Los

385

Mappe mit ca. 70 Blatt Griffelkunst1970er und 80er JahreOsterhold Heiseke, Radierung 1979, 216 A.

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Mappe mit ca. 70 Blatt Griffelkunst1970er und 80er JahreOsterhold Heiseke, Radierung 1979, 216 A.
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Bamberg
Mappe mit ca. 70 Blatt Griffelkunst
1970er und 80er Jahre
Osterhold Heiseke, Radierung 1979, 216 A. Alfred Hrdlicka, zwei Lithographien 1985, 239 B4
(2x). Gunther Vogel: Radierung 1985, 239 C3. Bernhard Johannes Blume: Farbsiebdruck 1985,
240 B5. Thomas Schütte: Farblithographie 1986, 241 B2. Robert Pudlich: zwei Holzschnitte
aus dem Nachlass 1986, 241 C3, 241 C4. Blalla W. Hallmann: drei Radierungen 1986, 242 B4,
242 B5. Vlado Kristl: Siebdruck 1986, 243 A5. Jonas Hafner: Radierung 1986, 244 A4. Rolf
Rose: zwei Radierungen 1986, 244 C4, 244 C6. Ludger Gerdes: Siebdruck 1988, 249 CO (?).
Bernhard Prinz: Offset 1988, 250 C3. Hubert Kiecol: Radierung 1988, 251 B5. Norbert
Prangenberg: farbiger Linoldruck 1988, 252 C1. Peter Fettauer: Radierung 1989, 254 A4.
Jonas Hafner: Radierung 1989, 255 C5. Stephan Stüttgen: Radierung 1989, 256 B5. Ina
Barfuss: sechs Holzdrucke 1990, 257 C1-6. Bogomir Ecker: Stanz- und Siebdruck auf
Neobenzid 1990, 258 B1. Peter Angermann: Farblithographie 1990, 259 A6. Willem Oorebeck:
Lithographie 1990, 260 C2. Stephan Stüttgen: Lithographie 1991, 261 A4. Richard Haizmann:
Holzdruck aus dem Nachlass 1991, 262 C6. Dieter Roth: Radierung 1991, 263 C5. Norbert
Prangenberg: Holzschnitt 1991, 264 A4. Michael Morgner: fünf Aquatintaradierungen, eine
Kaltnadelradierung 1992, 265 C1-6. Carlfriedrich Claus: sechs Radierungen 1992, 266 B1-6.
Dagmar Ranft-Schinke: drei Kaltnadelradierungen 1992, 266 C4-6. Günter Förg: zwei
Farbradierungen 1992, 267 C4, 267 C6. Volker Tannert: drei Radierungen 1992, 268 B2-4.
Timur Novikov: Farbserigraphie 1993, 269 A1. Michael Bauch: zwei Farblinoldrucke 1993, 270
C4 270 C6. Achim Hoops: Lithographie 1993, 272 C6. Nancy Spero: sechs Farbsiebdrucke 1994,
273 B1-6. Leon Golub: Farbsiebdruck 1994, 274 C4. Klaus Beck: Photoarbeit 1994, 275 C5.
Kathi Müller - B -: Photographie 1994, 276 C5*. Jan Boon: Katzen, Radierung aus dem
Nachlass, E 76. Armin Sandig: Transportunternehmen & Schwebeteil, Farbradierung, E 169 & E
170. Jonas Hafner: Paar (pietà), farbiger Holzdruck (Künstlerhanddruck), E 173. Edmund
Kesting: Dame mit breitkrempigem Hut im Café, Holzdruck aus dem Nachlass E 188. Armin
Sandig: Zeltseele, Farbradierung. E 206. E 205. F 136, F 137.

Folder with around 70 sheets of Griffelkunst
1970s and 80s
Osterhold Heiseke, etching 1979, 216 A. Alfred Hrdlicka, two lithographs 1985, 239 B4
(2x). Gunther Vogel: Etching 1985, 239 C3. Bernhard Johannes Blume: Colour screen printing
1985, 240 B5. Thomas Schütte: Colour lithograph 1986, 241 B2. Robert Pudlich: two woodcuts
from his estate 1986, 241 C3, 241 C4. Blalla W. Hallmann: three etchings 1986, 242 B4, 242
B5. Vlado Kristl: Screen printing 1986, 243 A5. Jonas Hafner: Etching 1986, 244 A4. Rolf
Rose: two etchings 1986, 244 C4, 244 C6. Ludger Gerdes: Screen printing 1988, 249 CO (?).
Bernhard Prinz: Offset 1988, 250 C3. Hubert Kiecol: Etching 1988, 251 B5. Norbert
Prangenberg: coloured linocut 1988, 252 C1. Peter Fettauer: Etching 1989, 254 A4. Jonas
Hafner: etching 1989, 255 C5. Stephan Stüttgen: Etching 1989, 256 B5. Ina Barfuss: six
woodblock prints 1990, 257 C1-6. Bogomir Ecker: die-cutting and silk-screen printing on
Neobenzid 1990, 258 B1. Peter Angermann: Colour lithograph 1990, 259 A6. Willem Oorebeck:
lithograph 1990, 260 C2. Stephan Stüttgen: Lithography 1991, 261 A4. Richard Haizmann:
Wood print from the estate 1991, 262 C6. Dieter Roth: Etching 1991, 263 C5. Norbert
Prangenberg: Woodcut 1991, 264 A4. Michael Morgner: five aquatint etchings, one dry point
etching 1992, 265 C1-6. Carlfriedrich Claus: six etchings 1992, 266 B1-6. Dagmar
Ranft-Schinke: three dry point etchings 1992, 266 C4-6. Günter Förg: two colour etchings
1992, 267 C4, 267 C6. Volker Tannert: three etchings 1992, 268 B2-4. Timur Novikov: colour
serigraph 1993, 269 A1. Michael Bauch: two colour linoleum prints 1993, 270 C4 270 C6.
Achim Hoops: Lithograph 1993, 272 C6. Nancy Spero: six colour screen prints 1994, 273
B1-6. Leon Golub: colour screen print 1994, 274 C4. Klaus Beck: Photo work 1994, 275 C5.
Kathi Müller - B -: Photography 1994, 276 C5*. Jan Boon: Cats, etching from the estate, E
76. Armin Sandig: Transport company & floating part, colour etching, E 169 & E 170. Jonas
Hafner: Couple (pietà), coloured wood print (artist's hand print), E 173. Edmund Kesting:
Lady with wide-brimmed hat in the café, wood print from the estate E 188. Armin Sandig:
Tent soul, colour etching. E 206. E 205. F 136, F 137.
Mappe mit ca. 70 Blatt Griffelkunst
1970er und 80er Jahre
Osterhold Heiseke, Radierung 1979, 216 A. Alfred Hrdlicka, zwei Lithographien 1985, 239 B4
(2x). Gunther Vogel: Radierung 1985, 239 C3. Bernhard Johannes Blume: Farbsiebdruck 1985,
240 B5. Thomas Schütte: Farblithographie 1986, 241 B2. Robert Pudlich: zwei Holzschnitte
aus dem Nachlass 1986, 241 C3, 241 C4. Blalla W. Hallmann: drei Radierungen 1986, 242 B4,
242 B5. Vlado Kristl: Siebdruck 1986, 243 A5. Jonas Hafner: Radierung 1986, 244 A4. Rolf
Rose: zwei Radierungen 1986, 244 C4, 244 C6. Ludger Gerdes: Siebdruck 1988, 249 CO (?).
Bernhard Prinz: Offset 1988, 250 C3. Hubert Kiecol: Radierung 1988, 251 B5. Norbert
Prangenberg: farbiger Linoldruck 1988, 252 C1. Peter Fettauer: Radierung 1989, 254 A4.
Jonas Hafner: Radierung 1989, 255 C5. Stephan Stüttgen: Radierung 1989, 256 B5. Ina
Barfuss: sechs Holzdrucke 1990, 257 C1-6. Bogomir Ecker: Stanz- und Siebdruck auf
Neobenzid 1990, 258 B1. Peter Angermann: Farblithographie 1990, 259 A6. Willem Oorebeck:
Lithographie 1990, 260 C2. Stephan Stüttgen: Lithographie 1991, 261 A4. Richard Haizmann:
Holzdruck aus dem Nachlass 1991, 262 C6. Dieter Roth: Radierung 1991, 263 C5. Norbert
Prangenberg: Holzschnitt 1991, 264 A4. Michael Morgner: fünf Aquatintaradierungen, eine
Kaltnadelradierung 1992, 265 C1-6. Carlfriedrich Claus: sechs Radierungen 1992, 266 B1-6.
Dagmar Ranft-Schinke: drei Kaltnadelradierungen 1992, 266 C4-6. Günter Förg: zwei
Farbradierungen 1992, 267 C4, 267 C6. Volker Tannert: drei Radierungen 1992, 268 B2-4.
Timur Novikov: Farbserigraphie 1993, 269 A1. Michael Bauch: zwei Farblinoldrucke 1993, 270
C4 270 C6. Achim Hoops: Lithographie 1993, 272 C6. Nancy Spero: sechs Farbsiebdrucke 1994,
273 B1-6. Leon Golub: Farbsiebdruck 1994, 274 C4. Klaus Beck: Photoarbeit 1994, 275 C5.
Kathi Müller - B -: Photographie 1994, 276 C5*. Jan Boon: Katzen, Radierung aus dem
Nachlass, E 76. Armin Sandig: Transportunternehmen & Schwebeteil, Farbradierung, E 169 & E
170. Jonas Hafner: Paar (pietà), farbiger Holzdruck (Künstlerhanddruck), E 173. Edmund
Kesting: Dame mit breitkrempigem Hut im Café, Holzdruck aus dem Nachlass E 188. Armin
Sandig: Zeltseele, Farbradierung. E 206. E 205. F 136, F 137.

Folder with around 70 sheets of Griffelkunst
1970s and 80s
Osterhold Heiseke, etching 1979, 216 A. Alfred Hrdlicka, two lithographs 1985, 239 B4
(2x). Gunther Vogel: Etching 1985, 239 C3. Bernhard Johannes Blume: Colour screen printing
1985, 240 B5. Thomas Schütte: Colour lithograph 1986, 241 B2. Robert Pudlich: two woodcuts
from his estate 1986, 241 C3, 241 C4. Blalla W. Hallmann: three etchings 1986, 242 B4, 242
B5. Vlado Kristl: Screen printing 1986, 243 A5. Jonas Hafner: Etching 1986, 244 A4. Rolf
Rose: two etchings 1986, 244 C4, 244 C6. Ludger Gerdes: Screen printing 1988, 249 CO (?).
Bernhard Prinz: Offset 1988, 250 C3. Hubert Kiecol: Etching 1988, 251 B5. Norbert
Prangenberg: coloured linocut 1988, 252 C1. Peter Fettauer: Etching 1989, 254 A4. Jonas
Hafner: etching 1989, 255 C5. Stephan Stüttgen: Etching 1989, 256 B5. Ina Barfuss: six
woodblock prints 1990, 257 C1-6. Bogomir Ecker: die-cutting and silk-screen printing on
Neobenzid 1990, 258 B1. Peter Angermann: Colour lithograph 1990, 259 A6. Willem Oorebeck:
lithograph 1990, 260 C2. Stephan Stüttgen: Lithography 1991, 261 A4. Richard Haizmann:
Wood print from the estate 1991, 262 C6. Dieter Roth: Etching 1991, 263 C5. Norbert
Prangenberg: Woodcut 1991, 264 A4. Michael Morgner: five aquatint etchings, one dry point
etching 1992, 265 C1-6. Carlfriedrich Claus: six etchings 1992, 266 B1-6. Dagmar
Ranft-Schinke: three dry point etchings 1992, 266 C4-6. Günter Förg: two colour etchings
1992, 267 C4, 267 C6. Volker Tannert: three etchings 1992, 268 B2-4. Timur Novikov: colour
serigraph 1993, 269 A1. Michael Bauch: two colour linoleum prints 1993, 270 C4 270 C6.
Achim Hoops: Lithograph 1993, 272 C6. Nancy Spero: six colour screen prints 1994, 273
B1-6. Leon Golub: colour screen print 1994, 274 C4. Klaus Beck: Photo work 1994, 275 C5.
Kathi Müller - B -: Photography 1994, 276 C5*. Jan Boon: Cats, etching from the estate, E
76. Armin Sandig: Transport company & floating part, colour etching, E 169 & E 170. Jonas
Hafner: Couple (pietà), coloured wood print (artist's hand print), E 173. Edmund Kesting:
Lady with wide-brimmed hat in the café, wood print from the estate E 188. Armin Sandig:
Tent soul, colour etching. E 206. E 205. F 136, F 137.

European Paintings, Sculptures & Works of Art, Art & Antiques

Auktionsdatum
Lose: 1 - 585
Lose: 601 - 1537
Ort der Versteigerung
Bibra-Palais, Karolinenstraße 11
Bamberg
96049
Germany

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Wichtige Informationen

3 % live surcharge plus VAT

25.00 % buyer's premium on the hammer price
VAT margin scheme, VAT included, but not indicated and not reclaimable


Optional:
19.00 % VAT on the hammer price
21.00 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium

AGB

Conditions for the bidder

 

 

 

By participating in the auction, the bidder acknowledges and agrees to the below mentioned auction conditions:

 

 

 

I. Commission Business

The “Kunstauktionshaus Schlosser GmbH & Co. KG, Bamberg” sells by auction in their own name as commission agent for third-party account. The auction sale is voluntary, there is no right to know the name of the seller. Items belonging to the auction house are  specified in the list of owners.

 

II. Bidding

1. Bidders unknown to the auction house or who are bidding for the first time are requested to prove their identity, respectively if they are acting on behalf of third party, to produce their power of agency.

2. Bids can be made personally, in writing or by phone. Written bids must come in, not later than the day before the auction. Telephone bids require a written confirmation by the bidder.

3. The auctioneer reserves the right to combine, divide, to withdraw lots or to ignore the published order.

 

III. Auction

1. The auction of an item starts with the announcement of the estimate price. Estimate price is the price indicated in the catalogue. It serves as a clue to the commercial value.

2. In certain cases the announcement can be below the estimate price.

3. A bid for an item given before the end of an auction remains valid until the end of the auction. The successful bid price has been found, when no higher bid is delivered after the auctioneer has announced a bid three times, provided the limit price has been reached or exceeded.

4. The auctioneer has the right to reject a bid without explanation. If a bid is rejected, the previous bid will be the current high bid.

5. In case of double bids drawing lots will decide. In case of disagreement regarding who is the successful buyer, e.g. if a duly given bid was overlooked or other doubt exists, the auctioneer is entitled to re-offer and re-sell the item in question.

6. If the limit has not been met, the auctioneer can knock down conditionally. The bidder will then be committed to his bid for 20 days. After 20 days the bid expires unless the bidder has been informed in writing, that he is the successful bidder. If the bid is not approved by the consignor, then the item can be sold to another bidder for a higher price without notifying the above mentioned conditional high bidder.

7. The knock down of the hammer implies obligation to take over the item and prompt payment. With the knock down all risks are passed to the buyer except that ownership is depending of a complete payment.

8. The flow of the auction is decided by the auctioneer. He will also decide the order in which the items are auctioned.

 

 

IV. Buyers Premium

1. To the hammer price is added buyers premium of 25 % gross. The settlement is made in the context of “Differenzbesteuerung”. The VAT contained in the premium is not specified.

2. Please note that to items marked with an (*) in the catalogue, normal taxation is applied. The total price consists of hammer price and buyers premium of 10 % (Net invoice price) plus VAT of 7 % respectively 19 %.

 

V. Payment and Shipping Order

1. Bidders participating personally in the auction must pay the total price in cash promptly after the fall of the hammer. Checks will be accepted only by previous arrangement and when accompanied by a bank letter of guarantee.

2. Invoices to absent buyers who have been bidding by letter or by phone must be settled in full within 10 days after date of invoice.

3. Shipping of objects is arranged only after request in writing. Packing, dispatch and carriage at cost, and at the expense and risk of the buyer. Fragile items, paintings and graphics under glass will not be dispatched.

 

VI. Non-Compliance of the Contract

1. In case of too late payment or denied taking over of the item sold, the auctioneer can choose between compliance of contract and compensation for non-compliance. If payment is delayed, an interest for delay at 1,2 % monthly is levied. The auctioneer can auction the item again. The tardy payer looses the ownership of the item, if it is sold. He is liable for a loss but cannot make claims for a possible higher price.

2. The buyer is committed to pick up the item in consultation with the auctioneer not later than 14 days after the auction. From that deadline the auctioneer is entitled to store the items with a storage company for the account and risk of the buyer.

VII. Exceptions to the Guarantee

1. Descriptions of items in the catalogue are made to the best of our knowledge and must not be considered a quality declaration in a legal sense. They are merely meant as information on the items and will not be part of the contract of conditions. No guarantee will be given in this matter. The same goes for information, verbal or in writing, on the items.

2. All items delivered for an auction are second hand. They can be inspected and tested and they are sold at an auction in “as found” condition.

3. If a notice of defects is justified, the auction house is committed to file a claim with the seller. In case of lack of authenticity the auction house must be notified within one year from the fall of the hammer. In all other cases the auction house must be notified within 6 months from the fall of the hammer. The auction house is committed to legal proceedings only if the buyer assumes the cost.

 

VIII. Disclaimer of Liability

1. Claims for compensation due to defect, loss or damage to sold items or due to deviations from catalogue descriptions or other information given, is out of question for whatever legal reason. The above restriction shall not apply in case of intent or gross negligence or in case of violation of an obligation of major importance.

2. As far as the liability of the auction house has been excluded or limited, the same applies to the personal liability of our legal representatives, agents and employees.

 

 

 

IX. Offhand Sale

The above mentioned conditions apply correspondingly for direct sale of auction items.

 

X. Applicable Law and Place of Jurisdiction

1. If the bidder is a business man, this contract and these general auction conditions are subject to the substantive law of The Bundesrepublik Deutschland, to the exclusion of CISG (the United Nations Convention on the International Sale of Goods). If the bidder is a consumer this contract and these general auction terms are subject to law of the state where the consumer has his ordinary residence.

2. If the bidder is a merchant as defined by the Commercial Code [HGB], a public separate estate or a corporation directly under federal government control, the courts of Bamberg have exclusive jurisdiction for all disputes arising directly or indirectly from this contract.

 

XI. Escape Clause

If any provision in these general auction terms proves to be invalid, all other provisions remain unaffected. The invalid provision will be replaced by one that in sense and purpose is most similar to the invalid one, legally and commercially. The same applies to possible omissions.

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