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ALBERT ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887), A LARGE BRONZE OF A CLASSICAL MAIDEN, modelled with her right arm aloft, on an integral base w...
A PAIR OF 19TH CENTURY FRENCH PARCEL-GILT BRONZE AND ALABASTER FIGURAL CANDELABRA, each with four branches and five candle cups, each modelled wit...
JOSEF LORENZL (1892-1950), A GILT-BRONZE FIGURE OF A NUDE DANCER, modelled with arms outstretched, signed to the base, on a faceted columnar bakel...
A PAIR OF CONTINENTAL GILT-BRONZE AND PORCELAIN TWIN-LIGHT CANDELABRA, LATE 19th CENTURY, in the Rococo taste, each baluster stem in a pale jade g...
A GILT-BRONZE AND IVORY FIGURE OF A RENAISSANCE TROUBADOR, EARLY 20th CENTURY, modelled standing, playing a mandolin, on a stepped marble base, un...
FRENCH SCHOOL, LATE 19th CENTURY, AN ANIMALIER BRONZE OF A HOUND, modelled prowling on a naturalistic oval base, indistinctly signed, mid-brown pa...
A PAIR OF 19TH CENTURY FRENCH GILT-BRONZE AND MARBLE CANDELABRA, the three branches naturalistically cast as blossoming boughs, issuing from an ur...
ANTON ENDSTORFER (AUSTRIAN, 1880-1960), THE CURTSEY, A PATINATED BRONZE AND IVORY FIGURE, the head in ivory, mounted on a square marble base, sign...
A FRENCH PATINATED SPELTER GROUP, IN THE ART DECO TASTE, the stylised maiden modelled feeding two antelope, on a marble base. 70cm wide ...[more]
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