9
Los
9
Hispano-Flemish school. Circa 1500.
"Pietà"
Carved, polychrome and gilded wooden sculpture.
104 x 97 x 11 cm.
The sculptural representation of Our Lady of Mercy emerged in Germany between the 13th and 14th centuries, being known as “Vesperbild” (evening image). This name refers to the moment when the Virgin received her Son in her arms after he was unnailed and taken down from the Sacred Wood on the evening of Good Friday. This episode is not mentioned in the Canonical Gospels but was a creation of medieval mysticism, popularised through texts such as the Meditations of Pseudo-Bonaventure, the writings of the Dominican Henry Suso, and the Revelations of Saint Bridget of Sweden.
All of these texts mention that the Virgin supported her dead Son on her knees. Suso, in his Minnebüchlein, describes Christ at that moment in this way: "His eyes, which once shone like carbuncles, are now dim. His lips, which seemed like freshly opened red roses, are dry, and his tongue sticks to the roof of his mouth. His bleeding body has been so cruelly stretched on the cross that all his bones can be counted." On the other hand, Saint Bridget states in her account (which she claimed was dictated to her by the Virgin herself): "I received him on my knees like a leper, pale and bruised, because his eyes were lifeless and full of blood, his mouth cold as snow, and his beard stiff like a rope." The first depictions of the Pietà came from convents of mystical nuns in the Rhine Valley, which is logical considering that it is a feminine and maternal theme. Later on, the theme spread to France thanks to the Confraternities of Our Lady of Mercy commissioning sculptural groups to decorate their chapels.
The iconography of the Virgin of Mercy, and therefore the sculpture we present, aims to emphasize the suffering endured by the Virgin Mary and praise her role as co-redeemer of humanity. Thus, the desire to give her greater prominence is evident in the vertical composition of the sculptural group, which facilitates contemplation, as well as in the larger dimensions of her body compared to that of her Son.
The Virgin is depicted sitting on a sloping, rocky surface. Her body, serving as a throne—in painful contrast to medieval images of the Madonna and Child—supports the corpse of her Son, whose head she holds with her right hand, while with her left hand, she raises one of his arms as the other hangs limp between her maternal legs. Jesus' arms are disproportionately long compared to the rest of his body. The Virgin wears a wide tunic with deep, thick, Hispanic-Flemish zigzagging folds, that covers her entire body except for her hands. She wears a white veil over her head that covers most of her hair, with only a few strands escaping on the left side. Her face is oval-shaped, with curved eyebrows, half-closed eyes expressing great pain, a wide pointed nose, closed lips, and a strong chin. On the other hand, the Son's body is arched, supported only by his mother's legs. His legs are parallel, with his feet resting on the rocky surface, while his arms, as we have seen, are spreadeagled, with one hanging limp and the other held by his mother. His body is covered with wounds and bloody traces, especially remarkable is the blood flowing from the wound on his side and also from the crown of thorns, carved into the sculpture itself. His beardless face has angular contours, with a sharp chin and nose, almond-shaped eyes, emaciated cheeks, and an open mouth with individualized teeth. It is the vivid image of a cruel death.
The bodies and attitudes of the Mother and Son contrast somewhat. While Mary is represented with voluminous garments, displaying a serene sadness—her face shows that characteristic ambiguous expression of Hispanic-Flemish masters, which although it shows a pained countenance, appears more like a smile—and with her body at rest. The opposite occurs with her Son. His thin body is covered only by a loincloth, which creates remarkable pathos—he is a true image of the pathos typical of the late Gothic and the Hispanic-Flemish current prevalent in Castile in the late 15th century and the first two decades of the following century—especially visible in his face and the unstable arrangement of his body, with extremely long arms and deformed hands after being unnailed from the cross, with the left hand bending as it touches the ground.
The sculptural group, which is hollowed out from behind, indicating that it was part of a reredos, would have presided over the central niche of the altarpiece. It is a monumental and balanced sculpture that exhibits strong expressionism. Stylistically, it has well-defined features that lead us to consider it to be the work of a late, specifically Hispanic-Flemish, Gothic master who worked in Castile around the year 1500. Its style is quite distinctive due to the great expressiveness of the figures, the patent dramatic intensity in Christ, the use of oval faces, and the characterisation of Christ as a beardless man, a notably unusual feature that tends to be more common in Crucifixes.
We would like to thank Javier Baladrón, doctor in History of Art, for cataloguing this piece.
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
For buyer’s premium and VAT please check particular lot.
Zu Aufgeld und Mehrwertsteuer prüfen Sie bitte das jeweilige Los.
CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.
III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.
IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.
V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.
VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.
VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.
X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.
15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.
XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
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Hispano-Flemish school. Circa 1500.
"Pietà"
Carved, polychrome and gilded wooden sculpture.
104 x 97 x 11 cm.
The sculptural representation of Our Lady of Mercy emerged in Germany between the 13th and 14th centuries, being known as “Vesperbild” (evening image). This name refers to the moment when the Virgin received her Son in her arms after he was unnailed and taken down from the Sacred Wood on the evening of Good Friday. This episode is not mentioned in the Canonical Gospels but was a creation of medieval mysticism, popularised through texts such as the Meditations of Pseudo-Bonaventure, the writings of the Dominican Henry Suso, and the Revelations of Saint Bridget of Sweden.
All of these texts mention that the Virgin supported her dead Son on her knees. Suso, in his Minnebüchlein, describes Christ at that moment in this way: "His eyes, which once shone like carbuncles, are now dim. His lips, which seemed like freshly opened red roses, are dry, and his tongue sticks to the roof of his mouth. His bleeding body has been so cruelly stretched on the cross that all his bones can be counted." On the other hand, Saint Bridget states in her account (which she claimed was dictated to her by the Virgin herself): "I received him on my knees like a leper, pale and bruised, because his eyes were lifeless and full of blood, his mouth cold as snow, and his beard stiff like a rope." The first depictions of the Pietà came from convents of mystical nuns in the Rhine Valley, which is logical considering that it is a feminine and maternal theme. Later on, the theme spread to France thanks to the Confraternities of Our Lady of Mercy commissioning sculptural groups to decorate their chapels.
The iconography of the Virgin of Mercy, and therefore the sculpture we present, aims to emphasize the suffering endured by the Virgin Mary and praise her role as co-redeemer of humanity. Thus, the desire to give her greater prominence is evident in the vertical composition of the sculptural group, which facilitates contemplation, as well as in the larger dimensions of her body compared to that of her Son.
The Virgin is depicted sitting on a sloping, rocky surface. Her body, serving as a throne—in painful contrast to medieval images of the Madonna and Child—supports the corpse of her Son, whose head she holds with her right hand, while with her left hand, she raises one of his arms as the other hangs limp between her maternal legs. Jesus' arms are disproportionately long compared to the rest of his body. The Virgin wears a wide tunic with deep, thick, Hispanic-Flemish zigzagging folds, that covers her entire body except for her hands. She wears a white veil over her head that covers most of her hair, with only a few strands escaping on the left side. Her face is oval-shaped, with curved eyebrows, half-closed eyes expressing great pain, a wide pointed nose, closed lips, and a strong chin. On the other hand, the Son's body is arched, supported only by his mother's legs. His legs are parallel, with his feet resting on the rocky surface, while his arms, as we have seen, are spreadeagled, with one hanging limp and the other held by his mother. His body is covered with wounds and bloody traces, especially remarkable is the blood flowing from the wound on his side and also from the crown of thorns, carved into the sculpture itself. His beardless face has angular contours, with a sharp chin and nose, almond-shaped eyes, emaciated cheeks, and an open mouth with individualized teeth. It is the vivid image of a cruel death.
The bodies and attitudes of the Mother and Son contrast somewhat. While Mary is represented with voluminous garments, displaying a serene sadness—her face shows that characteristic ambiguous expression of Hispanic-Flemish masters, which although it shows a pained countenance, appears more like a smile—and with her body at rest. The opposite occurs with her Son. His thin body is covered only by a loincloth, which creates remarkable pathos—he is a true image of the pathos typical of the late Gothic and the Hispanic-Flemish current prevalent in Castile in the late 15th century and the first two decades of the following century—especially visible in his face and the unstable arrangement of his body, with extremely long arms and deformed hands after being unnailed from the cross, with the left hand bending as it touches the ground.
The sculptural group, which is hollowed out from behind, indicating that it was part of a reredos, would have presided over the central niche of the altarpiece. It is a monumental and balanced sculpture that exhibits strong expressionism. Stylistically, it has well-defined features that lead us to consider it to be the work of a late, specifically Hispanic-Flemish, Gothic master who worked in Castile around the year 1500. Its style is quite distinctive due to the great expressiveness of the figures, the patent dramatic intensity in Christ, the use of oval faces, and the characterisation of Christ as a beardless man, a notably unusual feature that tends to be more common in Crucifixes.
We would like to thank Javier Baladrón, doctor in History of Art, for cataloguing this piece.
Generelle Versandinformationen vom Auktionshaus verfügbar
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
For buyer’s premium and VAT please check particular lot.
Zu Aufgeld und Mehrwertsteuer prüfen Sie bitte das jeweilige Los.
CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.
III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.
IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.
V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.
VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.
VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.
X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.
15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.
XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".