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"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu

In Millésime 22 · Medieval & Colonial Art

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"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 1 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 2 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 3 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 4 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 5 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 6 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 7 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 8 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 9 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 10 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 11 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 12 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 13 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 1 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 2 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 3 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 4 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 5 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 6 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 7 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 8 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 9 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 10 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 11 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 12 aus 13
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th centu - Bild 13 aus 13
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"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th century. 61 x 17 x 15 cm.The Latin term Sedes Sapientiae means Seat of Wisdom or Throne of Wisdom. It is one of the most widespread images of the Virgin Mary, mother of Jesus Christ, in visual art. This designation was used for the first time in the 11th and 12th centuries by Peter Damiani and Guibert de Nogent, to compare the Virgin Mary with the throne of Soloman. Mary becomes the seat for the embodiment of the Christ Child.'Seat of Wisdom' is one of the descriptions of the Virgin Mary in the Litany of Loreto. The origin of these images is byzantine, and they became popular in the Occidental church from the 11th century. The Cistercian Order was constituted from the 12th century and was a great promoter of the worship of Mary. The 'Sedes Sapientiae' were produced in the Early Middle Ages and can be situated geographically from Auvergne to Catalonia and from Italy to Scandinavia.Our image is an example of exceptional sculptural quality, as almost the entirety of its original polychrome has been preserved. The Child is not preserved, which does not affect the importance of the sculpture in any way. The sculptor knew how to endow the image with spirituality by transmitting Mary´s idealised and celestial nature.Mary is in a forward-facing position, seated on her throne of wisdom, and crowned as the Queen of Heaven. She wears a red-toned tunic and a blue cloak with gold trimming. The lightness of the materials can be appreciated as they cling to the body, forming small parallel folds. A fine veil falls from under the crown, which frames the face but leaves it clear, coming to rest on Mary´s slim shoulders. Her face is beautiful and oval-shaped, with long eyebrows over slanting eyes, a long slim nose and fine lips. Stylistically, in our opinion, our Majesty suggests a Catalan Romanesque origin, with similarities to, among others: The Madonna and Child, dated circa 1200, which is kept in the MNAC Barcelona (inv. 003923-000):https://www.museunacional.cat/ca/colleccio/mare-de-deu/anonim/003923-000 Our Lady of Matamala, 12th century, kept in the Episcopal Museum of Vic, in Catalonia, Spain (in.1404) https://www.museuartmedieval.cat/es/colleccions/romanico/virgen-de-santa-maria-de-matamala-mev-1404.Some French Romanesque Majesties from the Pyrenees - Massis Central area, have elements in common with our Seat of Wisdom, as we can see in the marvellous Sedes which is kept in the Walters Art Museum in Baltimore, which has a French origin and is dated circa 1175-1225, in which we can observe elements in common with ours (inv. Nº 27.255) https://art.thewalters.org/detail/3972/virgin-and-child-8/ and the magnificent "Vierge à l’Enfant de Nolay", dated between the 11th and 12th century, which is kept in the Musée de Beaune in France.
"Seat of Wisdom (Sedes Sapientiae)". Carved and polychromed wooden sculpture. Romanesque. 12th century. 61 x 17 x 15 cm.The Latin term Sedes Sapientiae means Seat of Wisdom or Throne of Wisdom. It is one of the most widespread images of the Virgin Mary, mother of Jesus Christ, in visual art. This designation was used for the first time in the 11th and 12th centuries by Peter Damiani and Guibert de Nogent, to compare the Virgin Mary with the throne of Soloman. Mary becomes the seat for the embodiment of the Christ Child.'Seat of Wisdom' is one of the descriptions of the Virgin Mary in the Litany of Loreto. The origin of these images is byzantine, and they became popular in the Occidental church from the 11th century. The Cistercian Order was constituted from the 12th century and was a great promoter of the worship of Mary. The 'Sedes Sapientiae' were produced in the Early Middle Ages and can be situated geographically from Auvergne to Catalonia and from Italy to Scandinavia.Our image is an example of exceptional sculptural quality, as almost the entirety of its original polychrome has been preserved. The Child is not preserved, which does not affect the importance of the sculpture in any way. The sculptor knew how to endow the image with spirituality by transmitting Mary´s idealised and celestial nature.Mary is in a forward-facing position, seated on her throne of wisdom, and crowned as the Queen of Heaven. She wears a red-toned tunic and a blue cloak with gold trimming. The lightness of the materials can be appreciated as they cling to the body, forming small parallel folds. A fine veil falls from under the crown, which frames the face but leaves it clear, coming to rest on Mary´s slim shoulders. Her face is beautiful and oval-shaped, with long eyebrows over slanting eyes, a long slim nose and fine lips. Stylistically, in our opinion, our Majesty suggests a Catalan Romanesque origin, with similarities to, among others: The Madonna and Child, dated circa 1200, which is kept in the MNAC Barcelona (inv. 003923-000):https://www.museunacional.cat/ca/colleccio/mare-de-deu/anonim/003923-000 Our Lady of Matamala, 12th century, kept in the Episcopal Museum of Vic, in Catalonia, Spain (in.1404) https://www.museuartmedieval.cat/es/colleccions/romanico/virgen-de-santa-maria-de-matamala-mev-1404.Some French Romanesque Majesties from the Pyrenees - Massis Central area, have elements in common with our Seat of Wisdom, as we can see in the marvellous Sedes which is kept in the Walters Art Museum in Baltimore, which has a French origin and is dated circa 1175-1225, in which we can observe elements in common with ours (inv. Nº 27.255) https://art.thewalters.org/detail/3972/virgin-and-child-8/ and the magnificent "Vierge à l’Enfant de Nolay", dated between the 11th and 12th century, which is kept in the Musée de Beaune in France.

Millésime 22 · Medieval & Colonial Art

Auktionsdatum
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain

Generelle Versandinformationen vom Auktionshaus verfügbar

The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

Wichtige Informationen

Millésime, (a French numeral which expresses the number "a thousand" for small and carefully made creations) is our desire to remember and celebrate once again, and at last, the roaring twenties of last century, with the return to a printed and meticulously prepared catalogue.  It comprises a selection of works of art that have been chosen with care for their rarity, beauty, quality and also simply because we would like to make a gesture of thanks to everyone who has trusted us and our work over the last thirty years, and to those who make it possible for La Suite, our dream, to carry on. 

With Millésime 22 we begin a series which we hope will repeat at the beginning of every year, at least throughout our beloved twenties. 

Art, in all its facets, feeds the spirit and makes us better.  Long live literature, music and art!  

Dedicated to our marvellous daughter Lúa who gives sense to everything.  

Beatriz du Breuil and Rafael Adrio 

La Suite Subastas

AGB

CONDITIONS OF THE AUCTION:

I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.

II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.

III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.

IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.

V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.

VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.

VII. SCALE OF BIDS. The bids are set according to the following scale:

From 50.-€ to 200.-€…………………………………………..at 10.-€

From 200.-€ to 500.-€…………………………………… …25 in 25.-€

From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€

From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€

From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€

From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€

From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€

From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€

From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€

From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€

From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€

From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€

VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.

IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.

X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.

XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.

15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.

XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.

XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.

XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.

XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.

Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".

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