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Albrecht Dürer (1471-1528) Christ Presented to the People [Ecce Homo], from: The Small Passion
Albrecht Dürer (1471-1528)Christ Presented to the People [Ecce Homo], from: The Small PassionWoodcut, circa 1509, an excellent proof impression be...
Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (o...
Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a richly inked impression of New Holls...
Rembrandt van Rijn (1606-1669) Old Bearded Man in a High Fur Cap with Eyes ClosedEtching, circa 1635, but a later impression on laid paper withou...
Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, a good impression of New Hollstein's third state (of four) printing with lig...
** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, on chine collé, a good but later 19th centur...
** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later impression of New Hollstein...
** Rembrandt van Rijn (1606-1669)Self Portrait in a Velvet Cap and PlumeEtching, 1638, a good but later impression of New Hollstein's third state ...
Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong PlateEtching, drypoint and engraving, circa 1639, a good but 18th century imp...
Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, a good but later impression of New Hollstein's thir...
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's ...
Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good but later impression of the third st...
Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a later impression of New Hollstein's final state (of 5), on ivory la...
Rembrandt van Rijn (1606-1669)The Star of the Kings: A Night PieceEtching and drypoint, circa 1651, a very good well inked impression of New Holls...
Rembrandt van Rijn (1606-1669)Christ Disputing with the Doctors: A SketchEtching and drypoint, 1652, but a later impression of New Hollstein's sec...
Rembrandt van Rijn (1606-1669)Christ at Emmaus: The Larger PlateEtching with drypoint, 1654, a very good but later impression of New Hollstein's f...
** Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh')Etching with drypoint, 1655, but a later albeit very good impression from the cu...
Rembrandt van Rijn (1606-1669)Abraham Francen, ApothecaryEtching, drypoint and burin, circa 1657, a good but later impression of New Hollstein's e...
Monogrammist G.N. (active c. 1550-1650) Reclining nude [?Ulysses], possibly after Francesco …
Monogrammist G.N. (active 1550-1650)Reclining nude [?Ulysses], possibly after Francesco Primaticcio (1503-1570)Etching, late 16th century or early...
Venetian School (probably 16th century)A King and his attendants above a crowdPen and brown ink with blue wash, on laid paper without watermark, s...
Anton Boys (or Antoni Waiss, South Netherlandish court painter and draftsman, c. 1550-1598), …
*** Please note, the description of this lot has changed.Anton Boys (or Antoni Waiss, South Netherlandish court painter and draftsman, c. 1550-159...
Simone Cantarini (1612-1648)Rest on the Flight into EgyptEtching, circa 1630-1648, a very good impression of the only state on thick laid paper wi...
Manner of Giovanni Paolo Panini (1691-1765)Pair of architectural capriccioPen and brown ink with grey wash over black chalk, on laid paper with wa...
Francis Cleyn (1582-1658) Varii Zophori, figuris animalium ornati, per Fran Clein MDCXLV [Various …
Francis Cleyn (1582-1658)Varii Zophori, figuris animalium ornati, per Fran Clein MDCXLV [Various friezes decorated with the figures of animals]Com...
John Martin (1789-1854) Approach Of The Archangel Michael, proof from: The Paradise Lost of Milton
John Martin (1789-1854)Approach Of The Archangel Michael, proof from: The Paradise Lost of MiltonMezzotint with etching, circa 1827, an unlettered...
Pierre Bonnard (1867-1947)La Lettre (Bouvet 98)Lithograph, c. 1925, signed in pencil, the edition was 35, published by Frapier, Paris, with full m...
Paul Cézanne (1839-1906)Guillaumin au Pendu (Cherpin 2)Five impressions of the etching, 1873, all from the posthumous edition printed after 1906, ...
** Edgar Degas (1834-1917) after by George-William ThornleyLe JockeyLithograph, c.1888-1889, signed by Degas and Thornley in pencil, the edition w...
** Edgar Degas (1834-1917) after by George-William ThornleyL'Attente de la ChanteuseLithograph, c.1888, signed by Degas and Thornley in pencil and...
Edgar Degas (1834-1917) after by Georges William Thornley (1857-1935)Chez La ModisteLithograph, circa 1888, signed in pencil by Thornley, on grey-...
** Edgar Degas (1834-1917) after by George-William ThornleySur le PlageLithograph, c.1888-1889, signed by Degas and Thornley in pencil, the editio...
Claude Monet (1840-1926) & George William Thornley (1875-1935) Fillette dans l'allée d'un Parc, …
Claude Monet (1840-1926) & George William Thornley (1875-1935)Fillette dans l'allée d'un Parc, Portant des BouquetsLithograph printed in light gre...
Pierre-Auguste Renoir (1841-1919)Femme au Cap de Vigne (Delteil 44, Stella 44)Lithograph, 1904, the edition was 1000, on wove paper, with full mar...
Pierre-Auguste Renoir (1841-1919)Femme au Cap de Vigne, Variante (Delteil 45, Stella 45)Lithograph, 1904, the edition was 1000, on wove paper, wit...
Pierre-Auguste Renoir (1841-1919) Femme au Cap de Vigne, 2eme Variante (Delteil 46, Stella 46)
Pierre-Auguste Renoir (1841-1919)Femme au Cap de Vigne, 2eme Variante (Delteil 46, Stella 46)Lithograph, 1904, the edition was 1000, on wove paper...
Pierre-Auguste Renoir (1841-1919) Femme au Cap de Vigne, 3ieme Variante (Delteil 46, Stella 46)
Pierre-Auguste Renoir (1841-1919)Femme au Cap de Vigne, 3eme Variante (Delteil 46, Stella 46)Lithograph, 1904, the edition was 1000, on wove paper...
Pierre-Auguste Renoir (1841-1919)Ambroise Vollard (Delteil 37, Stella 37)Lithograph, 1904, the edition was 1000, on wove paper, with full margins,...
δ Pierre Alechinsky (b.1927)UntitledEtching, 1960, signed and dated in pencil, numbered from the edition of 60, published by Galleria Schwarz, Mil...
δ Karel Appel (1921-2006)Paris series - Boy and BirdIndia ink on paper laid on canvas, 1958-1959, signed in pencil, 500 x 640mm (19 5/8 x 25 1/8in...
δ Enrico Baj (1924-2003)UntitledEtching, 1960, signed and dated in pencil, numbered from the edition of 60, published by Galleria Schwarz, Milan, ...
Will Barnet (1911-2012)Widow's WalkLithograph printed in colours, 1970, signed and dated in pencil, numbered from the edition of 175, printed by A...
δ Georges Braque (1882-1963)La Charrue (Vallier 150)Lithograph printed in colours, 1960, signed and inscribed H.C. in pencil, an hors commerce imp...
δ Georges Braque (1882-1963)Untitled from Lettera Amorosa (See Vallier 187)Lithograph printed in colours, 1963, signed in pencil, numbered from th...
δ Maurice Brianchon, André Lhote, Jean Lurçat, Maurice Utrillo and Marcel VertèsÉlogeFive volumes of the publication, each containing original lit...
δ Bernard Buffet (1928-1999)Atelier Mourlot La BauleLithographic poster printed in colours, 1979, with the Atelier Mourlot Collection rubber stam...
δ Bernard Buffet (1928-1999)Affiche pour Galerie MatignonLithographic poster printed in colours, 1980, with the Atelier Mourlot Collection rubber ...
δ Bernard Buffet (1928-1999)Deck ChairLithograph printed in colours, signed in pencil, numbered from the edition of 150, printed by Mourlot, Paris...
δ Bernard Buffet (1928-1999)FleursLithographic poster printed in colours, 1979, a rare proof before letters, with the Atelier Mourlot Collection r...
δ Bernard Buffet (1928-1999)Fleurs sur la TableLithograph printed in colours, 1988, a proof before the edition, printed by Mourlot, Paris, on wove...
δ Bernard Buffet (1928-1999)Le PhareLithographic poster printed in colours, 1983, a proof before letters, with the Atelier Mourlot Collection rubb...
δ Jorge Castillo (b.1933)Ommagio a MichelangeloEtching, 1975, signed and numbered from the edition of 200, on wove paper, printed by Schneider, Be...
** δ Marc Chagall (1887-1985)Die Begierde II (Kornfeld 55)Etching with drypoint printed in red, 1925, signed in pencil, the edition was 33, on Chi...
δ Marc Chagall (1887-1985)Les Amoureux en Gris (Mourlot 194)Lithograph printed in colours, 1957, a scarce trial proof printed with the registratio...
δ Marc Chagall (1887-1985)Chagall Lithograph I-IV 1969-1973Four volumes of the catalogue raisonné, 1960-1974, comprising 28 lithographs, most prin...
Marc Chagall (1887-1985) Maternité (Kornfeld 65-69) The rare and important set of copper plates …
δ Marc Chagall (1887-1985)Maternité (Kornfeld 65-69)The rare and important set of copper plates for the etchings, 1925-26, the edition printed by ...
δ Marc Chagall (1887-1985) after.La Lutte de Jacob et de l'Ange (Charles Sorlier 40)Lithograph printed in colours, 1967, a trial proof, aside from...
δ Marc Chagall (1887-1985) (after)Lovers by the Eiffel TowerLithograph printed in colours, 1994, a proof aside from the edition of 750, with the p...
δ Marc Chagall (1887-1985) (after)Poster from Musee National Message BibliqueLithographic poster printed in colours, 1975, printed by Mourlot, Par...
δ Marc Chagall (1887-1985) (after)PosterLithographic poster printed in colours, 1969, printed by Mourlot, Paris, on wove paper, the full sheet 750...
δ Marc Chagall (1887-1985) after,Le Bouquet Illuminant le CielLithograph printed in colours, 1994, a proof aside from the edition of 750, with the...
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