Los

973

DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong

In AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DO...

Diese Auktion ist eine LIVE Auktion! Sie müssen für diese Auktion registriert und als Bieter freigeschaltet sein, um bieten zu können.
Sie wurden überboten. Um die größte Chance zu haben zu gewinnen, erhöhen Sie bitte Ihr Maximal Gebot.
Ihre Registrierung wurde noch nicht durch das Auktionshaus genehmigt. Bitte, prüfen Sie Ihr E-Mail Konto für mehr Details.
Leider wurde Ihre Registrierung durch das Auktionshaus abgelehnt. Sie können das Auktionshaus direkt kontaktieren über +34 951 89 4646 um mehr Informationen zu erhalten.
Sie sind zurzeit Höchstbieter! Um sicher zustellen, dass Sie das Los ersteigern, melden Sie sich zum Live Bieten an unter , oder erhöhen Sie ihr Maximalgebot.
Geben Sie jetzt ein Gebot ab! Ihre Registrierung war erfolgreich.
Entschuldigung, die Gebotsabgabephase ist leider beendet. Es erscheinen täglich 1000 neue Lose auf lot-tissimo.com, bitte starten Sie eine neue Anfrage.
Das Bieten auf dieser Auktion hat noch nicht begonnen. Bitte, registrieren Sie sich jetzt, so dass Sie zugelassen werden bis die Auktion startet.
1/15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 1 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 2 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 3 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 4 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 5 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 6 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 7 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 8 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 9 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 10 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 11 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 12 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 13 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 14 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 15 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 1 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 2 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 3 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 4 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 5 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 6 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 7 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 8 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 9 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 10 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 11 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 12 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 13 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 14 aus 15
DU MAURIER DAPHNE: (1907-1989) ´ Perhaps I do belong to Cornwall but Cornwall does not only belong - Bild 15 aus 15
Sie interessieren sich für den Preis dieses Loses?
Preisdatenbank abonnieren
Estepona, Malaga

DU MAURIER DAPHNE: (1907-1989) English novelist. An interesting, small archive of letters, documents and photographs signed by Daphne du Maurier, relating in particular to her beloved Cornwall, where she spent much of her life and where many of her works are set, comprising a T.L.S., Daphne du Maurier, two pages, 8vo, Kilmarth, Par, Cornwall, 30th November 1973, to Hans G. Kosters, stating, in part, ´Like many other writers, I myself think the novels written about other places besides Cornwall are sometimes better! For instance, "The Scapegoat" (set in France), "The Progress of Julius" (set in France)....and even "The Flight of the Falcon" (set in Italy) have more depth, to my mind, than my Cornish novels, though they may not have been so popular.....Meanwhile, I have answered your questions as best I could, and forgive this short letter, but.....I am working hard on research of the live and times of the two Bacon brothers - the elder, Anthony, is barely known to the non-historical reader, and was one of the first "secret agents" of those times, employed by the ill-fated Earl of Essex. His brother Francis is of course well known´; a second T.L.S., Daphne du Maurier, two pages, 8vo, Kilmarth, Par, Cornwall, 7th September 1974, also to Kosters, thanking him for his letter and a newspaper (´I only wish I could read German!´) and continuing to comment on tourism in Cornwall, ´The Cornish coast has been very crowded with tourists this past month, and although we like them to enjoy our beaches I wish they would not leave their rubbish behind them; all the debris of thousands of picnics, papers, tins, bottles, cans, which the tide cannot sweep away! I dare say you have the same in Germany, not only on your beaches but in the forests. It is a great pity´, and also referring to Golden Lads, her biography of Sir Francis and Anthony Bacon, ´I very much doubt if it will be published before next spring or summer......Printing seens to take a long time these days, at any rate in England´; an interesting questionnaire, four pages, 4to, n.p. (Cornwall), n.d. (1974), comprising over twenty questions regarding Cornwall and Du Maurier herself, to which the novelist provides her typescript answers, seventeen of which are signed with her initials (´D du M´), expressing her belief that the tourist industry in Cornwall does not benefit the tinners, clayworkers, fishermen or farmers and noting that ´Mass tourism has already spoilt Spain, Portugal, Brittany, and Greece´, stating that ´The discerning visitor will not cross the Tamar if he finds Blackpool the other side. Those who wish for Blackpool will be better served in Lancashire!´, observing that ´Cornwall is a narrow peninsular. It cannot feed or house a mass invasion of tourists. Nor does the majority of the population desire this invasion´, declaring ´I am appalled at the idea of High Rise buildings in Cornwall. I would like to blast them from the ground in London, Paris, and elsewhere!´, and also stating ´The challenge must be to the young, whether in Cornwall or in the world. They will inherit what we have bequeathed to them. If what we bequeath is ugly, and through our fault, surely they will blame us? Or, if they are without appreciation of the beautiful, this is equally our fault, for it means we have not taught them understanding. My voice is not important. Perhaps I do belong to Cornwall but Cornwall does not only belong to me. It belongs, as every place and country must do, to those who live their lives in it now, today, and will do so through the years, and if the memory of those who are gone and lie beneath the soil still lingers on through the centuries, then perhaps this can be an inspiration to the living to build well upon the old foundations´, followed by a series of questions and answers on a more personal level, stating that she has lived at Kilmarth since 1969 and that she generally does not write for more than five hours a day, adding ´I am not a recluse! Family and friends come to stay. But I do not go often to London´ and in response to a question about whether it disturbs her to be called the ´best-selling author´ in the world, Du Maurier responds ´I do not think this has been true for a number of years! Many best-selling authors have eclipsed me!´; a signed 4.5 x 6.5 photograph of Du Maurier standing outdoors in a three-quarter length pose, signed in blue ink with her name alone to the centre of the image; a signed 6 x 8 photograph of the novelist seated in a pensive half-length pose at a table upon which appears a copy of her book Vanishing Cornwall, signed in blue ink with her name alone to a light area of the image; a further six unsigned photographs of various sizes including images of Kilmarth and individual portraits of Du Maurier and her two daughters, Tessa and Flavia; and a carbon typed copy of a letter from Kosters to Du Maurier. Some light age wear and a few minor traces of former mounting, otherwise generally VG, 12

DU MAURIER DAPHNE: (1907-1989) English novelist. An interesting, small archive of letters, documents and photographs signed by Daphne du Maurier, relating in particular to her beloved Cornwall, where she spent much of her life and where many of her works are set, comprising a T.L.S., Daphne du Maurier, two pages, 8vo, Kilmarth, Par, Cornwall, 30th November 1973, to Hans G. Kosters, stating, in part, ´Like many other writers, I myself think the novels written about other places besides Cornwall are sometimes better! For instance, "The Scapegoat" (set in France), "The Progress of Julius" (set in France)....and even "The Flight of the Falcon" (set in Italy) have more depth, to my mind, than my Cornish novels, though they may not have been so popular.....Meanwhile, I have answered your questions as best I could, and forgive this short letter, but.....I am working hard on research of the live and times of the two Bacon brothers - the elder, Anthony, is barely known to the non-historical reader, and was one of the first "secret agents" of those times, employed by the ill-fated Earl of Essex. His brother Francis is of course well known´; a second T.L.S., Daphne du Maurier, two pages, 8vo, Kilmarth, Par, Cornwall, 7th September 1974, also to Kosters, thanking him for his letter and a newspaper (´I only wish I could read German!´) and continuing to comment on tourism in Cornwall, ´The Cornish coast has been very crowded with tourists this past month, and although we like them to enjoy our beaches I wish they would not leave their rubbish behind them; all the debris of thousands of picnics, papers, tins, bottles, cans, which the tide cannot sweep away! I dare say you have the same in Germany, not only on your beaches but in the forests. It is a great pity´, and also referring to Golden Lads, her biography of Sir Francis and Anthony Bacon, ´I very much doubt if it will be published before next spring or summer......Printing seens to take a long time these days, at any rate in England´; an interesting questionnaire, four pages, 4to, n.p. (Cornwall), n.d. (1974), comprising over twenty questions regarding Cornwall and Du Maurier herself, to which the novelist provides her typescript answers, seventeen of which are signed with her initials (´D du M´), expressing her belief that the tourist industry in Cornwall does not benefit the tinners, clayworkers, fishermen or farmers and noting that ´Mass tourism has already spoilt Spain, Portugal, Brittany, and Greece´, stating that ´The discerning visitor will not cross the Tamar if he finds Blackpool the other side. Those who wish for Blackpool will be better served in Lancashire!´, observing that ´Cornwall is a narrow peninsular. It cannot feed or house a mass invasion of tourists. Nor does the majority of the population desire this invasion´, declaring ´I am appalled at the idea of High Rise buildings in Cornwall. I would like to blast them from the ground in London, Paris, and elsewhere!´, and also stating ´The challenge must be to the young, whether in Cornwall or in the world. They will inherit what we have bequeathed to them. If what we bequeath is ugly, and through our fault, surely they will blame us? Or, if they are without appreciation of the beautiful, this is equally our fault, for it means we have not taught them understanding. My voice is not important. Perhaps I do belong to Cornwall but Cornwall does not only belong to me. It belongs, as every place and country must do, to those who live their lives in it now, today, and will do so through the years, and if the memory of those who are gone and lie beneath the soil still lingers on through the centuries, then perhaps this can be an inspiration to the living to build well upon the old foundations´, followed by a series of questions and answers on a more personal level, stating that she has lived at Kilmarth since 1969 and that she generally does not write for more than five hours a day, adding ´I am not a recluse! Family and friends come to stay. But I do not go often to London´ and in response to a question about whether it disturbs her to be called the ´best-selling author´ in the world, Du Maurier responds ´I do not think this has been true for a number of years! Many best-selling authors have eclipsed me!´; a signed 4.5 x 6.5 photograph of Du Maurier standing outdoors in a three-quarter length pose, signed in blue ink with her name alone to the centre of the image; a signed 6 x 8 photograph of the novelist seated in a pensive half-length pose at a table upon which appears a copy of her book Vanishing Cornwall, signed in blue ink with her name alone to a light area of the image; a further six unsigned photographs of various sizes including images of Kilmarth and individual portraits of Du Maurier and her two daughters, Tessa and Flavia; and a carbon typed copy of a letter from Kosters to Du Maurier. Some light age wear and a few minor traces of former mounting, otherwise generally VG, 12

AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DOCUMENTS AUCTION

Auktionsdatum
Lose: 650
Lose: 630
Ort der Versteigerung
El Real del Campanario
num.12 Bajo B
Estepona
Malaga
29688
Spain

IAA Europe offer an in house shipping service for the convenience of buyers. Lots are securely packed and shipped via courier with full tracking details which will be supplied upon despatch. 

Your invoice will include postage, packing and insurance charges.

Wichtige Informationen

Day One - Lots 1 - 650

Day Two - Lots 651- 1280

Bidding at the auction will be online only.

We offer in house shipping to worldwide destinations. 

AGB

Buyers Terms & Conditions

1. Interpretation

1.1. "Auctioneers" means " International Autograph Auctions Europe S.L. "

1.2. "Catalogue" means the brochure relating to a sale (including any addendum thereto) and any other related documents and advertisements.

1.3. "Conditions" means these terms and conditions of sale

1.4. "Hammer Price" means the price at which a lot is knocked down by the Auctioneers to the Purchaser.

1.5. "Purchaser" means the person who purchases a lot or lots pursuant to these conditions.

1.6. "Seller" means the person who is selling the lot or lots pursuant to these conditions.

1.7. "VAT" means Value Added Tax.

 

2. Bidding

2.1. The highest bidder for each lot shall be the Purchaser of that lot.

2.2. No person shall be entitled to retract a bid. The Auctioneers reserve the right of refusing any bid without giving any reason and of altering, adding to, dividing, consolidating or withdrawing any lot or lots for sale.

2.3. The Auctioneers reserve the right to fix a reserve price for any lot at a figure no higher than the lower estimate.

2.4. The Auctioneers reserve the right to bid on behalf of the Seller on lots which are subject to a reserve price. The Seller shall not be entitled to bid where the Auctioneers have reserved such a right.

2.5. In the case of a dispute as to any bid the Auctioneers may immediately determine the dispute or put up the lot again at the last undisputed bid or withdraw the lot.

2.6. The Auctioneers will accept written commission bids free of charge from any person who is unable to attend the sale. Bids will also be accepted by telephone and fax at the sender's risk.

2.7. Lots will not normally be sold at less than two-thirds bottom estimate.

 

3. Payment

3.1. Each Purchaser shall give in his name and address and proof of identity (if required) to the Auctioneers at a sale and shall if required pay such deposit as the Auctioneers may specify.

3.2. The Purchaser shall pay the Hammer Price together with a premium of 30.25% on the Hammer Price (this amount includes VAT and must not be shown separately or claimed as input tax). By the making of any bid the Purchaser acknowledges that his attention had been drawn to this fact and that he assents to the Auctioneers receiving the said commission. A 25% premium will be payable by Purchasers outside the European Union (EU). Zero-rated goods such as books will be subject to a premium of 25% whether within or outside the EU unless entered by a VAT registered Seller.

3.3. Payments for lots must be made in cash, bankers draft or cheque guaranteed by the bank upon which it is drawn. Lots will not be released against cheques from Purchasers unknown to the Auctioneers until cleared by such Purchaser's bank. Payment is accepted by Visa and Mastercard. A surcharge of 3% plus VAT will be levied to accounts settled by credit cards for non EU buyers. Payment is also accepted by most debit cards with no surcharge.

3.4. Overseas clients are requested to settle accounts by USA Dollars or Sterling bank transfer (details upon request), by Euro cheques, by Visa or Mastercard (a surcharge of 3% plus VAT [clients outside the EU exempt from VAT] will be levied to accounts settled by this method) or if payment is made on personal accounts in foreign currency the client is requested to add the equivalent of a further €10 to cover bank conversion charges. The Auctioneer reserves the right to claim back from the Purchasers any shortfall due to bank charges or currency fluctuations on that account.

3.5. No lots will be released by the Auctioneers until receipt of payment in full from the Purchaser.

 

4. Risk

4.1. All lots shall be the sole risk of the Purchaser from the fall of the hammer.

4.2. The Purchaser shall take all lots in the condition in which he finds them. It is the responsibility of all intending Purchasers to satisfy themselves by inspection or otherwise as to the authenticity in the authorship, date, age, period, condition or quality of any lot.

 

5. Liability

5.1. Neither the Seller of any lot nor the Auctioneers make or give nor has any person in the employment of the Auctioneers any authority to make or give any representation or warranty in relation to any lot and any implied conditions or warranties are excluded.

5.2. All statements contained in the Catalogue as to the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot are statements of opinion only and are not to be taken as or implying statements or representations of fact. Lots are sold subject to all faults and errors in description or otherwise.

5.3. Notwithstanding the provisions of paragraphs 5.1. and 5.2. of these Conditions in the event of a dispute as to authenticity of any lot(s) the item or items in question should be returned to the Auctioneers within 21 days of receipt by the Purchaser of such lot(s) together with a formal statement by a recognised expert The Auctioneers shall at their option and without admission of liability reimburse the price paid by the Purchaser in respect of such lot(s). This does not constitute an approval service.

5.4. Neither the Auctioneers nor the Seller shall be responsible for any loss, damage or injury occasioned to or sustained by any person on the premises before, during or after a sale save in respect of death or personal injury caused by negligence of the Seller or the Auctioneers.

 

6. Capacity of Auctioneers

For all purposes of a sale the Auctioneers shall be deemed to be the agent of both the Seller and the Purchaser and they shall not be considered responsible for any default on the part of either the Seller or Purchaser.

 

7. Delivery

7.1. Lots will only be released once payment in full has been received from the Purchaser.

7.2  An insurance charge of 1.8 % plus VAT will be applied to all invoices for packages sent from our offices

7.3. Postage is subject to VAT at 21% within the EU

7.4. The Auctioneers will provide full customs declarations on the Hammer Price plus the Purchaser's premium and Purchaser's shall be responsible for any customs charges made by the country of import.

7.5. A charge will be made for the packing & shipping of deliveries which is subject to VAT at 21% within the EU.

 

8. Auctioneers Remedies

In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:

8.1. to rescind the sale of the relevant lot(s)

8.2. to resell the lot(s) without further notice either by public or private sale and the deficiency (if any) arising from such second sale together with all charges and expenses relating to the same shall be the responsibility of the defaulting Purchaser and shall be recoverable as and for liquidated damages.

 

9. Jurisdiction

These Conditions shall be governed by Spanish law and the parties submit to the exclusive jurisdiction of the Spanish courts.

 

Online Bidding

International Autograph Auctions Europe S.L. offer an online bidding service for bidders who cannot attend the sale, however please be advised that a charge of 3% + VAT  is chargeable on all purchases made through  any of the online bidding facilities offered.

In completing the bidder registration and providing your credit card details and unless alternative arrangements are agreed with International Autograph Auctions Europe S.L.

1. You authorise International Autograph Auctions Europe S.L., if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction, and

2. confirm that you are authorised to provide these credit card details to International Autograph Auctions Europe S.L. and agree that International Autograph Auctions Europe S.L. are entitled to ship the goods to the card holder name and card holder address provided in fulfillment of the sale.

3. confirm that you accept that an additional charge of 3% + VAT will be applied to your invoice for use of an online bidding facility

Vollständige AGBs

Stichworte: Book, Brief