723
SAND GEORGE: (1804-1876)
1/3
Beschreibung
SAND GEORGE: (1804-1876) French novelist. An excellent autograph manuscript signed, George Sand, thirty pages, 8vo, n.p., n.d. (1872), in French. Sand’s manuscript, with various corrections and deletions, is written in the wake of the publication of Hugo’s collection of poems L’Annee terrible and states, in part, ‘Voici un poete sublime, le poete de la France. Il est veritablement la voix de la partie, et c'est pour cela qu'en parlant de lui on sent qu'on s'adresse a la France elle-meme dont il est l'ame et l'expression, le dechirement terrible, l'organe souverain......je sens pour lui quelque chose de plus que de l'admiration, je sens que je l'aime......Quand le poete sans rival qujourd'hui monte sur le coursier aile pour interroger le ciel sur les destinees de la terre, il depouille sa personnalite reelle, il oublie son propre nom, il se spiritualise, il est le penseur et le poete, il exerce son sacerdoce, il joue son role, il rompt avec l'usage, il meprise le bon ton, il depasse le bon gout. il use de son droit qui est de monter autant qu'une pensee peut monter au-dessus d'une situation, une aspiration au-dessus d'un fait, une volonte au-dessus d'un obstacle.....Il a le delire sacre des pythonisses, il s'eleve a la manifestation de l'espirit degage de tout ce qui pese sur nous. Il prend une place dont personne ne peut etre jaloux, puisque personne n'eut ose la prendre, et que nul ne peut lui contester puisqu'il peut seul l'occuper......Ceci dit une fois pour toutes et ce divin orgueil accepte comme une pretention, non legitime chez le poete en general mais legitime chez celui-ci, voyons si la lucidite est a la hauteur de l'emotion et si ce voyant inspire, qui semble percer l'inconnu, a la vision nette des choses connues......oui et non. Oui, au point de vue de l'eternelle philosophie; au point de vue immediatement historique, non.....son veritable nom serait le passionne, car tout est passion chez lui: la haine et l'amour, la mansuetude et la colere, l'indignation et la pitie; son organe visuel est fait de passion comme son sens intellectuel; son esprit a la faculte de se dilater au point d'embrasser l'univers dans une etreinte gigantesque, et des lors tout se dilate et devient colossal dans son appreciation.....d'une mouche il fait un monstre, d'une fourmi un elephant......il y a une troisieme voix que le genie de l'antithese n'a pas daigne entendre: c'est la voix juste......quand malgre soi on est reste debout entre les deux cadavres, doit-on traiter l'un de martyr et l'autre d'assassin? Ils se sont egorges l'un l'autre, martyrs tous les deux ou assassins tous les deux, il n'y a pas a dire.....il n'a pas fletri avec son energie accoutumee les chefs et les membres de cette bande; il s'est contente de dire qu'il ne les approuvait pas.....il n'eut eu de cris de colere que contre la repression et de cris de pitie que pour les infames qui tentaient de detruire Paris apres l'avoir deshonore...... son esprit a eu une defaillance de lumiere, les etoiles en ont bien!......c'est que je le place plus haut que vous, les amis de sa gloire litteraire, ne songez a le placer. Pourvu qu'il chante, vous etes ravis, et lui, il veut etre quelque chose de plus que le chantre, il veut etre quelque chose que je lui accorde de toute mon ame. Il veut etre le penseur du siecle. Il l'est, je vous l'ai dit, il est la voix de la patrie, il resume en lui toute son histoire, il en subit toutes les ivresses et toutes les tortures, tous les dechirements et toutes les aspirations.......Lui, il a vu les choses en grand, en gros quelquefois, jamais en petit. Mais ce qu'il a bien vu, personne ne l'a vu comme lui. il a vu tres loin devant lui, et il a dit des verites souveraines que rien ne pourra detruire.......Des siecles passeront sur nos desespoirs et l'espoir fleurira encore dans le monde. Alors on lira ce poete et on tiendra bien peu de compte de ce qui offense les delicats d'aujourd'hui. Ce sera encore un livre de vie pour les jeunes; les traces de nos malheurs seront effacees, nos ruines seront ensevelies dans des oeuvres de renaissance, nos drames d'un jour seront contemples comme des reves et racontes comme des legendes; nos monceaux de livres seront juges, oublies pour la plupart, un nom restera eclatant, attache a la robe funebre du XIX siecle comme une etoile au manteau de la nuit et ce nom ce sera celui de l'auteur de l'Annee terrible’ (Translation: ‘Here is a sublime poet, the poet of France. He is truly the voice of the party, and that is why in speaking of him we feel that we are addressing France itself of which he is the soul and the expression, the terrible heartbreak, the sovereign organ……I feel for him something more than admiration, I feel that I love him…..When the poet without rival today mounts the winged steed to question heaven about the destinies of earth, he strips away his real personality, he forgets his own name, he spiritualises himself, he is the thinker and the poet, he exercises his priesthood, …...his spirit had a failure of light, the stars certainly did!......that’s because I place him higher than you, the friends of his literary glory, would think of placing him. As long as he sings, you are delighted, and he wants to be something that I grant him with all my soul. Centuries will pass over our despairs and hope will still flourish in the world. So we will read this poet and we will take very little account of what offends today’s delicate people. It will still be a book of life for young people; the traces of our misfortunes will be erased, our ruins will be buried in works of rebirth, our one-day dramas will be contemplated like dreams and told like legends; our heaps of books will be judged, forgotten for the most part, a name will remain dazzling, attached to the funeral dress of the 19th century like a star to the mantle of night and this name will be that of the author of l’Annee terrible’). A manuscript of fascinating and wide-ranging content in which Sand displays her admiration for the genius of Hugo as a poet, brushing aside criticisms that have been made of his personality and preferring to concentrate on the immense stature of the writer, nevertheless daring to examine the lucidity of his political judgement, where disagreements are bluntly expressed as she criticises Hugo for not having castigated Versailles and Communards equally (‘should we treat one as a martyr and the other as a murderer?’), although ultimately concluding by offering her praise of Hugo with beautiful lyricism. Written to the rectos of the pages only, a number of the bifoliums are neatly stitched together. Some very light, extremely minor age wear, generally VG Hugo’s series of poems L'Annee terrible (1872) would be his penultimate major poetic collection. The works deal with the Franco-Prussian War, the trauma of his losing his son Charles, and with the Paris Commune. Covering the period from August 1870 to July 1871, a group of poems encapsulates each month, blending Hugo’s anguish over personal tragedies with his despair at the predicament of France. The relationship between Sand and Hugo, two of the outstanding literary figures of the 19th century, was of a particular character; indeed they never met and only first came into direct contact, by letter, in 1855. They had differing political views (Sand condemned in harsh terms the Paris Commune) but nevertheless their relationship evolved during their lifetimes and are quick to support and defend each other as soon as one is attacked. In 1876 it was Hugo who delivered the famous funeral eulogy of Sand, ‘I mourn a dead woman, I salute an immortal…..’OWING TO RESTRICTIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED. PLEASE CONTACT IAA EUROPE FOR FURTHER INFORMATION.
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SAND GEORGE: (1804-1876) French novelist. An excellent autograph manuscript signed, George Sand, thirty pages, 8vo, n.p., n.d. (1872), in French. Sand’s manuscript, with various corrections and deletions, is written in the wake of the publication of Hugo’s collection of poems L’Annee terrible and states, in part, ‘Voici un poete sublime, le poete de la France. Il est veritablement la voix de la partie, et c'est pour cela qu'en parlant de lui on sent qu'on s'adresse a la France elle-meme dont il est l'ame et l'expression, le dechirement terrible, l'organe souverain......je sens pour lui quelque chose de plus que de l'admiration, je sens que je l'aime......Quand le poete sans rival qujourd'hui monte sur le coursier aile pour interroger le ciel sur les destinees de la terre, il depouille sa personnalite reelle, il oublie son propre nom, il se spiritualise, il est le penseur et le poete, il exerce son sacerdoce, il joue son role, il rompt avec l'usage, il meprise le bon ton, il depasse le bon gout. il use de son droit qui est de monter autant qu'une pensee peut monter au-dessus d'une situation, une aspiration au-dessus d'un fait, une volonte au-dessus d'un obstacle.....Il a le delire sacre des pythonisses, il s'eleve a la manifestation de l'espirit degage de tout ce qui pese sur nous. Il prend une place dont personne ne peut etre jaloux, puisque personne n'eut ose la prendre, et que nul ne peut lui contester puisqu'il peut seul l'occuper......Ceci dit une fois pour toutes et ce divin orgueil accepte comme une pretention, non legitime chez le poete en general mais legitime chez celui-ci, voyons si la lucidite est a la hauteur de l'emotion et si ce voyant inspire, qui semble percer l'inconnu, a la vision nette des choses connues......oui et non. Oui, au point de vue de l'eternelle philosophie; au point de vue immediatement historique, non.....son veritable nom serait le passionne, car tout est passion chez lui: la haine et l'amour, la mansuetude et la colere, l'indignation et la pitie; son organe visuel est fait de passion comme son sens intellectuel; son esprit a la faculte de se dilater au point d'embrasser l'univers dans une etreinte gigantesque, et des lors tout se dilate et devient colossal dans son appreciation.....d'une mouche il fait un monstre, d'une fourmi un elephant......il y a une troisieme voix que le genie de l'antithese n'a pas daigne entendre: c'est la voix juste......quand malgre soi on est reste debout entre les deux cadavres, doit-on traiter l'un de martyr et l'autre d'assassin? Ils se sont egorges l'un l'autre, martyrs tous les deux ou assassins tous les deux, il n'y a pas a dire.....il n'a pas fletri avec son energie accoutumee les chefs et les membres de cette bande; il s'est contente de dire qu'il ne les approuvait pas.....il n'eut eu de cris de colere que contre la repression et de cris de pitie que pour les infames qui tentaient de detruire Paris apres l'avoir deshonore...... son esprit a eu une defaillance de lumiere, les etoiles en ont bien!......c'est que je le place plus haut que vous, les amis de sa gloire litteraire, ne songez a le placer. Pourvu qu'il chante, vous etes ravis, et lui, il veut etre quelque chose de plus que le chantre, il veut etre quelque chose que je lui accorde de toute mon ame. Il veut etre le penseur du siecle. Il l'est, je vous l'ai dit, il est la voix de la patrie, il resume en lui toute son histoire, il en subit toutes les ivresses et toutes les tortures, tous les dechirements et toutes les aspirations.......Lui, il a vu les choses en grand, en gros quelquefois, jamais en petit. Mais ce qu'il a bien vu, personne ne l'a vu comme lui. il a vu tres loin devant lui, et il a dit des verites souveraines que rien ne pourra detruire.......Des siecles passeront sur nos desespoirs et l'espoir fleurira encore dans le monde. Alors on lira ce poete et on tiendra bien peu de compte de ce qui offense les delicats d'aujourd'hui. Ce sera encore un livre de vie pour les jeunes; les traces de nos malheurs seront effacees, nos ruines seront ensevelies dans des oeuvres de renaissance, nos drames d'un jour seront contemples comme des reves et racontes comme des legendes; nos monceaux de livres seront juges, oublies pour la plupart, un nom restera eclatant, attache a la robe funebre du XIX siecle comme une etoile au manteau de la nuit et ce nom ce sera celui de l'auteur de l'Annee terrible’ (Translation: ‘Here is a sublime poet, the poet of France. He is truly the voice of the party, and that is why in speaking of him we feel that we are addressing France itself of which he is the soul and the expression, the terrible heartbreak, the sovereign organ……I feel for him something more than admiration, I feel that I love him…..When the poet without rival today mounts the winged steed to question heaven about the destinies of earth, he strips away his real personality, he forgets his own name, he spiritualises himself, he is the thinker and the poet, he exercises his priesthood, …...his spirit had a failure of light, the stars certainly did!......that’s because I place him higher than you, the friends of his literary glory, would think of placing him. As long as he sings, you are delighted, and he wants to be something that I grant him with all my soul. Centuries will pass over our despairs and hope will still flourish in the world. So we will read this poet and we will take very little account of what offends today’s delicate people. It will still be a book of life for young people; the traces of our misfortunes will be erased, our ruins will be buried in works of rebirth, our one-day dramas will be contemplated like dreams and told like legends; our heaps of books will be judged, forgotten for the most part, a name will remain dazzling, attached to the funeral dress of the 19th century like a star to the mantle of night and this name will be that of the author of l’Annee terrible’). A manuscript of fascinating and wide-ranging content in which Sand displays her admiration for the genius of Hugo as a poet, brushing aside criticisms that have been made of his personality and preferring to concentrate on the immense stature of the writer, nevertheless daring to examine the lucidity of his political judgement, where disagreements are bluntly expressed as she criticises Hugo for not having castigated Versailles and Communards equally (‘should we treat one as a martyr and the other as a murderer?’), although ultimately concluding by offering her praise of Hugo with beautiful lyricism. Written to the rectos of the pages only, a number of the bifoliums are neatly stitched together. Some very light, extremely minor age wear, generally VG Hugo’s series of poems L'Annee terrible (1872) would be his penultimate major poetic collection. The works deal with the Franco-Prussian War, the trauma of his losing his son Charles, and with the Paris Commune. Covering the period from August 1870 to July 1871, a group of poems encapsulates each month, blending Hugo’s anguish over personal tragedies with his despair at the predicament of France. The relationship between Sand and Hugo, two of the outstanding literary figures of the 19th century, was of a particular character; indeed they never met and only first came into direct contact, by letter, in 1855. They had differing political views (Sand condemned in harsh terms the Paris Commune) but nevertheless their relationship evolved during their lifetimes and are quick to support and defend each other as soon as one is attacked. In 1876 it was Hugo who delivered the famous funeral eulogy of Sand, ‘I mourn a dead woman, I salute an immortal…..’OWING TO RESTRICTIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED. PLEASE CONTACT IAA EUROPE FOR FURTHER INFORMATION.
AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DOCUMENTS AUCTION
Auktionsdatum
Lose: 611-1130
Lose: 1-610
Ort der Versteigerung
El Real del Campanario
num.12 Bajo B
Estepona
Malaga
29688
Spain
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1.2. "Catalogue" means the brochure relating to a sale (including any addendum thereto) and any other related documents and advertisements.
1.3. "Conditions" means these terms and conditions of sale
1.4. "Hammer Price" means the price at which a lot is knocked down by the Auctioneers to the Purchaser.
1.5. "Purchaser" means the person who purchases a lot or lots pursuant to these conditions.
1.6. "Seller" means the person who is selling the lot or lots pursuant to these conditions.
1.7. "VAT" means Value Added Tax.
2. Bidding
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2.6. The Auctioneers will accept written commission bids free of charge from any person who is unable to attend the sale. Bids will also be accepted by telephone and fax at the sender's risk.
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3.6. No lots will be released by the Auctioneers until receipt of payment in full from the Purchaser.
4. Risk
4.1. All lots shall be the sole risk of the Purchaser from the fall of the hammer.
4.2. The Purchaser shall take all lots in the condition in which he finds them. It is the responsibility of all intending Purchasers to satisfy themselves by inspection or otherwise as to the authenticity in the authorship, date, age, period, condition or quality of any lot.
5. Liability
5.1. Neither the Seller of any lot nor the Auctioneers make or give nor has any person in the employment of the Auctioneers any authority to make or give any representation or warranty in relation to any lot and any implied conditions or warranties are excluded.
5.2. All statements contained in the Catalogue as to the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot are statements of opinion only and are not to be taken as or implying statements or representations of fact. Lots are sold subject to all faults and errors in description or otherwise.
5.3. Notwithstanding the provisions of paragraphs 5.1. and 5.2. of these Conditions in the event of a dispute as to authenticity of any lot(s) the item or items in question should be returned to the Auctioneers within 21 days of receipt by the Purchaser of such lot(s) together with a formal statement by a recognised expert The Auctioneers shall at their option and without admission of liability reimburse the price paid by the Purchaser in respect of such lot(s). This does not constitute an approval service.
5.4. Neither the Auctioneers nor the Seller shall be responsible for any loss, damage or injury occasioned to or sustained by any person on the premises before, during or after a sale save in respect of death or personal injury caused by negligence of the Seller or the Auctioneers.
6. Capacity of Auctioneers
For all purposes of a sale the Auctioneers shall be deemed to be the agent of both the Seller and the Purchaser and they shall not be considered responsible for any default on the part of either the Seller or Purchaser.
7. Delivery
7.1. Lots will only be released once payment in full has been received from the Purchaser.
7.2. Lots will be dispatched (upon receipt of payment) by Special Delivery, insured or air mail post and bulky or expensive lots will be sent via a professional freight company unless written instructions to the contrary are received at the sole cost and risk of the Purchaser.
7.3. Postage is subject to VAT at 20% within the EU
7.4. The Auctioneers will provide full customs declarations on the Hammer Price plus the Purchaser's premium and Purchaser's shall be responsible for any customs charges made by the country of import.
7.5. A charge will be made for the packing of deliveries which is subject to VAT at 20% within the EU.
8. Auctioneers Remedies
In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:
8.1. to rescind the sale of the relevant lot(s)
8.2. to resell the lot(s) without further notice either by public or private sale and the deficiency (if any) arising from such second sale together with all charges and expenses relating to the same shall be the responsibility of the defaulting Purchaser and shall be recoverable as and for liquidated damages.
9. Jurisdiction
These Conditions shall be governed by English law and the parties submit to the exclusive jurisdiction of the English courts.
Online Bidding
International Autograph Auctions Ltd. offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale.
In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with International Autograph Auctions Ltd. you
1. authorise International Autograph Auctions Ltd., if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and
2. confirm that you are authorised to provide these credit card details to International Autograph Auctions Ltd. through www.the-saleroom.com and agree that International Autograph Auctions Ltd. are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.
Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price
![[HUGO VICTOR]: (1802-1885) ‘Thank you, my beloved…….I bless you and I love you from the bottom of](https://portal-images.azureedge.net/auctions-2023/srint10015/images/b8e5523b-88ac-4f38-8691-b0bd01223066.jpg?w=155&h=155)
