Albrecht Dürer (1471-1528)The Ascension, from: The Small PassionWoodcut, 1511, a very good richly inked impression of Meder's III c (of IV) after ...

Albrecht Dürer (1471-1528)Christ on the Cross, from: The Engraved PassionEngraving, 1511, an excellent well inked Meder a-b (of e) impression on l...

** Albrecht Dürer (1471-1528)The Sea MonsterEngraving, circa 1498, a slightly compromised impression, probably Meder b-c, with burr printing to th...

** Albrecht Dürer (1471-1528)Saints Stephen, Sixtus and LawrenceWoodcut, circa 1504-1505, an evenly inked Meder d (of f) impression on laid paper ...

** Albrecht Dürer (1471-1528)The Glorification of the Virgin, from: Life of the VirginWoodcut, circa 1504, a Meder e/f impression printed after th...

** Albrecht Dürer (1471-1528)Christ among the Doctors, from: The Life of the VirginWoodcut, 1503, but from the Latin text edition of 1511, on laid...

** Albrecht Dürer (1471-1528)Veronica with Saints Peter and Paul, from: The Small PassionWoodcut, 1510, but from the Latin text edition of 1511, a...

** Albrecht Dürer (1471-1528)The Birth of the Virgin, from: The Life of the VirginWoodcut, 1503, but a later Meder g/h impression after the Latin ...

Albrecht Dürer (1471-1528)The Martyrdom of Saint CatherineWoodcut, circa 1498, but a later a Meder g impression on thick laid paper without waterm...

Albrecht Dürer (1471-1528)Samson rending the LionWoodcut, circa 1497-1498, an evenly inked but later Meder g (of g) impression, on laid paper with...

Carlo Maratti (1625-1713), Circle of.Moses revealing the Ten Commandments (recto); Figure studies (verso)Pen and black ink over black chalk (recto...

Carlo Maratti (1625-1713), Attributed to.Saint John the Evangelist, with angel pointing out New JerusalemBlack chalk on thick laid paper, within f...

Andrea Sacchi (c.1599-1661), Follower of.Study of the head and torso of a male nudeBlack chalk, heightened with white, on grey-brownish oatmeal la...

Vincenzo Dandini (1607-1675)Martyrdom of Saint Lucy (recto); Figure study (verso)Black ink over pencil on thin laid paper, inscribed 'Vita Vincenz...

** Rembrandt van Rijn (1606-1669)The GoldsmithEtching and drypoint, 1655, a good impression of New Hollstein's first state (of three), well inked ...

Rembrandt van Rijn (1606-1669)Christ and the woman of Samaria among ruinsEtching, 1639, a fine early impression of New Hollstein's first state (of...

** Rembrandt van Rijn (1606-1669)Bald Headed Man in Profile Right: the Artist's Father (?)Etching, 1630, a good impression of New Hollstein's fina...

** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a very good but later impression of Ne...

** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein...

** Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with touches of drypoint, 1635, but a later impression o...

** Rembrandt van Rijn (1606-1669)Jerome Praying: ArchedEtching, 1632, a fine delicate impression of New Hollstein's first state (of five) on laid ...

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth...

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth...

** Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's sixth state (of seven), printing w...

** Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, but a later impression of New Hollstei...

Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, but a later impression of New Hollstein's third state (of four) on laid ...

** Rembrandt van Rijn (1606-1669)The Death of the VirginEtching with drypoint, 1639, a later impression of New Hollstein's fourth state (of five),...

Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, a fine early impression of New Hollstein's second state (of ...

** Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good clear impression of New Hollstein's third state (of five) with Watelet's scr...

** Rembrandt van Rijn (1606-1669)The Angel departing from the Family of TobiasEtching, 1641, but a later slightly grey-black impression of New Hol...

Rembrandt van Rijn (1606-1669)The Rest on the Flight: a Night PieceEtching with drypoint, circa 1644, a good impression of New Hollstein's seventh...

Rembrandt van Rijn (1606-1669)Christ carried to the TombEtching and drypoint, circa 1645, but a later impression of the only state, on thin laid p...

Rembrandt van Rijn (1606-1669)Nude man seated and another standing, with a woman and baby lightly etched in the backgroundEtching, circa 1646, but...

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a good clear impression of New Hollstein's second state (of 5), print...

Rembrandt van Rijn (1606-1669)Christ Disputing with the Doctors: A SketchEtching and drypoint, 1652, a dark impression of New Hollstein's first st...

** Rembrandt van Rijn (1606-1669)Adoration of the Shepherds: Night PieceEtching and drypoint, 1652, but a later impression of New Hollstein's eigh...

** Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, but a later impression of New Hollstein's sec...

** Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later impression of New Hollstein's fourth state (of five) ...

Rembrandt van Rijn (1606-1669)The Tribute MoneyEtching, circa 1635, a later impression of New Hollstein's final state (of four), printing with som...

Rembrandt van Rijn (1606-1669)Beggar with a Wooden LegEtching, circa 1630, a later impression of New Hollstein's final state (of four), on thick i...

Adriaen Jansz van Ostade (1610-1685)The Backgammon PlayersEtching, circa 1682, a well inked impression of the fifth state (of six) on laid paper w...

John Constable (1776-1837), After.Castle Acre PrioryMezzotint, 1831, by David Lucas, a very fine impression of Progress Proof g/g before letters, ...

John Constable (1776-1837), After.Opening of Waterloo Bridge [two variant states]Mezzotint, 1831, by David Lucas, including a very fine impression...

Walter Sickert (1860-1942)A Music Hall - The Orchestra PitEtching, circa 1884, an unpublished and unrecorded impression of probably the only state...

δ Walter Sickert (1860-1942)The London Shoreditch (Bromberg 192)Etching, circa 1920, bearing a pencil signature, the third and final state, on wov...

δ Walter Sickert (1860-1942)Femme de Lettres (Bromberg 149)Etching, circa 1911/12, the fifth state, on wove paper, with full margins, sheet 241 x ...

δ Augustus John (1878-1961)Maggie, A Village Child (Campbell Dodgson 69)Etching and drypoint, circa 1904, the edition was 25, on laid paper, with ...

δ Augustus John (1878-1961)Girl seated with a shawl (Campbell Dodgson 60)Etching, circa 1906, signed in pencil, the edition was 25, on wove paper,...

Georges William Thornley (1857-1935)Paysages DiversFour lithographs printed in colours, circa 1910, two signed in pencil, on simili-japan paper, w...

Vicente Rojo Almazán (1932-2021)Funeral Mal III. AcordieThe book, 1979, comprising two collographs with coloured crayon additions each signed in p...

André Beaudin (1895-1979)BucoliquesThe book, 1934, comprising twenty-one etchings (eleven hors texte), with title-page, text and justification, th...

** δ Pierre Bonnard (1867-1947)Les Chiens (Bouvet 25)Lithograph, 1893, signed in pencil, from the deluxe edition of 20, published by Edouard Klein...

Georges Braque (1882-1963) after.Still life with Lemons and PipeCollotype printed in colours, circa 1960, signed in pencil, an artist's proof numb...

Georges Braque (1882-1963) after.Nature Morte aux Huîtres, from EstampesWood engraving printed in colours, 1949, signed and numbered from the edit...

δ Paul Cézanne (1839-1906)Guillaumin au Pendu (Cherpin 2)Three impressions of the etching, 1873, from the posthumous edition, printed after 1906, ...

δ Marc Chagall (1887-1985)Colère (Anger) II (Kornfeld 59)Etching printed in red ink, 1925, one of only 16 impressions on Japan paper, and very few...

δ Marc Chagall (1887-1985)Mère et Enfant (See Cramer 22)Etching, 1952, plate 48 from Fables de la Fontaine, signed in pencil, a proof aside from t...

δ Marc Chagall (1887-1985)Cirque pl. 27 (Mourlot 516)Lithograph printed in colours, 1961, the colours bright and fresh, from the edition of 250, p...

** δ Marc Chagall (1887-1985)Hyménée, from Daphnis et Chloé (Cramer 46; Mourlot 349)Lithograph printed in colours, 1961, signed and numbered from ...

** Marc Chagall (1887-1985) after.Le Cheval RougeLithograph printed in colours, 1954, signed in blue pen, numbered from the edition of 300 in penc...