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Catalan School. 18th century.

In Millésime 22 · Medieval & Colonial Art

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Catalan School. 18th century. - Bild 1 aus 9
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Catalan School. 18th century. - Bild 5 aus 9
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Catalan School. 18th century. - Bild 9 aus 9
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Catalan School. 18th century."Siege in Barcelona". Oil on canvas. 110 x 171 cm. On the right side is a cartouche with the inscription: "El virrei Velasco es rendex als ali-ats comandats per Lord Peterborough Barcelona 1705" (The viceroy Velasco surrenders to the allies commanded by Lord Peterborough, Barcelona 1705). As we can read in its inscription, the painting depicts the Siege of Barcelona (1705), one of the most important episodes of the Spanish War of Succession; also being the third siege of the five that took place in Barcelona between 1697 and 1714. More specifically, it depicts the moment of surrender of Francisco de Velasco, the Viceroy of Catalonia’s troops to the Hapsburg allies, led by the Earl of Peterborough, commander in chief of the British army during this particular part of the war. This historical event is highly relevant not only because of the change in the political paradigm that it entailed, as it was triggered by Philip V’s loss of the Crown of Aragon, but also the diversity of opinions which exist regarding the precise causes of Philip V’s defeat. In this regard, it must be taken into account that Velasco’s troops, despite lacking in some means to defend themselves, did have certain advantages over Peterborough’s, having superior cavalry throughout the entire siege, and more infantry and artillery during the Battle of Montjuic, among other factors. (Vozmediano, 2014). It is common to point to an internal conspiracy in Catalonia in favour of the Austrian pretender, Archduke Charles, as one of the principal motives for the capitulation of Barcelona. In fact, it is undeniable that there was certain disaffection for Velasco’s viceroyalty, which had been bestowed recently and rather controversially due to its authoritarian origin. It is also true that there was a social base among the upper echelons of Catalan society which envisioned the possible implantation of a more suitable environment for freely developing their economic activities in a kingdom formed by the Archduke Charles. These activities had for some decades been more linked to Lisbon, London and Amsterdam than France, which was their main rival in the textiles market (García Fuertes, 2004). In this context, the Pact of Genoa (Crow et al., 1705) was signed between the English and the Catalans, in which loyalty was promised to Charles III in exchange for "securing the privileges and laws of the Principality".In any case, as the researcher Arroyo Vozmediano explains in his study, (2014, p. 92) "one cannot talk of generalised or even majority support among the Catalans for the insurrection in favour of the pretender" and, in fact, the two "Vigatans" representatives of the Catalan faction in the aforementioned treaty lacked the necessary political and judicial authority, a fact which cannot but be surprising given the reach and transcendence which the pact had (García Fuertes, 2004). Vozmediano still points to Velasco himself as the fundamental cause of the defeat depicted on this canvas, blaming his passivity towards his enemies and, additionally, a lack of judgment which gave reign to his prejudices and mistrust towards the people he governed.Whatever the case, the surrender of 1705 and the consequent change in dynasty certainly did not mean the end of the conflict, which still claimed nine long years of sieges, treaties, bombardments, decrees, sackings, assemblies and civil victims…, concluding with the final tragic assault on the city on the 11th September 1714. Bibliographic references: - Arroyo Vozmediano, J. L. (2014). Francisco de Velasco y los catalanes. Sitio y capitulación de Barcelona, 1705. Hispania, 74 (246), 69-94. https://doi.org/10.3989/hispania.2014.003 - Crow, M. - Peguera y Americh, A. and Perera, D. (1705). Pacto de Génova. Version published on Wikisource (10th January 2007). Https://bit.ly/3GY4hNC - García Fuertes, G. (2004). De la conspiración austracista a la integración a la Nueva Planta: la familia Durán, máximo exponente de la burguesía mercantil en el siglo XVIII. Espacio Tiempo Y Forma. Serie IV, Historia Moderna, (17). Https://doi.org/10.5944/etfiv.17.2004.3445 - Segura García, G. (9th September 2016). El Sitio de Barcelona. El fin de la Guerra de Sucesión. National Geographic. Historia. Recuperated 23 January 2022 in https://bit.ly/3qRlQt8
Catalan School. 18th century."Siege in Barcelona". Oil on canvas. 110 x 171 cm. On the right side is a cartouche with the inscription: "El virrei Velasco es rendex als ali-ats comandats per Lord Peterborough Barcelona 1705" (The viceroy Velasco surrenders to the allies commanded by Lord Peterborough, Barcelona 1705). As we can read in its inscription, the painting depicts the Siege of Barcelona (1705), one of the most important episodes of the Spanish War of Succession; also being the third siege of the five that took place in Barcelona between 1697 and 1714. More specifically, it depicts the moment of surrender of Francisco de Velasco, the Viceroy of Catalonia’s troops to the Hapsburg allies, led by the Earl of Peterborough, commander in chief of the British army during this particular part of the war. This historical event is highly relevant not only because of the change in the political paradigm that it entailed, as it was triggered by Philip V’s loss of the Crown of Aragon, but also the diversity of opinions which exist regarding the precise causes of Philip V’s defeat. In this regard, it must be taken into account that Velasco’s troops, despite lacking in some means to defend themselves, did have certain advantages over Peterborough’s, having superior cavalry throughout the entire siege, and more infantry and artillery during the Battle of Montjuic, among other factors. (Vozmediano, 2014). It is common to point to an internal conspiracy in Catalonia in favour of the Austrian pretender, Archduke Charles, as one of the principal motives for the capitulation of Barcelona. In fact, it is undeniable that there was certain disaffection for Velasco’s viceroyalty, which had been bestowed recently and rather controversially due to its authoritarian origin. It is also true that there was a social base among the upper echelons of Catalan society which envisioned the possible implantation of a more suitable environment for freely developing their economic activities in a kingdom formed by the Archduke Charles. These activities had for some decades been more linked to Lisbon, London and Amsterdam than France, which was their main rival in the textiles market (García Fuertes, 2004). In this context, the Pact of Genoa (Crow et al., 1705) was signed between the English and the Catalans, in which loyalty was promised to Charles III in exchange for "securing the privileges and laws of the Principality".In any case, as the researcher Arroyo Vozmediano explains in his study, (2014, p. 92) "one cannot talk of generalised or even majority support among the Catalans for the insurrection in favour of the pretender" and, in fact, the two "Vigatans" representatives of the Catalan faction in the aforementioned treaty lacked the necessary political and judicial authority, a fact which cannot but be surprising given the reach and transcendence which the pact had (García Fuertes, 2004). Vozmediano still points to Velasco himself as the fundamental cause of the defeat depicted on this canvas, blaming his passivity towards his enemies and, additionally, a lack of judgment which gave reign to his prejudices and mistrust towards the people he governed.Whatever the case, the surrender of 1705 and the consequent change in dynasty certainly did not mean the end of the conflict, which still claimed nine long years of sieges, treaties, bombardments, decrees, sackings, assemblies and civil victims…, concluding with the final tragic assault on the city on the 11th September 1714. Bibliographic references: - Arroyo Vozmediano, J. L. (2014). Francisco de Velasco y los catalanes. Sitio y capitulación de Barcelona, 1705. Hispania, 74 (246), 69-94. https://doi.org/10.3989/hispania.2014.003 - Crow, M. - Peguera y Americh, A. and Perera, D. (1705). Pacto de Génova. Version published on Wikisource (10th January 2007). Https://bit.ly/3GY4hNC - García Fuertes, G. (2004). De la conspiración austracista a la integración a la Nueva Planta: la familia Durán, máximo exponente de la burguesía mercantil en el siglo XVIII. Espacio Tiempo Y Forma. Serie IV, Historia Moderna, (17). Https://doi.org/10.5944/etfiv.17.2004.3445 - Segura García, G. (9th September 2016). El Sitio de Barcelona. El fin de la Guerra de Sucesión. National Geographic. Historia. Recuperated 23 January 2022 in https://bit.ly/3qRlQt8

Millésime 22 · Medieval & Colonial Art

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The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

Wichtige Informationen

Millésime, (a French numeral which expresses the number "a thousand" for small and carefully made creations) is our desire to remember and celebrate once again, and at last, the roaring twenties of last century, with the return to a printed and meticulously prepared catalogue.  It comprises a selection of works of art that have been chosen with care for their rarity, beauty, quality and also simply because we would like to make a gesture of thanks to everyone who has trusted us and our work over the last thirty years, and to those who make it possible for La Suite, our dream, to carry on. 

With Millésime 22 we begin a series which we hope will repeat at the beginning of every year, at least throughout our beloved twenties. 

Art, in all its facets, feeds the spirit and makes us better.  Long live literature, music and art!  

Dedicated to our marvellous daughter Lúa who gives sense to everything.  

Beatriz du Breuil and Rafael Adrio 

La Suite Subastas

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II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.

III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.

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From 50.-€ to 200.-€…………………………………………..at 10.-€

From 200.-€ to 500.-€…………………………………… …25 in 25.-€

From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€

From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€

From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€

From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€

From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€

From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€

From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€

From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€

From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€

From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€

VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.

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X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.

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15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.

XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.

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XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.

Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".

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