artists until the mid-18th century.Henry Purcell (Westminster, England, 1659 - 1695) was an important English Baroque composer. He incorporated French and Italian stylistic elements into his music, creating a distinctive English style of Baroque music.He is considered one of the most significant composers of all time. As we read on the LAPhil website by conductor Gustavo Dudamel: "Henry Purcell is, arguably, England’s most famous composer. The son of a court musician, organist of Westminster Abbey at a mere 20 years of age, and the recipient of royal appointments by three different kings, he is considered one of the most original and prodigious composers of his – or any – time.Although he incorporated French and Italian elements into his writing, his compositions would come to define the English Baroque style. Purcell’s relatively short life produced a broad repertoire, including sacred music, theatre music and opera, fantasies and sonatas for keyboard, and vocal and chamber music – much of which endures in popularity and recognition to this day."Provenance: Important Spanish private collection.The painting has always been attributed to the artist Peter Lely (1618 - 1680) through the various generations that inherited it.Reference bibliography: - LA Phil. (n.d.). "Henry Purcell". https://es.laphil.com/musicdb/artists/4339/henry-purcell

Y nos dieron las 100...

Auktionsdatum
Lose: 84
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain

Generelle Versandinformationen vom Auktionshaus verfügbar

The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

Wichtige Informationen

This auction brings us to number 100!
On this special occasion, we present a careful selection of European and New Spanish works, including a previously unpublished painting by Luca Giordano, a magnificent private collection of medieval Spanish sculpture and wonderful examples of painting and sculpture from Spanish America art among other.
We hope you enjoy it as much as we did preparing it.
With our thanks to all those who have made it possible for us to get this far.

AGB

CONDITIONS OF THE AUCTION:

I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.

II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.

III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.

IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.

V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.

VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.

VII. SCALE OF BIDS. The bids are set according to the following scale:

From 50.-€ to 200.-€…………………………………………..at 10.-€

From 200.-€ to 500.-€…………………………………… …25 in 25.-€

From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€

From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€

From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€

From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€

From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€

From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€

From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€

From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€

From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€

From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€

VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.

IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.

X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.

XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.

15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.

XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.

XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.

XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.

XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.

Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".

Vollständige AGBs