Venice, Pietro Quarengi, 1508. In 2nd. Woodcut drop caps, humidity halos, full leather binding with embossing of the 16th century. XIX.  ...[more]

Lucca, near Vincenzo Busdraghi, 1574. In 4th. On the title page cardinal's coat of arms of the dedicatee of the work, chalcographic drop caps, coe...

Venice, Pietro Marinelli, 1587. In 12th. Typographic brand on the title page: abundance: woman advances holding a cornucopia in her right arm and ...

Venice, Gabriel Giolito de' Ferrari, 1563. In 4°. Wooden typographical brand on the title page and another at the end, illustrated drop caps and ...

Leiden, Elzevier, 1643. In 12th. Chalcographic title page illustrated with portrait of Erasmus, portrait on coins of Erasmus, decorated heads and ...

Paris, Veuve Méquignon, 1746. In 4°. 2 parts in 1 vol. Frieze on the title page, a table folded in the text, rare and slight foxing, coeval calfs...

Padua, Cominian printing house, 1730.  In 8th large. Typographic frieze on the title page, ornate finials, 17th century binding in red calfskin, o...

 Venice : by Giambatista Pasquali, 1738. In 2nd. Title in the eyelet, title page in red and black with printer's brand engraved by Antonio Visent...

Ullibi et ubique, in the XVIII. century, 1784. Coeval binding in mottled calfskin.

Padua, Seminary Typography, 1732. In 2nd. Complete with the supplement published in 1760, Monitum quae hactenus proposita sunt. 566x396mm. Engrave...