661
MIRO JOAN: (1893-1983)
Beschreibung
MIRO JOAN: (1893-1983) Spanish painter. An excellent, lengthy and early A.L.S., Miro, three pages, 4to, Barcelona, 7th April 1934, to [Christian] Zervos, in French. Miro states that he has received his correspondent's letter, article and photograph, explaining that he did not answer sooner 'parce que j'ai du me rendrer a Montrois pour verifier d'apres le dessins.....les dates exactes, et vous donner de la facon la plus exacte possible, les renseignments que vous m'aviez demande a Paris' (Translation: 'because I had to go to Montrois to check according to the drawings….the exact dates, and to give you in the most exact way possible, the information that you had asked me for in Paris') and continuing to write concerning Zervos's article, and offering some advice, 'Votre article est tres, tres bien, vous avez tres bien compris mes inquietudes, il est en meme temps ecrit avec un grand courage. Je l'ai lu maintes fois attentivement et en suis tres emu. Vous en remercie de tout Coeur. Il faudrait toutefois rectifer, quelques dates, il m'etait tres difficile de les preciser lors de notre entretien chez vous. J'estime que ces donnees doivent etre tres exacter, d'autant plus qu'elles seront repandues a l'etranger, ou l'on se servira de ce numero de "Cahiers d'Art" lorsque l'on voudra ecrire quelque chose d'important sur moi. a) J'ai commence l'etude de la peinture a l'age de 14 ans, mon premier professeur a ete Urgell, et plus tard Pasco. b) Je cesse de peindre de 1910 a 1912 - a partir de cette date je m'adonne entierement a la peinture et frequente a Barcelone certaines academies etc. et passe mes vacances a Montrois, je frequente les academies jusqu'a 1914, et desormais je travaillerai seul. c) arrive a Paris pour le premiere fois en mars 1919, et c'est a partir de cette date que je travaille tantot a Barcelone tantot a Montrois, tantot a Paris. d) qouique la plupart de reproductions n'auront pas de titre, il ne faudrait cependant pas negliger d'en mettre a celles que vous citez dans votre article et aux plus representatives pour mieux le comprendre. e) ces tableaux ont ete faits l'hiver et le printemps 1933. f) Je trouve aussi que c'est mieux que vous supprimiez ce passage. Comme vous voyez toutes les rectifications sont tres necessaires et tres importantes, je vous demande de faire l'impossible pour y etre a temps' (Translation: 'Your article is very, very good, you have understood my concerns very well, it is at the same time written with great courage. I have read it carefully many times and am very moved by it. Thank you wholeheartedly. However, it would be necessary to rectify a few dates, it was very difficult for me to specify them during our interview with you. I consider that this information must be very exact, especially since they will be spread abroad, where people will use this number of “Cahiers d'Art” when they want to write something important about me. a) I started studying painting at the age of 14, my first teacher was Urgell, and later Pasco. b) I stop painting from 1910 to 1912 - from this date I devote myself entirely to painting and attend certain academies etc. in Barcelona and spend my holidays in Montrois. I attended the academies until 1914 and from then on I would work alone. c) arrived in Paris for the first time in March 1919, and it was from this date that I worked sometimes in Barcelona, sometimes in Montrois, sometimes in Paris. d) although most of the reproductions will not have a title, you should not neglect to put one to those you quote in your article and to the most representative ones to better understand it. e) these paintings were made in the winter and spring of 1933. f) I also think it is better that you delete this passage. As you see all the corrections are very necessary and very important, I ask you to do the impossible to there in time'). Miro also asks his correspondent if they have decided to go ahead with an exhibition, and to let him know the exact date of the opening as soon as they know it, and further enquiring if invitations will be sent, in which case Miro will provide some addresses, additionally writing 'J'ai reflechi a ce que votre femme me demande d'apporter de nouveaux tableaux. Il me semble que cette nouvelle serie faudrait la montrer ensemble, ce serait une erreur que d'en exposer quelques specimens au prealable. Ce qui serait peut-etre tres bien, ce que, du moment ou "Cahiers d'Art" est consacre a toute mon oeuvre, vous exposiez aussi, dans une piece a part quelques toiles anciennes. En etant fait simultanement a l'apparition de "Cahiers d'Art" cela n'aura nullement l'air d'une retrospective, qu'il faut a tout prix eviter.......ca restera tres intime et n'aura pas l'air pretentieux d'une exposition rue de la Boetie. Et suivrait en meme temps la trajectoire qui se termine en 1933' (Translation: 'I thought about your wife asking me to bring new paintings. It seems to me that this new series should be shown together, it would be a mistake to exhibit a few specimens beforehand. What would perhaps be very good, since “Cahiers d'Art” is devoted to all my work, you also exhibit, in a separate room, a few old paintings. By being done simultaneously with the appearance of “Cahiers d'Art” it will in no way seem like a retrospective, which must be avoided at all costs….it will remain very intimate and will not have the pretentious air of an exhibition on rue de la Boetie. And at the same time it would follow the trajectory which ends in 1933'). Miro concludes by asking if Zervos has seen Pierre Matisse, explaining 'Je lui ai ecrit deux lettres en reponse a la sienne ou'il me faisait part de l'accord avec [Henri] Matisse et il ne m'a point repondu. Je lui demandais s'il m'autorisait a ecrire a Matisse pour lui demander de s'entendre avec lui pour les mensualites de maniere a ce que ce fut Pierre qui ces versat en toute sa totalite. Je crois que du moment ou Pierre est, pour ainsi dire, le marchand officiel, pourrait trouver des moyens pour regler les mensualites…..' (Translation: 'I wrote him two letters in response to his where he informed me of the agreement with [Henri] Matisse and he did not answer me. I asked him if he would authorise me to write to Matisse to ask him to come to an agreement with him for the monthly payments so that it was Pierre who would pay them in full. I believe that since Pierre is, so to speak, the official merchant, he could find ways to settle the monthly payments….'). A letter of fine content. Some very light, extremely minor age wear, VGChristian Zervos (1889-1970) Greek-French art historian, critic, collector, writer and publisher who founded the magazine Cahiers d'art and also ran an art gallery.Pierre Matisse (1900-1989) French-American art dealer, the youngest child of Henri Matisse. The Pierre Matisse Gallery was opened in New York in 1931 and represented many European artists including Miro, Marc Chagall, Alberto Giacometti and Jean Dubuffet amongst others.
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
MIRO JOAN: (1893-1983) Spanish painter. An excellent, lengthy and early A.L.S., Miro, three pages, 4to, Barcelona, 7th April 1934, to [Christian] Zervos, in French. Miro states that he has received his correspondent's letter, article and photograph, explaining that he did not answer sooner 'parce que j'ai du me rendrer a Montrois pour verifier d'apres le dessins.....les dates exactes, et vous donner de la facon la plus exacte possible, les renseignments que vous m'aviez demande a Paris' (Translation: 'because I had to go to Montrois to check according to the drawings….the exact dates, and to give you in the most exact way possible, the information that you had asked me for in Paris') and continuing to write concerning Zervos's article, and offering some advice, 'Votre article est tres, tres bien, vous avez tres bien compris mes inquietudes, il est en meme temps ecrit avec un grand courage. Je l'ai lu maintes fois attentivement et en suis tres emu. Vous en remercie de tout Coeur. Il faudrait toutefois rectifer, quelques dates, il m'etait tres difficile de les preciser lors de notre entretien chez vous. J'estime que ces donnees doivent etre tres exacter, d'autant plus qu'elles seront repandues a l'etranger, ou l'on se servira de ce numero de "Cahiers d'Art" lorsque l'on voudra ecrire quelque chose d'important sur moi. a) J'ai commence l'etude de la peinture a l'age de 14 ans, mon premier professeur a ete Urgell, et plus tard Pasco. b) Je cesse de peindre de 1910 a 1912 - a partir de cette date je m'adonne entierement a la peinture et frequente a Barcelone certaines academies etc. et passe mes vacances a Montrois, je frequente les academies jusqu'a 1914, et desormais je travaillerai seul. c) arrive a Paris pour le premiere fois en mars 1919, et c'est a partir de cette date que je travaille tantot a Barcelone tantot a Montrois, tantot a Paris. d) qouique la plupart de reproductions n'auront pas de titre, il ne faudrait cependant pas negliger d'en mettre a celles que vous citez dans votre article et aux plus representatives pour mieux le comprendre. e) ces tableaux ont ete faits l'hiver et le printemps 1933. f) Je trouve aussi que c'est mieux que vous supprimiez ce passage. Comme vous voyez toutes les rectifications sont tres necessaires et tres importantes, je vous demande de faire l'impossible pour y etre a temps' (Translation: 'Your article is very, very good, you have understood my concerns very well, it is at the same time written with great courage. I have read it carefully many times and am very moved by it. Thank you wholeheartedly. However, it would be necessary to rectify a few dates, it was very difficult for me to specify them during our interview with you. I consider that this information must be very exact, especially since they will be spread abroad, where people will use this number of “Cahiers d'Art” when they want to write something important about me. a) I started studying painting at the age of 14, my first teacher was Urgell, and later Pasco. b) I stop painting from 1910 to 1912 - from this date I devote myself entirely to painting and attend certain academies etc. in Barcelona and spend my holidays in Montrois. I attended the academies until 1914 and from then on I would work alone. c) arrived in Paris for the first time in March 1919, and it was from this date that I worked sometimes in Barcelona, sometimes in Montrois, sometimes in Paris. d) although most of the reproductions will not have a title, you should not neglect to put one to those you quote in your article and to the most representative ones to better understand it. e) these paintings were made in the winter and spring of 1933. f) I also think it is better that you delete this passage. As you see all the corrections are very necessary and very important, I ask you to do the impossible to there in time'). Miro also asks his correspondent if they have decided to go ahead with an exhibition, and to let him know the exact date of the opening as soon as they know it, and further enquiring if invitations will be sent, in which case Miro will provide some addresses, additionally writing 'J'ai reflechi a ce que votre femme me demande d'apporter de nouveaux tableaux. Il me semble que cette nouvelle serie faudrait la montrer ensemble, ce serait une erreur que d'en exposer quelques specimens au prealable. Ce qui serait peut-etre tres bien, ce que, du moment ou "Cahiers d'Art" est consacre a toute mon oeuvre, vous exposiez aussi, dans une piece a part quelques toiles anciennes. En etant fait simultanement a l'apparition de "Cahiers d'Art" cela n'aura nullement l'air d'une retrospective, qu'il faut a tout prix eviter.......ca restera tres intime et n'aura pas l'air pretentieux d'une exposition rue de la Boetie. Et suivrait en meme temps la trajectoire qui se termine en 1933' (Translation: 'I thought about your wife asking me to bring new paintings. It seems to me that this new series should be shown together, it would be a mistake to exhibit a few specimens beforehand. What would perhaps be very good, since “Cahiers d'Art” is devoted to all my work, you also exhibit, in a separate room, a few old paintings. By being done simultaneously with the appearance of “Cahiers d'Art” it will in no way seem like a retrospective, which must be avoided at all costs….it will remain very intimate and will not have the pretentious air of an exhibition on rue de la Boetie. And at the same time it would follow the trajectory which ends in 1933'). Miro concludes by asking if Zervos has seen Pierre Matisse, explaining 'Je lui ai ecrit deux lettres en reponse a la sienne ou'il me faisait part de l'accord avec [Henri] Matisse et il ne m'a point repondu. Je lui demandais s'il m'autorisait a ecrire a Matisse pour lui demander de s'entendre avec lui pour les mensualites de maniere a ce que ce fut Pierre qui ces versat en toute sa totalite. Je crois que du moment ou Pierre est, pour ainsi dire, le marchand officiel, pourrait trouver des moyens pour regler les mensualites…..' (Translation: 'I wrote him two letters in response to his where he informed me of the agreement with [Henri] Matisse and he did not answer me. I asked him if he would authorise me to write to Matisse to ask him to come to an agreement with him for the monthly payments so that it was Pierre who would pay them in full. I believe that since Pierre is, so to speak, the official merchant, he could find ways to settle the monthly payments….'). A letter of fine content. Some very light, extremely minor age wear, VGChristian Zervos (1889-1970) Greek-French art historian, critic, collector, writer and publisher who founded the magazine Cahiers d'art and also ran an art gallery.Pierre Matisse (1900-1989) French-American art dealer, the youngest child of Henri Matisse. The Pierre Matisse Gallery was opened in New York in 1931 and represented many European artists including Miro, Marc Chagall, Alberto Giacometti and Jean Dubuffet amongst others.
AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DOCUMENTS AUCTION
Auktionsdatum
Lose: 611-1130
Lose: 1-610
Ort der Versteigerung
El Real del Campanario
num.12 Bajo B
Estepona
Malaga
29688
Spain
IAA Europe offer an in house shipping service for the convenience of buyers. Lots are securely packed and shipped via courier with full tracking details which will be supplied upon despatch.
In the majority of cases buyers from the United Kingdom will receive their packages via the Royal Mail from within England.
Your invoice will include postage, packing and insurance charges.
Wichtige Informationen
Day One - Lots 1 - 610
Day Two - Lots 611- 1130
Bidding at the auction will be online only.
We offer in house shipping to worldwide destinations.
AGB
Términos & Condiciones para los compradores
1. Interpretación
1.1. “Subastadores” significa ” International Autograph Auctions Spain, S.L. ”
1.2. “Catálogo”, el folleto relativo a la venta (incluido cualquier apéndice) y cualquier otro documento pertinente y anuncio.
1.3. “Condiciones” significa, estos términos y condiciones de venta
1.4. “Precio martillo”, el precio por el que se le adjudica finalmente en la subasta al comprador.
1.5. “Comprador” significa la persona que compra un lote o lotes de conformidad con estas condiciones.
1.6. “Vendedor” significa la persona que vende un lote o lotes de conformidad con estas condiciones.
1.7. “IVA”: Impuesto al Valor Añadido.
2. La puja
2.1. El mejor postor para cada lote será el comprador de ese lote.
2.2. Ninguna persona tendrá derecho a retirar una puja. El subastador se reserva el derecho de rechazar cualquier oferta, sin dar ninguna razón y de modificar, añadir, dividir, consolidar o retirar cualquier lote o lotes a la venta.
2.3. El subastador se reserva el derecho de fijar un precio mínimo de un lote en una cifra no superior a la estimación más baja.
2.4. El subastador se reserva el derecho de hacer una oferta en nombre del vendedor en los lotes que están sujetos a un precio de reserva. El vendedor no tendrá derecho a pujar en la subasta donde los subastadores se han reservado este derecho.
2.5. En caso de controversia en cuanto a una puja durante la subasta, el subastador podrá resolver de forma inmediata el litigio, ya sea presentado el lote de nuevo con la última oferta indiscutible o última, o bien retirando el lote.
2.6. IAA Spain, S.L. aceptará ofertas por escrito de forma gratuita a cualquier persona que no pueda asistir a la venta. Las ofertas también se aceptarán por teléfono y por fax a riesgo del remitente.
2.7. Algunos lotes, no podrán ser vendidos por debajo de las dos terceras partes del valor estimado inferior.
3. Pago
3.1. Cada comprador deberá dar su nombre, dirección y documento de identidad (si es necesario) en el transcurso de una venta si se requiere pago de depósito.
3.2. El comprador deberá pagar el precio de adjudicación, junto con una comisión del 20% sobre el precio de adjudicación (esta cantidad no incluye el IVA que se aplicará solo sobre la comisión del 20%). Mediante la realización de cualquier puja, el comprador reconoce su aceptación respecto a este punto y consiente y acepta el pago a IAA Spain, S.L. de la comisión sobre la venta.
3.3. La comisión será también del 20% para compradores de fuera de la Unión Europea no sujetos a IVA.
3.4. Los pagos de los lotes podrán hacerse en efectivo, por giro bancario o postal, por transferencia bancaria o cheque bancario. Las ventas no quedarán cerradas definitivamente, cuando intervengan compradores desconocidos por IAA Spain, S.L., hasta que quede íntegramente formalizado el pago por parte del comprador. El pago también se podrá realizar mediante tarjeta de crédito Visa o Mastercard. Esta forma de pago conllevará un recargo del 3% más IVA.
3.5. Los clientes en el extranjero podrán liquidar sus cuentas mediante transferencia bancaria en euros , por cheques en euros, sólo si es emitido por entidades financieras reconocidas, con Visa o Mastercard (con un recargo del 3% más IVA). El subastador se reserva el derecho a reclamar a los compradores el reintegro de cualquier diferencia que se haya producido debido a las comisiones bancarias o las fluctuaciones monetarias en esa cuenta.
3.6. Ningún lote se dará por vendido por la empresa subastadora IAA Spain, S.L. hasta que se reciba el pago completo del Comprador.
4. Riesgo
4.1. Desde el momento en que una puja se acepta y un lote se adjudica, este pasa a ser responsabilidad del comprador.
4.2. El comprador tomará todos los lotes en la condición en que encuentren. Es responsabilidad de todos los potenciales compradores, el inspeccionarlos para cerciorarse de la autenticidad en la autoría, fecha, edad, período, condición o calidad de un lote.
5. Responsabilidad
5.1. Ni el vendedor de cualquier lote, ni los subastadores, ni las personas empleadas por los subastadores podrán, ni tendrán autoridad ni representación para entregar o dar garantías respecto a los lotes subastados. No existen ni se aceptarán garantías implícitas en los lotes.
5.2. Todas las declaraciones que figuran en el catálogo sobre la autenticidad, atribución, origen, autoría, fecha, edad, período, condición o calidad de cualquier lote, son sólo declaraciones de opinión de expertos, pero no deben ser tomadas como declaraciones o representaciones de hecho.
5.3. Sin perjuicio de las disposiciones de los párrafos 5.1. y 5.2., en caso de una disputa en cuanto a la autenticidad de cualquier lote, el elemento o elementos en cuestión deben ser devueltos a IAA Spain, S.L. dentro de los 21 días siguientes a la recepción por el comprador, junto con una declaración oficial emitida por un experto reconocido por los subastadores, en ese caso IAA Spain reembolsará a su discreción y sin admisión de responsabilidad el precio pagado por el comprador de estos lotes. Esto no constituye un servicio de aprobación.
5.4. Ni los subastadores, ni el vendedor serán responsables de cualquier pérdida, daño o perjuicio ocasionados o sufridos por cualquier persona en las instalaciones antes, durante o después de una venta.
6. Capacidad de IAA Spain, S.L.
A todos los efectos al subastador se le considerará como el agente, tanto del vendedor como del comprador, y no se le considerará responsable de ningún incumplimiento por parte del vendedor o del comprador.
7. Entrega
7.1. Los lotes sólo serán autorizados para su envío una vez que el pago total se haya recibido por parte del comprador.
7.2. Los lotes serán enviados (al recibir el pago) por servicios especiales de entrega. El envío asegurado, el envío aéreo postal, envíos voluminosos o costosos, serán enviados a través de una compañía de transporte profesional, salvo que se reciban instrucciones en contra, y estas serán a cargo y riesgo del comprador.
7.3. Los gastos de envío están sujetos a IVA.
7.4. IAA Spain, S.L. expedirá las declaraciones de aduana completas sobre el precio de adjudicación, más la comisión al comprador y este será responsable de cualquier cargo en aduana que aplique el país de importación.
7.5. En el caso de envíos que necesiten embalajes para las entregas, estos se cargarán aparte y estarán sujetos a IVA.
8. En el caso de lotes impagados
Si un comprador no pagase algún lote en su totalidad, de conformidad con las presentes Condiciones, IAA Spain, S.L. tendrá derecho a:
8.1. Anular la venta del lote correspondiente
8.2. Vender el lote sin previo aviso, ya sea por venta pública o privada y la diferencia entre precios (si la hubiere), que surjan de la segunda venta de dicho lote, junto con todos los cargos y gastos relacionados con la misma, serán a cargo del comprador moroso, importe que podrá ser reclamado por los daños y perjuicios ocasionados.
9. Jurisdicción
Estas Condiciones se regirán por las normas del derecho en España y las partes se someten a la jurisdicción exclusiva de los tribunales españoles.
Facturación Online
IAA Spain, S.L. ofrece un servicio de subastas ON LINE, a través de la saleroom.com para los licitadores que no puedan asistir a la venta. Al completar el registro en www.the-saleroom.com y proporcionar los datos de su tarjeta de crédito y, a menos que se hayan llegado a otros acuerdos con IAA Spain, S.L., usted:
1. Autoriza a IAA Spain, S.L., a cargar en la tarjeta de crédito que nos haya proporcionado el pago parcial o total, incluyendo todas las tasas, de los artículos comprados con éxito en la subasta a través de la saleroom.com, y
2. Confirma que usted está autorizado a proporcionar estos datos de la tarjeta de crédito para las subastas de IAA Spain, S.L. a través www.the-saleroom.com y acepta que IAA Spain, S.L. tiene derecho a enviar los bienes a nombre del titular de la tarjeta y la dirección titular de la tarjeta proporcionada en cumplimiento de la venta. Por favor, tenga en cuenta que los lotes adquiridos a través del servicio de subasta saleroom.com en vivo, estarán sujetos a una comisión adicional del 3% + IVA.
Buyers Terms & Conditions
1. Interpretation
1.1. "Auctioneers" means " International Autograph Auctions Ltd. "
1.2. "Catalogue" means the brochure relating to a sale (including any addendum thereto) and any other related documents and advertisements.
1.3. "Conditions" means these terms and conditions of sale
1.4. "Hammer Price" means the price at which a lot is knocked down by the Auctioneers to the Purchaser.
1.5. "Purchaser" means the person who purchases a lot or lots pursuant to these conditions.
1.6. "Seller" means the person who is selling the lot or lots pursuant to these conditions.
1.7. "VAT" means Value Added Tax.
2. Bidding
2.1. The highest bidder for each lot shall be the Purchaser of that lot.
2.2. No person shall be entitled to retract a bid. The Auctioneers reserve the right of refusing any bid without giving any reason and of altering, adding to, dividing, consolidating or withdrawing any lot or lots for sale.
2.3. The Auctioneers reserve the right to fix a reserve price for any lot at a figure no higher than the lower estimate.
2.4. The Auctioneers reserve the right to bid on behalf of the Seller on lots which are subject to a reserve price. The Seller shall not be entitled to bid where the Auctioneers have reserved such a right.
2.5. In the case of a dispute as to any bid the Auctioneers may immediately determine the dispute or put up the lot again at the last undisputed bid or withdraw the lot.
2.6. The Auctioneers will accept written commission bids free of charge from any person who is unable to attend the sale. Bids will also be accepted by telephone and fax at the sender's risk.
2.7. Lots will not normally be sold at less than two-thirds bottom estimate.
3. Payment
3.1. Each Purchaser shall give in his name and address and proof of identity (if required) to the Auctioneers at a sale and shall if required pay such deposit as the Auctioneers may specify.
3.2. The Purchaser shall pay the Hammer Price together with a premium of 27% on the Hammer Price (this amount includes VAT and must not be shown separately or claimed as input tax). By the making of any bid the Purchaser acknowledges that his attention had been drawn to this fact and that he assents to the Auctioneers receiving the said commission. A 22.5% premium will be payable by Purchasers outside the European Union (EU). Zero-rated goods such as books will be subject to a premium of 22.5% whether within or outside the EU unless entered by a VAT registered Seller.
3.3. Items marked with an asterisk * in the Catalogue after the lot number and before the description will be subject to VAT at 20% on the Hammer Price (not chargeable to Purchasers outside of the EU).
3.4. Payments for lots must be made in cash, bankers draft or cheque guaranteed by the bank upon which it is drawn. Lots will not be released against cheques from Purchasers unknown to the Auctioneers until cleared by such Purchaser's bank. Payment is accepted by Visa and Mastercard. A surcharge of 3% plus VAT will be levied to accounts settled by credit cards. Payment is also accepted by most debit cards with no surcharge.
3.5. Overseas clients are requested to settle accounts by USA Dollars or Sterling bank transfer (details upon request), by Sterling cheques only if drawn on major English clearing houses, by Visa or Mastercard (a surcharge of 3% plus VAT [clients outside the EU exempt from VAT] will be levied to accounts settled by this method) or if payment is made on personal accounts in foreign currency the client is requested to add the equivalent of a further £10 to cover bank conversion charges. The Auctioneer reserves the right to claim back from the Purchasers any shortfall due to bank charges or currency fluctuations on that account.
3.6. No lots will be released by the Auctioneers until receipt of payment in full from the Purchaser.
4. Risk
4.1. All lots shall be the sole risk of the Purchaser from the fall of the hammer.
4.2. The Purchaser shall take all lots in the condition in which he finds them. It is the responsibility of all intending Purchasers to satisfy themselves by inspection or otherwise as to the authenticity in the authorship, date, age, period, condition or quality of any lot.
5. Liability
5.1. Neither the Seller of any lot nor the Auctioneers make or give nor has any person in the employment of the Auctioneers any authority to make or give any representation or warranty in relation to any lot and any implied conditions or warranties are excluded.
5.2. All statements contained in the Catalogue as to the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot are statements of opinion only and are not to be taken as or implying statements or representations of fact. Lots are sold subject to all faults and errors in description or otherwise.
5.3. Notwithstanding the provisions of paragraphs 5.1. and 5.2. of these Conditions in the event of a dispute as to authenticity of any lot(s) the item or items in question should be returned to the Auctioneers within 21 days of receipt by the Purchaser of such lot(s) together with a formal statement by a recognised expert The Auctioneers shall at their option and without admission of liability reimburse the price paid by the Purchaser in respect of such lot(s). This does not constitute an approval service.
5.4. Neither the Auctioneers nor the Seller shall be responsible for any loss, damage or injury occasioned to or sustained by any person on the premises before, during or after a sale save in respect of death or personal injury caused by negligence of the Seller or the Auctioneers.
6. Capacity of Auctioneers
For all purposes of a sale the Auctioneers shall be deemed to be the agent of both the Seller and the Purchaser and they shall not be considered responsible for any default on the part of either the Seller or Purchaser.
7. Delivery
7.1. Lots will only be released once payment in full has been received from the Purchaser.
7.2. Lots will be dispatched (upon receipt of payment) by Special Delivery, insured or air mail post and bulky or expensive lots will be sent via a professional freight company unless written instructions to the contrary are received at the sole cost and risk of the Purchaser.
7.3. Postage is subject to VAT at 20% within the EU
7.4. The Auctioneers will provide full customs declarations on the Hammer Price plus the Purchaser's premium and Purchaser's shall be responsible for any customs charges made by the country of import.
7.5. A charge will be made for the packing of deliveries which is subject to VAT at 20% within the EU.
8. Auctioneers Remedies
In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:
8.1. to rescind the sale of the relevant lot(s)
8.2. to resell the lot(s) without further notice either by public or private sale and the deficiency (if any) arising from such second sale together with all charges and expenses relating to the same shall be the responsibility of the defaulting Purchaser and shall be recoverable as and for liquidated damages.
9. Jurisdiction
These Conditions shall be governed by English law and the parties submit to the exclusive jurisdiction of the English courts.
Online Bidding
International Autograph Auctions Ltd. offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale.
In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with International Autograph Auctions Ltd. you
1. authorise International Autograph Auctions Ltd., if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and
2. confirm that you are authorised to provide these credit card details to International Autograph Auctions Ltd. through www.the-saleroom.com and agree that International Autograph Auctions Ltd. are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.
Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price
