38
Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L]
1/5
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 1 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/c8746b8c-a189-4a43-a556-ae7f0130cf9f.jpg?w=540&h=360)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 2 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/d436d1bc-1d76-4089-8298-ae7f0130cdaf.jpg?w=540&h=360)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 3 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/96db0b7e-bb89-497c-8b08-ae7f0130ccb0.jpg?w=540&h=360)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 4 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/7810514b-9af4-4de5-9bc0-ae7f0130caad.jpg?w=540&h=360)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 5 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/b4292607-8e92-46ac-bdbf-ae7f0130c9bf.jpg?w=540&h=360)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 1 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/c8746b8c-a189-4a43-a556-ae7f0130cf9f.jpg?w=80&h=80)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 2 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/d436d1bc-1d76-4089-8298-ae7f0130cdaf.jpg?w=80&h=80)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 3 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/96db0b7e-bb89-497c-8b08-ae7f0130ccb0.jpg?w=80&h=80)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 4 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/7810514b-9af4-4de5-9bc0-ae7f0130caad.jpg?w=80&h=80)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 5 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/b4292607-8e92-46ac-bdbf-ae7f0130c9bf.jpg?w=80&h=80)
Beschreibung
Cast and chased silver platter for a pitcher with relief and picado de lustre (a patterned effect achieved using small chisels or burins). Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L].
Diameter: 44,5 cm.
Weight: 1.820 gr.
As Doctor Esteras notes in her study, this is a: "Circular plate with a wide and flat edge which is decorated with thirty-two scallop shells resting on a bed of leaves in "picado de lustre" and arranged in a radial direction. The bottom centre is crossed by another thirty-two helicoidal ribs which reach to and begin to invade the edge, which is placed on them. The raised bottom centre is an imitation of a large flower which is made to surround the exterior with a double trim of festooned leaves, followed by a step moulded with beads of dead leaves and the branch, deep-set and decorated with a large trefoil. Relief and chisel chasing predominate in the ornamentation." With regard to the origins of this platter, Dr. Esteras notes that it is lucky that the piece is stamped with a quite well imprinted regulatory mark, which allows us to locate, attribute and date it with certain precision: "These three marks lead us to the city of Vitoria, as the mark of the castle with two crows over the battlements at each end and two back-to-back lions holding up the architecture are unmistakable." She also notes that the mark SOTIL (of which the final L is missing because of a flaw in the stamp) is the personal mark of the silversmith Juan Antonio Sotil who was named guardian of the craft of the city on the 10th July 1769, a position he continued to fill until 10th December 1779. It was he who hallmarked the platter.
With regard to the silversmith who made the platter, the mark CH/VA/RRIA alludes to the surname Echevarría, but as Dr. Esteras notes, there are several silversmiths active during this period with this surname who could have made the platter. Linked with the chronology of the hallmarker Sotil, she deduces that the silversmith could have been either Francisco García de Echevarría, or his brother, Juan Antonio García de Echevarría.
The explanation Dr. Esteras gives with regard to the information that this platter tells us about the origin of this type of pieces is very interesting. She notes: "the lineage of the conception of the body worked with helicoidal tubes reaching out onto the edge can be identified with examples from the late 17th and early 18th century which originated in the Viceroyalty of New Spain (Mexico). The appearance of this platter from Vitoria opens up the possibility of rethinking the attribution of other platters (known or unknown) which follow the same model and which are not marked or documented. They are thought to be Mexican but they could in fact have been made in workshops in peninsular Spain."
Finally, we must underline the importance of this platter, because, as Dr. Esteras points out, civil silverware made by the smiths of Vitoria are practically unknown, although religious pieces are known. This means that this platter which is on view in the auction is important for the unusualness of its provenance and also because it is a model which had not been registered until now as being from the peninsula, as well as for its size and generous weight and the great quality of its execution, with skillful technique. It is also in an excellent state of preservation.
Accompanied by Dr. Cristina Esteras Martín’s study.
Diameter: 44,5 cm.
Weight: 1.820 gr.
As Doctor Esteras notes in her study, this is a: "Circular plate with a wide and flat edge which is decorated with thirty-two scallop shells resting on a bed of leaves in "picado de lustre" and arranged in a radial direction. The bottom centre is crossed by another thirty-two helicoidal ribs which reach to and begin to invade the edge, which is placed on them. The raised bottom centre is an imitation of a large flower which is made to surround the exterior with a double trim of festooned leaves, followed by a step moulded with beads of dead leaves and the branch, deep-set and decorated with a large trefoil. Relief and chisel chasing predominate in the ornamentation." With regard to the origins of this platter, Dr. Esteras notes that it is lucky that the piece is stamped with a quite well imprinted regulatory mark, which allows us to locate, attribute and date it with certain precision: "These three marks lead us to the city of Vitoria, as the mark of the castle with two crows over the battlements at each end and two back-to-back lions holding up the architecture are unmistakable." She also notes that the mark SOTIL (of which the final L is missing because of a flaw in the stamp) is the personal mark of the silversmith Juan Antonio Sotil who was named guardian of the craft of the city on the 10th July 1769, a position he continued to fill until 10th December 1779. It was he who hallmarked the platter.
With regard to the silversmith who made the platter, the mark CH/VA/RRIA alludes to the surname Echevarría, but as Dr. Esteras notes, there are several silversmiths active during this period with this surname who could have made the platter. Linked with the chronology of the hallmarker Sotil, she deduces that the silversmith could have been either Francisco García de Echevarría, or his brother, Juan Antonio García de Echevarría.
The explanation Dr. Esteras gives with regard to the information that this platter tells us about the origin of this type of pieces is very interesting. She notes: "the lineage of the conception of the body worked with helicoidal tubes reaching out onto the edge can be identified with examples from the late 17th and early 18th century which originated in the Viceroyalty of New Spain (Mexico). The appearance of this platter from Vitoria opens up the possibility of rethinking the attribution of other platters (known or unknown) which follow the same model and which are not marked or documented. They are thought to be Mexican but they could in fact have been made in workshops in peninsular Spain."
Finally, we must underline the importance of this platter, because, as Dr. Esteras points out, civil silverware made by the smiths of Vitoria are practically unknown, although religious pieces are known. This means that this platter which is on view in the auction is important for the unusualness of its provenance and also because it is a model which had not been registered until now as being from the peninsula, as well as for its size and generous weight and the great quality of its execution, with skillful technique. It is also in an excellent state of preservation.
Accompanied by Dr. Cristina Esteras Martín’s study.
Auktionsdetails
Versand
AGB & Wichtige Informationen
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Cast and chased silver platter for a pitcher with relief and picado de lustre (a patterned effect achieved using small chisels or burins). Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L].
Diameter: 44,5 cm.
Weight: 1.820 gr.
As Doctor Esteras notes in her study, this is a: "Circular plate with a wide and flat edge which is decorated with thirty-two scallop shells resting on a bed of leaves in "picado de lustre" and arranged in a radial direction. The bottom centre is crossed by another thirty-two helicoidal ribs which reach to and begin to invade the edge, which is placed on them. The raised bottom centre is an imitation of a large flower which is made to surround the exterior with a double trim of festooned leaves, followed by a step moulded with beads of dead leaves and the branch, deep-set and decorated with a large trefoil. Relief and chisel chasing predominate in the ornamentation." With regard to the origins of this platter, Dr. Esteras notes that it is lucky that the piece is stamped with a quite well imprinted regulatory mark, which allows us to locate, attribute and date it with certain precision: "These three marks lead us to the city of Vitoria, as the mark of the castle with two crows over the battlements at each end and two back-to-back lions holding up the architecture are unmistakable." She also notes that the mark SOTIL (of which the final L is missing because of a flaw in the stamp) is the personal mark of the silversmith Juan Antonio Sotil who was named guardian of the craft of the city on the 10th July 1769, a position he continued to fill until 10th December 1779. It was he who hallmarked the platter.
With regard to the silversmith who made the platter, the mark CH/VA/RRIA alludes to the surname Echevarría, but as Dr. Esteras notes, there are several silversmiths active during this period with this surname who could have made the platter. Linked with the chronology of the hallmarker Sotil, she deduces that the silversmith could have been either Francisco García de Echevarría, or his brother, Juan Antonio García de Echevarría.
The explanation Dr. Esteras gives with regard to the information that this platter tells us about the origin of this type of pieces is very interesting. She notes: "the lineage of the conception of the body worked with helicoidal tubes reaching out onto the edge can be identified with examples from the late 17th and early 18th century which originated in the Viceroyalty of New Spain (Mexico). The appearance of this platter from Vitoria opens up the possibility of rethinking the attribution of other platters (known or unknown) which follow the same model and which are not marked or documented. They are thought to be Mexican but they could in fact have been made in workshops in peninsular Spain."
Finally, we must underline the importance of this platter, because, as Dr. Esteras points out, civil silverware made by the smiths of Vitoria are practically unknown, although religious pieces are known. This means that this platter which is on view in the auction is important for the unusualness of its provenance and also because it is a model which had not been registered until now as being from the peninsula, as well as for its size and generous weight and the great quality of its execution, with skillful technique. It is also in an excellent state of preservation.
Accompanied by Dr. Cristina Esteras Martín’s study.
Diameter: 44,5 cm.
Weight: 1.820 gr.
As Doctor Esteras notes in her study, this is a: "Circular plate with a wide and flat edge which is decorated with thirty-two scallop shells resting on a bed of leaves in "picado de lustre" and arranged in a radial direction. The bottom centre is crossed by another thirty-two helicoidal ribs which reach to and begin to invade the edge, which is placed on them. The raised bottom centre is an imitation of a large flower which is made to surround the exterior with a double trim of festooned leaves, followed by a step moulded with beads of dead leaves and the branch, deep-set and decorated with a large trefoil. Relief and chisel chasing predominate in the ornamentation." With regard to the origins of this platter, Dr. Esteras notes that it is lucky that the piece is stamped with a quite well imprinted regulatory mark, which allows us to locate, attribute and date it with certain precision: "These three marks lead us to the city of Vitoria, as the mark of the castle with two crows over the battlements at each end and two back-to-back lions holding up the architecture are unmistakable." She also notes that the mark SOTIL (of which the final L is missing because of a flaw in the stamp) is the personal mark of the silversmith Juan Antonio Sotil who was named guardian of the craft of the city on the 10th July 1769, a position he continued to fill until 10th December 1779. It was he who hallmarked the platter.
With regard to the silversmith who made the platter, the mark CH/VA/RRIA alludes to the surname Echevarría, but as Dr. Esteras notes, there are several silversmiths active during this period with this surname who could have made the platter. Linked with the chronology of the hallmarker Sotil, she deduces that the silversmith could have been either Francisco García de Echevarría, or his brother, Juan Antonio García de Echevarría.
The explanation Dr. Esteras gives with regard to the information that this platter tells us about the origin of this type of pieces is very interesting. She notes: "the lineage of the conception of the body worked with helicoidal tubes reaching out onto the edge can be identified with examples from the late 17th and early 18th century which originated in the Viceroyalty of New Spain (Mexico). The appearance of this platter from Vitoria opens up the possibility of rethinking the attribution of other platters (known or unknown) which follow the same model and which are not marked or documented. They are thought to be Mexican but they could in fact have been made in workshops in peninsular Spain."
Finally, we must underline the importance of this platter, because, as Dr. Esteras points out, civil silverware made by the smiths of Vitoria are practically unknown, although religious pieces are known. This means that this platter which is on view in the auction is important for the unusualness of its provenance and also because it is a model which had not been registered until now as being from the peninsula, as well as for its size and generous weight and the great quality of its execution, with skillful technique. It is also in an excellent state of preservation.
Accompanied by Dr. Cristina Esteras Martín’s study.
Images. The Divine and the Human
Auktionsdatum
Lose: 211
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
Aufgeld / Premium: 22 %
Live: 3 %
jeweils zusätzlich USt. / both plus VAT: 21 %
AGB
CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.
III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.
IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.
V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.
VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.
VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.
X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.
15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.
XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L]](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/c8746b8c-a189-4a43-a556-ae7f0130cf9f.jpg?w=1920&h=1920&mode=max)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 2 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/d436d1bc-1d76-4089-8298-ae7f0130cdaf.jpg?w=1920&h=1920&mode=max)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 3 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/96db0b7e-bb89-497c-8b08-ae7f0130ccb0.jpg?w=1920&h=1920&mode=max)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 4 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/7810514b-9af4-4de5-9bc0-ae7f0130caad.jpg?w=1920&h=1920&mode=max)
![Francisco or Juan Antonio García de Echevarría. Vitoria. 1769-1779. Marked ECHA/VA/RRIA and SO/TI[L] - Bild 5 aus 5](https://portal-images.azureedge.net/auctions-2022/la-sui10045/images/b4292607-8e92-46ac-bdbf-ae7f0130c9bf.jpg?w=1920&h=1920&mode=max)