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Castilian School. Circa 1500.
1/8
Beschreibung
Castilian School. Circa 1500.
"The Annunciation"
Oil on panel. 119 x 70 cm.
The Annunciation is a very rich iconographic episode with multiple variants. Most of the details of this passage were provided by the apocryphal gospels, fundamentally the Protoevangelium of Santiago and the Gospel of the Nativity of the Virgin, texts disclosed in Europe through the Speculum Historiae of Vicent de Beauvais, and, above all, through the Golden Legend of Santiago de la Vorágine.
The composition, set in the chambers of the Virgin, is limited to just four characters: the Virgin, Saint Gabriel, the Eternal Father and the Holy Spirit. The Virgin appears kneeling on a reddish carpet and before a dais on which a jug of lilies (an emblem of the Virgin Mary) and an open book rests – Réau specifies that Mary would have been accompanied by the Bible, although according to the Fathers of the Church it could be that the book is Isaiah's predictions – it is arranged on a luxurious green cloth. In her hands she carries a small book that she was reading at the time that Saint Gabriel appeared. The Archangel is also placed in the foreground. He is shown as genuflecting, in his left hand he carries a messenger's cane topped with a flower and around which there is a phylactery, which usually carries the motto "Ave Maria, gratia plena".
The anonymous painter, who has not yet mastered perspective and who tries to achieve it through the play with two-colours on the floor tiles, shows that he has very superficial knowledge of the new Renaissance lexicon that was prevailing at the time, so much so that despite the fact that he introduces certain elements typical of the Renaissance decorative and constructive repertoire (laurels, caissons, semicircular arches) he also includes some Gothic archaisms, such as the tracery on the side of the dais or the use of golden brocades for the robes of Saint Gabriel and the Virgin Mary. Consequently, both characters wear very rich clothes, with an abundance of golden embroidered fabrics and pearls.
In the upper part of the room, where there is room for a bed with curtains and an open window closed with a grille is a striking golden glow, worked with scratches, inside which is the dove of the Holy Spirit, which is struck by the powerful lightning that carries God the Father outside the building, on some clouds and a twilight background.
The author of this interesting panel would have been one of the hundreds of anonymous masters who worked in Castile during the first years of the 16th century and who, despite trying to introduce a sometimes half-baked Renaissance language, still maintained certain Gothic remnants. The painter is characterized by the flatness of the forms, by the swollen faces with a serious countenance, by the broken folds and marked contours, by the use of brocades in the clothing, by the somewhat anecdotal representation of the episode and by a certain horror vacui which leads him to fill the composition with as many elements as possible. Despite not being able to attribute it directly to him or to any master around him, the style of the panel reminds us of the aesthetic vocabulary of the so-called Master of the Carnations, active mainly in the diocese of Segovia in the transition from the 15th to the 16th century. In short, it is an interesting late-Gothic panel, with Hispano-Flemish influence, which stands out for its anecdotalism and for its attractive colours, especially for the greenish and reddish tones cleverly combined with white, blue and gold.
We would like to thank Dr. Javier Baladrón, doctor in Art History, for the identification and cataloguing of this work.
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Castilian School. Circa 1500.
"The Annunciation"
Oil on panel. 119 x 70 cm.
The Annunciation is a very rich iconographic episode with multiple variants. Most of the details of this passage were provided by the apocryphal gospels, fundamentally the Protoevangelium of Santiago and the Gospel of the Nativity of the Virgin, texts disclosed in Europe through the Speculum Historiae of Vicent de Beauvais, and, above all, through the Golden Legend of Santiago de la Vorágine.
The composition, set in the chambers of the Virgin, is limited to just four characters: the Virgin, Saint Gabriel, the Eternal Father and the Holy Spirit. The Virgin appears kneeling on a reddish carpet and before a dais on which a jug of lilies (an emblem of the Virgin Mary) and an open book rests – Réau specifies that Mary would have been accompanied by the Bible, although according to the Fathers of the Church it could be that the book is Isaiah's predictions – it is arranged on a luxurious green cloth. In her hands she carries a small book that she was reading at the time that Saint Gabriel appeared. The Archangel is also placed in the foreground. He is shown as genuflecting, in his left hand he carries a messenger's cane topped with a flower and around which there is a phylactery, which usually carries the motto "Ave Maria, gratia plena".
The anonymous painter, who has not yet mastered perspective and who tries to achieve it through the play with two-colours on the floor tiles, shows that he has very superficial knowledge of the new Renaissance lexicon that was prevailing at the time, so much so that despite the fact that he introduces certain elements typical of the Renaissance decorative and constructive repertoire (laurels, caissons, semicircular arches) he also includes some Gothic archaisms, such as the tracery on the side of the dais or the use of golden brocades for the robes of Saint Gabriel and the Virgin Mary. Consequently, both characters wear very rich clothes, with an abundance of golden embroidered fabrics and pearls.
In the upper part of the room, where there is room for a bed with curtains and an open window closed with a grille is a striking golden glow, worked with scratches, inside which is the dove of the Holy Spirit, which is struck by the powerful lightning that carries God the Father outside the building, on some clouds and a twilight background.
The author of this interesting panel would have been one of the hundreds of anonymous masters who worked in Castile during the first years of the 16th century and who, despite trying to introduce a sometimes half-baked Renaissance language, still maintained certain Gothic remnants. The painter is characterized by the flatness of the forms, by the swollen faces with a serious countenance, by the broken folds and marked contours, by the use of brocades in the clothing, by the somewhat anecdotal representation of the episode and by a certain horror vacui which leads him to fill the composition with as many elements as possible. Despite not being able to attribute it directly to him or to any master around him, the style of the panel reminds us of the aesthetic vocabulary of the so-called Master of the Carnations, active mainly in the diocese of Segovia in the transition from the 15th to the 16th century. In short, it is an interesting late-Gothic panel, with Hispano-Flemish influence, which stands out for its anecdotalism and for its attractive colours, especially for the greenish and reddish tones cleverly combined with white, blue and gold.
We would like to thank Dr. Javier Baladrón, doctor in Art History, for the identification and cataloguing of this work.
"On Prophets, Saints and Princesses"
Auktionsdatum
Lose: 170
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
Aufgeld / Premium: 22 %
Live: 3 %
jeweils plus 21 % USt. / each plus 21 % VAT
AGB
CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.
III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.
IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.
V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.
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VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.
X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.
15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.
XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
