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José Cobo y Guzmán (Jaén, 1666 - Cordoba, 1746)

In On Emperors, Monarchs and Faith

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José Cobo y Guzmán (Jaén, 1666 - Cordoba, 1746)"Our Lady of Mount Carmel handing the habit to Saint Teresa of Jesus” and Cobo Guzmán and workshop "The Presentation of Jesus in the Temple, "The Assumption of the Virgin Mary" and "The Nativity of Jesus". Set of four oil paintings on canvas. Relined. 125 x 100 cm. each. The painting that depicts Our Lady of Mount Carmel handing the habit to Saint Teresa of Jesus, is signed "JOSEPHUS COBO . . INBENT ET FECIT", there is no doubt that this is the work of the painter José Cobo y Guzmán. The influence of his master Sebastián Martínez Domedel is clear, as is that of the Cordoba painters Antonio del Castillo and Juan de Alfaro. The other three paintings which accompany it, which are of identical measurements and period, all have a common origin which we have catalogued as "Cobo Guzmán and workshop”. Cobo, at least in Cordoba, where he is documented as being in the service of Cardinal Salazar from 1706, had a workshop as his work was so much in demand.  Something similar happened with the Saint Peter Nolasco series at the Convent de la Merced in Cordoba, in which only the first painting is signed.  The series can now be found at the Fine Arts Museum of Cordoba. The hypothesis is that the provenance of our four paintings was a Carmelite convent, perhaps in the province of Jaen. We would like to thank José María Palencia Cerezo for his help in identifying these paintings.
José Cobo y Guzmán (Jaén, 1666 - Cordoba, 1746)"Our Lady of Mount Carmel handing the habit to Saint Teresa of Jesus” and Cobo Guzmán and workshop "The Presentation of Jesus in the Temple, "The Assumption of the Virgin Mary" and "The Nativity of Jesus". Set of four oil paintings on canvas. Relined. 125 x 100 cm. each. The painting that depicts Our Lady of Mount Carmel handing the habit to Saint Teresa of Jesus, is signed "JOSEPHUS COBO . . INBENT ET FECIT", there is no doubt that this is the work of the painter José Cobo y Guzmán. The influence of his master Sebastián Martínez Domedel is clear, as is that of the Cordoba painters Antonio del Castillo and Juan de Alfaro. The other three paintings which accompany it, which are of identical measurements and period, all have a common origin which we have catalogued as "Cobo Guzmán and workshop”. Cobo, at least in Cordoba, where he is documented as being in the service of Cardinal Salazar from 1706, had a workshop as his work was so much in demand.  Something similar happened with the Saint Peter Nolasco series at the Convent de la Merced in Cordoba, in which only the first painting is signed.  The series can now be found at the Fine Arts Museum of Cordoba. The hypothesis is that the provenance of our four paintings was a Carmelite convent, perhaps in the province of Jaen. We would like to thank José María Palencia Cerezo for his help in identifying these paintings.

On Emperors, Monarchs and Faith

Auktionsdatum
Lose: 395
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain

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