1
MELANESIAN ART, 29 BOOKS
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
New York, New York
Beschreibung
MELANESIAN ART, 29 BOOKS 1. Assayag, Marc. WE SHOUT TO MAKE IT SILENT. TRIBAL ART FROM PAPUA NEW GUINEA'S SEPIK RIVER VALLEY. Pittsburgh State Museum, State University of New York, 2003; 2. Cranstone, B.a.l. MELANESIA, A SHORT ETHNOGRAPHY. London, 1961; 3. Dupeyrat, A., P. Claudel (preface). SAVAGE PAPUA. A Missionary among Canibals. New York, 1954 (previously published in a French edition and in an edition in England under the title Mitsinari); 4. Held, G.j. THE PAPUAS OF WAROPEN. Koninklijk Institut, The Hague, 1957; 5. Jansen, J.v. DE TROBRIAND EILANDEN. Museum voor Land-en Volkenkunde, 1961; 6. Kaufmann, C. MASQUES D'OCEANE. Introduction a l'Art de la Melanesie. Geneva, Musee Barbier-Mueller, 1985; 7. Kaufmann, C. PAPUA NIUGINI. Ein Inselstaat im Werden. Basel, Museum fur Volkerkunde, 1975; 8. Kooijman, S. NIEUW GUINEA: KUNST, KUNSTUORMEN EN STIJLGEBIEDEN. Leiden, n.d. (ca. 1988); 9. Lewis, P.h. THE SOCIAL CONTEXT OF ART IN NORTHERN NEW IRELAND. Field Museum, Fieldiana, Anthropology, Vol. 58, 1969; 10. Lewis, A.,DECORATIVE ARTS OF NEW GUINEA, Field Museum of Natural History, Anthropology Design Seires No. 4, 1925; 11. Lincoln, L., T. Bodrogi, B. Clay, M. Gunn, D. Heintze, R. Wagner. ASSEMBLAGE OF SPIRITS, IDEA AND IMAGE IN NEW IRELAND. New York, 1987; 12. Lommel, A. MOTIV UND VARIATION. In der Kunst des Zirkumpazifischen Raumes. Munich, Museum fur Volkerkunde, 1962; 13. Mccoy, M. REFLECTIONS OF MELANESIA. Bathurst, 1990; 14. Mead, M. THE MOUNTAIN ARAPESH. II. Supernaturalism. AMERICAN MUSEUM OF NATURAL HISTORY, Anthropological Papers, Vol. XXXVII, Part III, 1940; 15. Meyer, A. THE HUMAN ELEMENT IN THE ART OF NEW GUINEA . Paris, Galerie Meyer, 1991; 16. Meyer, A. J-p. 'SEPIK' Paris, 1992; 17. Meyer, A.j.p. FACES OF CLAY, THE POTTERY OF NEW GUINEA. Paris, Galerie Meyer, 1991; 18. Meyer, A.j.p. 20 MELANESIAN WORKS OF ART. Paris, Galerie Meyer, 1989; 19. Mosuwadoga, G. TRADITIONAL TECHNIQUES AND VALUES IN THE LOWER MUSA RIVER. Boroko, 1977; 20. O'hanlon, M. PARADISE. Portraying the New Guinea Highlands. London, Museum of Mankind, 1993; 21. O'Reilly, P. ART MELANESIEN. Paris, Mission des Iles, 1951; 22. Reichard, G. MELANESIAN DESIGN. A Study in Wood and tortoiseshell Carving (two volumes bound into one). New York, 1933, 1969 (reprint); 23. Saville, W.j.v., B. Malinowski (intro.). IN UNKNOWN NEW GUINEA. A Record of 25 Years of Personal Experience...A Description of Their Manners and Customs, Occupations in Peace & Methods of Warfare, Their Secret Rites & Public Ceremonies. Philadelphia, 1926; New York, 1979 (reprint); 24. Schlesier, E. EINE ETHNOGRAPHISCHE SAMMLUNG AUS SUDOST-NEUGUINEA. Institut fur Volkerkunde, Band 20. Gottingen, 1986; 25. Shack, W.a. THE KULA. A Bronislaw Malinowski Centennial Exhibition. Berkeley, 1985; 26. Stohr, W. KUNST UND KULTUR AUS DER SUDSE. Sammlung Clausmeyer Melanesien. Rautenstrauch-Joest-Museums. Cologne, 1987; 27. Tischner, H. DAS KULTKROKODIL VOM KOREWORI. Hamburg Museum fur Volkerkunde, 1965; 28. Tutton, Hilda B. CEREMONY AND PASSAGE. MASTER CARVERS OF THE SEPIK AND MAPRIK AREA. Victoria, Alcheringa Gallery, 1996; 29. Wagner, R. ASIWINARONG. Ethos, Image, and Social Power among the Usen Barok of New Ireland. Princeton, 1986 Lot to be sold without reserve. This lot is subject to the following lot symbols: ▲ ¤ ▲ 'Bonhams' owns the 'Lot' either wholly or partially or may otherwise have an economic interest. ¤ Without reserve For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
MELANESIAN ART, 29 BOOKS 1. Assayag, Marc. WE SHOUT TO MAKE IT SILENT. TRIBAL ART FROM PAPUA NEW GUINEA'S SEPIK RIVER VALLEY. Pittsburgh State Museum, State University of New York, 2003; 2. Cranstone, B.a.l. MELANESIA, A SHORT ETHNOGRAPHY. London, 1961; 3. Dupeyrat, A., P. Claudel (preface). SAVAGE PAPUA. A Missionary among Canibals. New York, 1954 (previously published in a French edition and in an edition in England under the title Mitsinari); 4. Held, G.j. THE PAPUAS OF WAROPEN. Koninklijk Institut, The Hague, 1957; 5. Jansen, J.v. DE TROBRIAND EILANDEN. Museum voor Land-en Volkenkunde, 1961; 6. Kaufmann, C. MASQUES D'OCEANE. Introduction a l'Art de la Melanesie. Geneva, Musee Barbier-Mueller, 1985; 7. Kaufmann, C. PAPUA NIUGINI. Ein Inselstaat im Werden. Basel, Museum fur Volkerkunde, 1975; 8. Kooijman, S. NIEUW GUINEA: KUNST, KUNSTUORMEN EN STIJLGEBIEDEN. Leiden, n.d. (ca. 1988); 9. Lewis, P.h. THE SOCIAL CONTEXT OF ART IN NORTHERN NEW IRELAND. Field Museum, Fieldiana, Anthropology, Vol. 58, 1969; 10. Lewis, A.,DECORATIVE ARTS OF NEW GUINEA, Field Museum of Natural History, Anthropology Design Seires No. 4, 1925; 11. Lincoln, L., T. Bodrogi, B. Clay, M. Gunn, D. Heintze, R. Wagner. ASSEMBLAGE OF SPIRITS, IDEA AND IMAGE IN NEW IRELAND. New York, 1987; 12. Lommel, A. MOTIV UND VARIATION. In der Kunst des Zirkumpazifischen Raumes. Munich, Museum fur Volkerkunde, 1962; 13. Mccoy, M. REFLECTIONS OF MELANESIA. Bathurst, 1990; 14. Mead, M. THE MOUNTAIN ARAPESH. II. Supernaturalism. AMERICAN MUSEUM OF NATURAL HISTORY, Anthropological Papers, Vol. XXXVII, Part III, 1940; 15. Meyer, A. THE HUMAN ELEMENT IN THE ART OF NEW GUINEA . Paris, Galerie Meyer, 1991; 16. Meyer, A. J-p. 'SEPIK' Paris, 1992; 17. Meyer, A.j.p. FACES OF CLAY, THE POTTERY OF NEW GUINEA. Paris, Galerie Meyer, 1991; 18. Meyer, A.j.p. 20 MELANESIAN WORKS OF ART. Paris, Galerie Meyer, 1989; 19. Mosuwadoga, G. TRADITIONAL TECHNIQUES AND VALUES IN THE LOWER MUSA RIVER. Boroko, 1977; 20. O'hanlon, M. PARADISE. Portraying the New Guinea Highlands. London, Museum of Mankind, 1993; 21. O'Reilly, P. ART MELANESIEN. Paris, Mission des Iles, 1951; 22. Reichard, G. MELANESIAN DESIGN. A Study in Wood and tortoiseshell Carving (two volumes bound into one). New York, 1933, 1969 (reprint); 23. Saville, W.j.v., B. Malinowski (intro.). IN UNKNOWN NEW GUINEA. A Record of 25 Years of Personal Experience...A Description of Their Manners and Customs, Occupations in Peace & Methods of Warfare, Their Secret Rites & Public Ceremonies. Philadelphia, 1926; New York, 1979 (reprint); 24. Schlesier, E. EINE ETHNOGRAPHISCHE SAMMLUNG AUS SUDOST-NEUGUINEA. Institut fur Volkerkunde, Band 20. Gottingen, 1986; 25. Shack, W.a. THE KULA. A Bronislaw Malinowski Centennial Exhibition. Berkeley, 1985; 26. Stohr, W. KUNST UND KULTUR AUS DER SUDSE. Sammlung Clausmeyer Melanesien. Rautenstrauch-Joest-Museums. Cologne, 1987; 27. Tischner, H. DAS KULTKROKODIL VOM KOREWORI. Hamburg Museum fur Volkerkunde, 1965; 28. Tutton, Hilda B. CEREMONY AND PASSAGE. MASTER CARVERS OF THE SEPIK AND MAPRIK AREA. Victoria, Alcheringa Gallery, 1996; 29. Wagner, R. ASIWINARONG. Ethos, Image, and Social Power among the Usen Barok of New Ireland. Princeton, 1986 Lot to be sold without reserve. This lot is subject to the following lot symbols: ▲ ¤ ▲ 'Bonhams' owns the 'Lot' either wholly or partially or may otherwise have an economic interest. ¤ Without reserve For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
Discovery on Madison
Endet ab
Ort der Versteigerung
580 Madison Avenue
New York
New York
10022
United States
...
Wichtige Informationen
This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact client services.
You are advised to visit www.bonhams.com for any additional information regarding auction 30098 which may have come to light for any Lot after producing the catalogue, which will be included in a "Sale Room Notice" accompanying each Lot.
AGB
Buyers' Obligations
ALL BIDDERS MUST AGREE THAT THEY HAVE READ AND UNDERSTOOD BONHAMS' CONDITIONS OF SALE AND AGREE TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER'S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS THE BIDDERS LEGAL RIGHTS.
If you have any complaints or questions about the Conditions of Sale, please contact your nearest client services team.
Buyers' Premium and Charges
For all Sales categories excluding Arms & Armour, Coins and Medals, Motor Cars, Motorcycles, Wine & Whisky
28% on the first $50,000 of the hammer price;
27% of the hammer price of amounts in excess of $50,000 up to and including $1,000,000;
21% of the hammer price of amounts in excess of $1,000,000 up to and including $6,000,000;
and 14.5% of the hammer price of any amounts in excess of $6,000,000.
A 3rd-party bidding platform fee (the "3rd-party bidding platform fee") equal to 4% of THE BID PRICE shall be payable by buyers whose successful bid is submitted via 3rd-party bidding platforms, including Invaluable; Live Auctioneers; The Saleroom; Lot-tissimo.
Payment Notices
Payment for purchases may be made in or by (a) cash, (b) cashier's check or money order, (c) personal check with approved credit drawn on a U.S. bank, (d) wire transfer or other immediate bank transfer, or (e) Visa, MasterCard, American Express or Discover credit, charge or debit card for returning clients only. Please note that the amount of cash notes and cash equivalents that can be accepted from a given purchaser may be limited.
Shipping Notices
If you have requested a shipping quote, we will send this to you via email within 5 business days of the auction ending.
Please note our shipping quotes are bespoke and require special care and handling from our team and shippers. Shipping will be booked after payment is received. Please allow 7-14 business days from the time of booking for packing and dispatch, depending on your chosen shipping method. If your purchase is time sensitive, or you wish to explore other options, please see our list of alternative third party shippers in New York and Los Angeles who may be able to assist you.
Oversized Lots
Please note that all lots marked with a W in the catalog are oversized and subject to additional storage and shipping methods. All additional lots purchased with W lots are considered group lots and will be subject to the same terms as W lots.
W Lots will be transferred to offsite storage at DTD Fine Art Services at the buyer's risk and expense within five (5) business days following the auction. Please contact the Client Services team at bids.us@bonhams.com for the exact movement date.
The per-lot charges levied by DTD Fine Art Services are as follows (plus any applicable sales tax):
FURNITURE/LARGE OBJECTS
Transfer .................. $75
Daily storage........... $10
Insurance (on Hammer + Premium + tax) 0.3%
SMALL OBJECTS
Transfer ................. $37.50
Daily storage........... $5
Insurance (on Hammer + Premium + tax) 0.3%
Please note property is also subject to a Cross Dock Release Fee ($25 for Smalls and $45 for Furniture and Large Objects) & if charges are paid with a credit card, Door to Door Fine Art Services will charge a 3% Convenience Fee.
If you have any questions, please contact our Client Services team.
