Albrecht Dürer (1471-1528)The Virgin Nursing the ChildEngraving, 1519, a very good Meder a-b impression with inky lower edge, wiping marks and all...

Giovanni Battista Tiepolo (1696-1770)Two Magicians and two Boys, from: Scherzi di FantasiaEtching, circa 1740, an excellent impression of the firs...

Giovanni Battista Tiepolo (1696-1770)The Discovery of the Tomb of Punchinello, from: Scherzi di FantasiaEtching, circa 1740, a good impression of ...

Giovanni Battista Tiepolo (1696-1770)Varj CapricciEtchings, circa 1740s, excellent impressions from the Manfrin edition of 1785, complete with tit...

Giovanni Domenico Tiepolo (1727-1804)An allegory of Fortitude and Peace, after Giovanni Battista TiepoloEtching, circa 1750-1780, a good impressio...

Jan de Bisschop (1628-1671)Joseph distributing grain in Egypt, after Bartholomeus BreenberghEtching, circa 1650, an excellent well inked impressio...

Stefano della Bella (1610-1664)Five leaves of figure Studies from an albumPen and brown ink, one with grey wash, on uniform fine laid papers, one ...

NO RESERVE Bartolomeo Biscaino (1629-1657) The NativityEtching, circa 1650, an excellent impression on fine laid paper with watermark of the lette...

Francisco Solimena (1657-1747), Follower of.The Holy Trinity and Saints in GloryPen and brown ink, monochrome wash, on laid paper with indistinct ...

Francesco Salvator Fontebasso (1707-1769)The sacrifice of IphigeneiaEtching, circa 1740, an excellent bold impression of the only state, on thick ...

Giovanni Francesco Costa (1711-1772), Circle of.An architectural capriccioPen and brown ink with monochrome wash, on thick laid paper without wate...

Rembrandt van Rijn (1606-1669)A Beggar in a High Cap, Standing and Leaning on a StickEtching, circa 1629, an excellent lifetime impression of New ...

Rembrandt van Rijn (1606-1669)Old beggar woman with a gourdEtching, circa 1629, but a later impression of New Hollstein's second state (of two) on...

Rembrandt van Rijn (1606-1669)Man in a Coat and Fur Cap Leaning Against a BankEtching, circa 1630, a later impression of New Hollstein's final sta...

Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, but a later impression of New Hollstein's final state (of...

** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a good detailed impression of New Holl...

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's ...

Rembrandt van Rijn (1606-1669)Joseph's coat brought to JacobEtching, circa 1633, a good detailed impression of New Hollstein's second state (of tw...

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later impression of New Hollstein's ...

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good impression of New Hollstein's fifth stat...

Rembrandt van Rijn (1606-1669)The Crucifixion: Small PlateEtching, circa 1635, but a later impression of New Hollstein's final state (of three) on...

Rembrandt van Rijn (1606-1669)The Tribute MoneyEtching, circa 1635, a good albeit later impression of New Hollstein's final state (of four), print...

Rembrandt van Rijn (1606-1669)Diana at the BathEtching, circa 1631, a lightly inked impression of the only state with some signs of wear within th...

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, 1634, but a later impression of New Hollstein's final state (of ...

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a very good bold impression of New Hollstein's third...

Rembrandt van Rijn (1606-1669)The Stoning of St. StephenEtching, 1635, but a later impression of New Hollstein's final state (of four) on thick cr...

Rembrandt van Rijn (1606-1669)St. Jerome Kneeling in Prayer, Looking DownEtching, circa 1635, but a later impression of New Hollstein's second sta...

Rembrandt van Rijn (1606-1669)Old Bearded Man in a High Fur Cap with Eyes ClosedEtching, circa 1635, a good but a later impression of New Hollstei...

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with...

** Rembrandt van Rijn (1606-1669)The Pancake WomanEtching and drypoint, 1635, an excellent well inked dark impression of New Hollstein's second st...

** Rembrandt van Rijn (1606-1669)The Strolling MusiciansEtching, circa 1635, a good bold impression of New Hollstein's second state (of three), pr...

Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, a good albeit later impression of New Hollstein's final state (of three...

Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, an excellent delicately printed impression of New Hollstein's second sta...

Rembrandt van Rijn (1606-1669)Joseph Telling his DreamsEtching, 1638, a fine impression of New Hollstein's third state (of six) on thin laid paper...

Rembrandt van Rijn (1606-1669)A Peasant in a High Cap, Standing Leaning on a StickEtching, 1639, a good but later impression of New Hollstein's se...

Rembrandt van Rijn (1606-1669)The Artist Drawing from the ModelEtching, circa 1639, but a later impression of New Hollsteins' final state (of four...

Rembrandt van Rijn (1606-1669)The Beheading of John the BaptistEtching, 1640, a good but later impression of New Hollstein's third state (of three...

Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, but a later impression of New Hollstein's second state (of t...

Rembrandt van Rijn (1606-1669)Man drawing from a castEtching, circa 1641, but a later impression of New Hollstein's final state (of six) on thick ...

** Rembrandt van Rijn (1606-1669)Bearded Old Man in a High Fur Cap, with Eyes ClosedEtching, circa 1635, a good impression of New Hollstein's seco...

Rembrandt van Rijn (1606-1669)A Beggar Woman Leaning on a StickEtching, 1646, a good but later impression of New Hollstein's fifth state (of five)...

Rembrandt van Rijn (1606-1669)Nude man seated and another standing, with a woman and baby lightly etched in the backgroundEtching, circa 1646, but...

Rembrandt van Rijn (1606-1669)Jan Asselyn, PainterEtching, drypoint and engraving, circa 1647, a good but later impression of New Hollstein's fina...

Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good but later impression of New Hollstei...

Rembrandt van Rijn (1606-1669)The Star of the Kings: A Night PieceEtching and drypoint, circa 1651, but a later impression of New Hollstein's fina...

Rembrandt van Rijn (1606-1669)Clement de Jonghe, PrintsellerEtching and drypoint, 1651, but a later impression of New Hollstein's final state (of ...

Rembrandt van Rijn (1606-1669)Peasant Family on the TrampEtching, circa 1652, but a later impression of New Hollstein's final state (of three), on...

Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, a very good albeit later impression of New Hollste...

Rembrandt van Rijn (1606-1669)The Flight into Egypt: Crossing a BrookEtching with drypoint, 1654, but a later impression of New Hollstein's only s...

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria: An arched PrintEtching, 1657, a later impression of New Hollstein's final state (of...

Rembrandt van Rijn (1606-1669)Abraham Francen, ApothecaryEtching, drypoint and burin, circa 1657, a later impression of New Hollstein's final stat...

Rembrandt van Rijn 1606-1669Lieven Willemsz. van Coppenol, writing masterEtching and drypoint, circa 1658, a good but later impression of New Holl...

School of FontainebleauRené Boyvin (c. 1525-1598)Ten plates from 'Jason and the Golden Fleece' (or 'Livre de la Conqueste de la Toison d'or par le...

School of FontainebleauPierre Milan (fl. 1545-1557)Jupiter and Callisto, after Francesco PrimaticcioEngraving, circa 1537-1540, a very well inked ...

School of FontainebleauPierre Milan (fl. 1545-1557)The three Fates, after Rosso FiorentinoEngraving, circa 1540-1545, a good impression on laid pa...

Giorgio Mantovano Ghisi (1620-1680)The Death of Procris, after Giulio RomanoEtching, circa 1540, but a later impression of the final state (of ten...

Hendrik Goltzius (1558-1617), Workshop of.[Ovid's Metamorphoses]Engravings, 43 plates only (of 52), circa 1590, but probably slightly later, on la...

Jusepe de Ribera (1591-1652), After.The Drunken SilenusEtching with engraving, circa 1630, a good impression in reverse after Ribera, on laid pape...

Francisco José de Goya y Lucientes (1746-1828)El Cantor Ciego (The Blind Singer)Etching, aquatint and drypoint, circa 1818-23, on thick wove paper...

James Northcote (1746-1831)Joseph Interprets Pharaoh's Dream, after Raphael's fresco in the Vatican LoggiaPen and ink, watercolour wash, on laid p...