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Master of the Holy Blood (Bruges, active in 1510)
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Beschreibung
Master of the Holy Blood (Bruges, active in 1520)"Adoration of the Magi" Triptych. Tempera on panel. Open measurements: 115,5 x 171 cm. Closed measurements: 115,5 x 87 cm. The artist was a Flemish painter from Antwerp who was active in Bruges around 1520. He was discovered for the first time, according to the Städel Museum, by the Belgian art historian Georges Hulin de Loo (Ghent, 1862 - Brussels, 1945). The name we know the artist by, Master of the Holy Blood, was given to him because of his most famous painting, the "Triptych of the crucifixion" which is kept in the Basilica of the Holy Blood in Bruges, the place for which it was conceived.As the Prado Museum explains, in spite of forming part of the circle of Ambrosius Benson, Adriaen Isenbrandt and Albert Cornelis, he was influenced by numerous other Belgian artists. In fact, the Städel Museum notes that his stay in Bruges could have been preceded by an education in Antwerp, the possible birthplace of the artist, where he would have been given classes by the most important Flemish painter from the first half of the 16th century, Quinten Massys (Leuven, 1466 - Antwerp, 1530). The Master of Frankfurt also exercised an influence, with his expressive masculine figures, as did Joachim Patinir with his landscapes, and even Leonardo da Vinci, who could have influenced him with his caricature drawings. It is possible that the prolific painter, who worked both for the free market as well as for the Church and private patrons, painted part of his work for exportation, a fact which can explain why important museums in different countries keep some of his works. Highlights among these are the "Ecce Homo" and "The Annunciation, Saint Jerome and Saint John the Baptist" triptychs in the Museo Nacional del Prado; "The Descent from the Cross", in the MET Museum; the panel of "Saint Anne, the Virgin Mary and the Child" in the Städel Museum; and the panel of "Saint Luke painting the Virgin and Child", kept in the Fogg Museum and which had previously been attributed to the Belgian Massys, who had been his master. We can also enjoy his legacy in the Royal Chapel of Granada Cathedral, with another "Descent from the Cross"; or in the Royal Museums of Fine Art of Belgium, the country of his birth, with "The death of Lucretia"; as well as in the Sint-Jakobskerk church in Bruges, where the "Madonna and Child surrounded by Anne, Joachim and Sybils" can be seen. Bibliographical references: - Museo Nacional del Prado. (s.f.). Maestro de la Santa Sangre. Https://www.museodelprado.es/aprende/enciclopedia/voz/santa-sangre-maestro-de-la/e5fec03d-f380-4f88-ad1a-800e19e1d38f - Städelsches Kunstinstitut und Städtische Galerie. (s.f.). Master of the Holy Blood. Https://sammlung.staedelmuseum.de/en/person/master-of-the-holy-blood - Harvard Art Museums. (s.f.). Master of the Holy Blood. Https://hvrd.art/o/232000 - Metropolitan Museum of Art. (s.f.). The Descent from the Cross. Https://www.metmuseum.org/art/collection/search/437008 - Rijksbureau voor Kunsthistorische Documentatie [RDK]. (s.f.). Meester van het Heilig Bloed. Https://rkd.nl/nl/explore/images/32968 We would like to thank Ana Diéguez of the Moll Institute for her study of this work. Although the painting is not accompanied by a written certificate, information can be obtained by telephoning Doctor Diéguez.
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
Master of the Holy Blood (Bruges, active in 1520)"Adoration of the Magi" Triptych. Tempera on panel. Open measurements: 115,5 x 171 cm. Closed measurements: 115,5 x 87 cm. The artist was a Flemish painter from Antwerp who was active in Bruges around 1520. He was discovered for the first time, according to the Städel Museum, by the Belgian art historian Georges Hulin de Loo (Ghent, 1862 - Brussels, 1945). The name we know the artist by, Master of the Holy Blood, was given to him because of his most famous painting, the "Triptych of the crucifixion" which is kept in the Basilica of the Holy Blood in Bruges, the place for which it was conceived.As the Prado Museum explains, in spite of forming part of the circle of Ambrosius Benson, Adriaen Isenbrandt and Albert Cornelis, he was influenced by numerous other Belgian artists. In fact, the Städel Museum notes that his stay in Bruges could have been preceded by an education in Antwerp, the possible birthplace of the artist, where he would have been given classes by the most important Flemish painter from the first half of the 16th century, Quinten Massys (Leuven, 1466 - Antwerp, 1530). The Master of Frankfurt also exercised an influence, with his expressive masculine figures, as did Joachim Patinir with his landscapes, and even Leonardo da Vinci, who could have influenced him with his caricature drawings. It is possible that the prolific painter, who worked both for the free market as well as for the Church and private patrons, painted part of his work for exportation, a fact which can explain why important museums in different countries keep some of his works. Highlights among these are the "Ecce Homo" and "The Annunciation, Saint Jerome and Saint John the Baptist" triptychs in the Museo Nacional del Prado; "The Descent from the Cross", in the MET Museum; the panel of "Saint Anne, the Virgin Mary and the Child" in the Städel Museum; and the panel of "Saint Luke painting the Virgin and Child", kept in the Fogg Museum and which had previously been attributed to the Belgian Massys, who had been his master. We can also enjoy his legacy in the Royal Chapel of Granada Cathedral, with another "Descent from the Cross"; or in the Royal Museums of Fine Art of Belgium, the country of his birth, with "The death of Lucretia"; as well as in the Sint-Jakobskerk church in Bruges, where the "Madonna and Child surrounded by Anne, Joachim and Sybils" can be seen. Bibliographical references: - Museo Nacional del Prado. (s.f.). Maestro de la Santa Sangre. Https://www.museodelprado.es/aprende/enciclopedia/voz/santa-sangre-maestro-de-la/e5fec03d-f380-4f88-ad1a-800e19e1d38f - Städelsches Kunstinstitut und Städtische Galerie. (s.f.). Master of the Holy Blood. Https://sammlung.staedelmuseum.de/en/person/master-of-the-holy-blood - Harvard Art Museums. (s.f.). Master of the Holy Blood. Https://hvrd.art/o/232000 - Metropolitan Museum of Art. (s.f.). The Descent from the Cross. Https://www.metmuseum.org/art/collection/search/437008 - Rijksbureau voor Kunsthistorische Documentatie [RDK]. (s.f.). Meester van het Heilig Bloed. Https://rkd.nl/nl/explore/images/32968 We would like to thank Ana Diéguez of the Moll Institute for her study of this work. Although the painting is not accompanied by a written certificate, information can be obtained by telephoning Doctor Diéguez.
Millésime 22 · Medieval & Colonial Art
Auktionsdatum
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
Millésime, (a French numeral which expresses the number "a thousand" for small and carefully made creations) is our desire to remember and celebrate once again, and at last, the roaring twenties of last century, with the return to a printed and meticulously prepared catalogue. It comprises a selection of works of art that have been chosen with care for their rarity, beauty, quality and also simply because we would like to make a gesture of thanks to everyone who has trusted us and our work over the last thirty years, and to those who make it possible for La Suite, our dream, to carry on.
With Millésime 22 we begin a series which we hope will repeat at the beginning of every year, at least throughout our beloved twenties.
Art, in all its facets, feeds the spirit and makes us better. Long live literature, music and art!
Dedicated to our marvellous daughter Lúa who gives sense to everything.
Beatriz du Breuil and Rafael Adrio
La Suite Subastas
AGB
CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.
III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.
IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.
V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.
VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.
VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.
X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.
15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.
XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
