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LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L.

In AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DO...

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LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L. - Bild 1 aus 4
LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L. - Bild 2 aus 4
LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L. - Bild 3 aus 4
LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L. - Bild 4 aus 4
LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L. - Bild 1 aus 4
LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L. - Bild 2 aus 4
LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L. - Bild 3 aus 4
LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L. - Bild 4 aus 4
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LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L.S., F. Liszt, four pages, 8vo, n.p. (Weimar?), n.d. (1850), to [Theodor Uhlig], in German. Liszt explains that he returned from Eilsen a few days ago and apologises for the late delivery of his correspondent's piano score for Lohengrin, explaining 'Frankly speaking I couldn't make up my mind to let the work out of my hands, and after the score which I necessarily needed for copying, remained here, it was impossible for me to use another copy', Liszt continues to write 'Maybe Wagner has written something to you about my long Lohengrin essay, which I sent to him in Zurich. At the end of February, the essay will be published as a brochure, and if you allow, a few copies shall be sent to you in Dresden. While re-reading I found it still too unpretentious for Wagner, but after he expressed his complete satisfaction openly and clearly to me, I don't want to wait longer to publish it. In March or April at the latest I hope we can welcome Tichatscheck as Lohengrin, and I am looking forward very much for this evening. In the meantime, in anticipation of this proximate event, give him my best regards. I have read your excellent essay on Wagner's writings in the Brendel[schen] Musikalischen Zeitung with great interest - and I wish you that Wagner, by releasing his new book, gives you cause to promote these ideas…..' In a lengthy postscript Liszt further adds 'For your favourable information concerning the autograph I am very grateful and will make use of it, probably next summer, when I think some of them are going to be finished. At the moment I am very busy with local matters in Weimar. Among other things I have, for the birthday of the Grand Duchess on 16th February, to study the opera of Raff and I promise myself a lot of good and interesting things from it. I can say that with a perfectly good conscience, that among the many new scores which have been sent here for 3 years, not a single one is equal with Konig Alfred, and most likely on the 16th February Raff will be pleased by a brilliant and well-deserved applause'. A letter of excellent musical content, not least for the references Liszt makes to his close friend Richard Wagner. VG Theodor Uhlig (1822-1853) German violinist, composer and music critic. Although originally opposed to Wagner, Uhlig quickly became a passionate convert; a tangible sign of his devotion being his arrangement of Wagner's opera Lohengrin for piano, as referenced in the present letter. During the early years of Wagner's exile from Germany Uhlig remained one of his most important contacts.  Richard Wagner (1813-1883) German composer and conductor, remembered for his operas including the three-act Romantic opera Lohengrin which was first performed in 1850. Wagner's second wife was Cosima Wagner (1837-1900), the illegitimate daughter of Franz Liszt, who assisted her husband in founding the Bayreuth Festival as a showcase for his stage works.  Josef Tichatschek (1807-1886) Bohemian opera singer who was highly regarded by Wagner and created the title roles in the operas Rienzi and Tannhauser, as well as being a distinguished performer of Lohengrin. Joachim Raff (1822-1882) German-Swiss composer and pianist who worked as Franz Liszt's assistant at Weimar from 1850-53. His heroic opera in four acts Konig Alfred was first performed in Weimar on 9th March 1851.
LISZT FRANZ: (1811-1886) Hungarian composer, pianist and teacher of the Romantic period. A fine A.L.S., F. Liszt, four pages, 8vo, n.p. (Weimar?), n.d. (1850), to [Theodor Uhlig], in German. Liszt explains that he returned from Eilsen a few days ago and apologises for the late delivery of his correspondent's piano score for Lohengrin, explaining 'Frankly speaking I couldn't make up my mind to let the work out of my hands, and after the score which I necessarily needed for copying, remained here, it was impossible for me to use another copy', Liszt continues to write 'Maybe Wagner has written something to you about my long Lohengrin essay, which I sent to him in Zurich. At the end of February, the essay will be published as a brochure, and if you allow, a few copies shall be sent to you in Dresden. While re-reading I found it still too unpretentious for Wagner, but after he expressed his complete satisfaction openly and clearly to me, I don't want to wait longer to publish it. In March or April at the latest I hope we can welcome Tichatscheck as Lohengrin, and I am looking forward very much for this evening. In the meantime, in anticipation of this proximate event, give him my best regards. I have read your excellent essay on Wagner's writings in the Brendel[schen] Musikalischen Zeitung with great interest - and I wish you that Wagner, by releasing his new book, gives you cause to promote these ideas…..' In a lengthy postscript Liszt further adds 'For your favourable information concerning the autograph I am very grateful and will make use of it, probably next summer, when I think some of them are going to be finished. At the moment I am very busy with local matters in Weimar. Among other things I have, for the birthday of the Grand Duchess on 16th February, to study the opera of Raff and I promise myself a lot of good and interesting things from it. I can say that with a perfectly good conscience, that among the many new scores which have been sent here for 3 years, not a single one is equal with Konig Alfred, and most likely on the 16th February Raff will be pleased by a brilliant and well-deserved applause'. A letter of excellent musical content, not least for the references Liszt makes to his close friend Richard Wagner. VG Theodor Uhlig (1822-1853) German violinist, composer and music critic. Although originally opposed to Wagner, Uhlig quickly became a passionate convert; a tangible sign of his devotion being his arrangement of Wagner's opera Lohengrin for piano, as referenced in the present letter. During the early years of Wagner's exile from Germany Uhlig remained one of his most important contacts.  Richard Wagner (1813-1883) German composer and conductor, remembered for his operas including the three-act Romantic opera Lohengrin which was first performed in 1850. Wagner's second wife was Cosima Wagner (1837-1900), the illegitimate daughter of Franz Liszt, who assisted her husband in founding the Bayreuth Festival as a showcase for his stage works.  Josef Tichatschek (1807-1886) Bohemian opera singer who was highly regarded by Wagner and created the title roles in the operas Rienzi and Tannhauser, as well as being a distinguished performer of Lohengrin. Joachim Raff (1822-1882) German-Swiss composer and pianist who worked as Franz Liszt's assistant at Weimar from 1850-53. His heroic opera in four acts Konig Alfred was first performed in Weimar on 9th March 1851.

AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DOCUMENTS AUCTION

Auktionsdatum
Lose: 450
Lose: 400
Ort der Versteigerung
El Real del Campanario
num.12 Bajo B
Estepona
Malaga
29688
Spain

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Wichtige Informationen

Day One - Lots 1 - 450

Day Two - Lots 451- 850

Bidding at the auction will be online only.

We offer in house shipping to worldwide destinations. 

AGB

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1.2. "Catalogue" means the brochure relating to a sale (including any addendum thereto) and any other related documents and advertisements.

1.3. "Conditions" means these terms and conditions of sale

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1.5. "Purchaser" means the person who purchases a lot or lots pursuant to these conditions.

1.6. "Seller" means the person who is selling the lot or lots pursuant to these conditions.

1.7. "VAT" means Value Added Tax.

 

2. Bidding

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2.3. The Auctioneers reserve the right to fix a reserve price for any lot at a figure no higher than the lower estimate.

2.4. The Auctioneers reserve the right to bid on behalf of the Seller on lots which are subject to a reserve price. The Seller shall not be entitled to bid where the Auctioneers have reserved such a right.

2.5. In the case of a dispute as to any bid the Auctioneers may immediately determine the dispute or put up the lot again at the last undisputed bid or withdraw the lot.

2.6. The Auctioneers will accept written commission bids free of charge from any person who is unable to attend the sale. Bids will also be accepted by telephone and fax at the sender's risk.

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3. Payment

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3.3. Payments for lots must be made in cash, bankers draft or cheque guaranteed by the bank upon which it is drawn. Lots will not be released against cheques from Purchasers unknown to the Auctioneers until cleared by such Purchaser's bank. Payment is accepted by Visa and Mastercard. A surcharge of 3% plus VAT will be levied to accounts settled by credit cards for non EU buyers. Payment is also accepted by most debit cards with no surcharge.

3.4. Overseas clients are requested to settle accounts by USA Dollars or Sterling bank transfer (details upon request), by Euro cheques, by Visa or Mastercard (a surcharge of 3% plus VAT [clients outside the EU exempt from VAT] will be levied to accounts settled by this method) or if payment is made on personal accounts in foreign currency the client is requested to add the equivalent of a further €10 to cover bank conversion charges. The Auctioneer reserves the right to claim back from the Purchasers any shortfall due to bank charges or currency fluctuations on that account.

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4. Risk

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5. Liability

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5.2. All statements contained in the Catalogue as to the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot are statements of opinion only and are not to be taken as or implying statements or representations of fact. Lots are sold subject to all faults and errors in description or otherwise.

5.3. Notwithstanding the provisions of paragraphs 5.1. and 5.2. of these Conditions in the event of a dispute as to authenticity of any lot(s) the item or items in question should be returned to the Auctioneers within 21 days of receipt by the Purchaser of such lot(s) together with a formal statement by a recognised expert The Auctioneers shall at their option and without admission of liability reimburse the price paid by the Purchaser in respect of such lot(s). This does not constitute an approval service.

5.4. Neither the Auctioneers nor the Seller shall be responsible for any loss, damage or injury occasioned to or sustained by any person on the premises before, during or after a sale save in respect of death or personal injury caused by negligence of the Seller or the Auctioneers.

 

6. Capacity of Auctioneers

For all purposes of a sale the Auctioneers shall be deemed to be the agent of both the Seller and the Purchaser and they shall not be considered responsible for any default on the part of either the Seller or Purchaser.

 

7. Delivery

7.1. Lots will only be released once payment in full has been received from the Purchaser.

7.2  An insurance charge of 1.8 % plus VAT will be applied to all invoices for packages sent from our offices

7.3. Postage is subject to VAT at 21% within the EU

7.4. The Auctioneers will provide full customs declarations on the Hammer Price plus the Purchaser's premium and Purchaser's shall be responsible for any customs charges made by the country of import.

7.5. A charge will be made for the packing & shipping of deliveries which is subject to VAT at 21% within the EU.

 

8. Auctioneers Remedies

In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:

8.1. to rescind the sale of the relevant lot(s)

8.2. to resell the lot(s) without further notice either by public or private sale and the deficiency (if any) arising from such second sale together with all charges and expenses relating to the same shall be the responsibility of the defaulting Purchaser and shall be recoverable as and for liquidated damages.

 

9. Jurisdiction

These Conditions shall be governed by Spanish law and the parties submit to the exclusive jurisdiction of the Spanish courts.

 

Online Bidding

International Autograph Auctions Europe S.L. offer an online bidding service for bidders who cannot attend the sale, however please be advised that a charge of 3% + VAT  is chargeable on all purchases made through  any of the online bidding facilities offered.

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