105
An Alan Ladd Group of Set Stills from His Films
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Beschreibung
An Alan Ladd Group of Set Stills from His Films Including This Gun for Hire, Lucky Jordan, The Glass Key, China, And Now Tomorrow, Salty O'Rourke, O.S.S., The Blue Dahlia, Two Years Before the Mast, Calcutta, Saigon, Wild Harvest, Whispering Smith, Beyond Glory, Captain Carey, U.S.A., Chicago Deadline, The Great Gatsby, Appointment with Danger, Branded, Red Mountain, Botany Bay, Thunder in the East, and The Carpetbaggers. Please note that there may be some duplication of photographs in each film folder. This Gun for Hire (Paramount Pictures, 1942). Starring Alan Ladd, Veronica Lake. Director Frank Tuttle. Approximately 195 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, most with 'Interior Decorating (36)' stamped to verso. Lucky Jordan (Paramount Pictures, 1942). Starring Alan Ladd. Director Frank Tuttle. Approximately 80 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Together with 11 smaller photos, 4 x 5 in. The Glass Key (Paramount Pictures, 1942). Starring Alan Ladd, Veronica Lake. Director Stuart Heisler. Approximately 195 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, two featuring Alan Ladd. China (Paramount Pictures, 1943). Starring Alan Ladd. Director John Farrow. Approximately 135 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 20 smaller photos, 4 x 5 in. And Now Tomorrow (Paramount Pictures, 1944). Starring Alan Ladd, Loretta Young. Director Irving Pichel. Approximately 50 silver gelatin photographs, 8 x10 in., many with location descriptions handwritten in ink to border, some date stamped (1943-1944) and some with 'Interior Decorating (36)' stamped to verso, 3 featuring Loretta Young. Together with approximately 80 smaller photos, 4 x 5 in., 2 featuring Loretta Young. Salty O'Rourke (Paramount Pictures, 1945). Starring Alan Ladd. Director Raoul Walsh. Approximately 55 silver gelatin photographs, 8 x10 in., many with location descriptions handwritten in ink to border, some date stamped (Sept. 1944) and some with 'Interior Decorating (36)' stamped to verso. Together with approximately 20 smaller photos, 4 x 5 in. O.S.S. (Paramount Pictures, 1946). Starring Alan Ladd. Director Irving Pichel. Approximately 75 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 50 smaller photos, 4 x 5 in., one featuring Alan Ladd. The Blue Dahlia (Paramount Pictures, 1946). Starring Alan Ladd, Veronica Lake. Director George Marshall. Approximately 70 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd. Together with 4 smaller photos, 4 x 5 in. Two Years Before the Mast (Paramount Pictures, 1946). Starring Alan Ladd. Director John Farrow. Approximately 55 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, some date stamped (April-May 1944) and some with 'Interior Decorating (36)' stamped to verso. Together with 22 smaller photos, 4 x 5 in. Calcutta (Paramount Pictures, 1946). Starring Alan Ladd, Gail Russell. Director John Farrow. Approximately 60 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some date stamped (July 1945), some with 'Interior Decorating (36)' stamped to verso. Together with 9 smaller photos, 4 x 5 in. Saigon (Paramount Pictures, 1947). Starring Alan Ladd, Veronica Lake. Director Leslie Fenton. Approximately 80 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Veronica Lake. Together with 12 smaller photos, 4 x 5 in. Wild Harvest (aka The Big Haircut) (Paramount Pictures, 1947). Starring Alan Ladd. Director Tay Garnett. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd. Together with approximately 75 smaller photos, 4 x 5 in. Whispering Smith (Paramount Pictures, 1948). Starring Alan Ladd. Director Leslie Fenton. Approximately 65 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd and one featuring Donald Crisp. Together with 22 smaller photos, 4 x 5 in. Beyond Glory (aka The Long Grey Line) (Paramount Pictures, 1948). Starring Alan Ladd. Director John Farrow. Approximately 55 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 3 smaller photos, 4 x 5 in. Captain Carey, U.S.A. (aka After Midnight) (Paramount Pictures, 1949). Starring Alan Ladd. Director Mitchell Leisen. Approximately 70 silver gelatin photographs, 4 x 5 in., almost all with location descriptions handwritten in ink to border, one date stamped (March 1949), some with 'Interior Decorating (36)' stamped to verso. Together with 2 larger photos, 8 x 10 in. Chicago Deadline (aka One Woman) (Paramount Pictures, 1949). Starring Alan Ladd. Director Lewis Allen. Approximately 160 silver gelatin photographs, 4 x 5 in., almost all with location descriptions handwritten in ink to border, some date stamped (Aug.-Sept. 1948), some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd and one featuring Donna Reed. Together with a larger photo, 8 x 10 in. The Great Gatsby (Paramount Pictures, 1949). Starring Alan Ladd. Director Elliott Nugent. Approximately 100 silver gelatin photographs, 4 x 5 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd. Together with 2 larger photos, 8 x 10 in. Appointment with Danger (aka Postal Inspector) (Paramount Pictures, 1950). Starring Alan Ladd. Director Lewis Allen. Approximately 285 silver gelatin photographs, 4 x 5 in., almost all with location descriptions handwritten in ink to border, some date stamped (July-Aug. 1949), many with 'Interior Decorating (36)' stamped to verso, 3 featuring Alan Ladd and 2 featuring Jan Sterling. Together with approximately 15 larger photos, 8 x 10 in., one featuring Alan Ladd. Branded (aka Montana Rides) (Paramount Pictures, 1950). Starring Alan Ladd. Director Rudolph Mate. Approximately 160 silver gelatin photographs, 4 x 5 in., many with location descriptions handwritten in ink to border, some date stamped (March-April 1950), some with 'Interior Decorating' stamped to verso, 3 featuring Alan Ladd and one featuring Mona Freeman. Red Mountain (aka Quantrell's Raiders) (Paramount Pictures, 1951). Starring Alan Ladd. Director William For further information about this lot please visit the lot listing
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An Alan Ladd Group of Set Stills from His Films Including This Gun for Hire, Lucky Jordan, The Glass Key, China, And Now Tomorrow, Salty O'Rourke, O.S.S., The Blue Dahlia, Two Years Before the Mast, Calcutta, Saigon, Wild Harvest, Whispering Smith, Beyond Glory, Captain Carey, U.S.A., Chicago Deadline, The Great Gatsby, Appointment with Danger, Branded, Red Mountain, Botany Bay, Thunder in the East, and The Carpetbaggers. Please note that there may be some duplication of photographs in each film folder. This Gun for Hire (Paramount Pictures, 1942). Starring Alan Ladd, Veronica Lake. Director Frank Tuttle. Approximately 195 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, most with 'Interior Decorating (36)' stamped to verso. Lucky Jordan (Paramount Pictures, 1942). Starring Alan Ladd. Director Frank Tuttle. Approximately 80 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, many with 'Interior Decorating (36)' stamped to verso. Together with 11 smaller photos, 4 x 5 in. The Glass Key (Paramount Pictures, 1942). Starring Alan Ladd, Veronica Lake. Director Stuart Heisler. Approximately 195 silver gelatin photographs, 8 x 10 in., some with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, two featuring Alan Ladd. China (Paramount Pictures, 1943). Starring Alan Ladd. Director John Farrow. Approximately 135 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 20 smaller photos, 4 x 5 in. And Now Tomorrow (Paramount Pictures, 1944). Starring Alan Ladd, Loretta Young. Director Irving Pichel. Approximately 50 silver gelatin photographs, 8 x10 in., many with location descriptions handwritten in ink to border, some date stamped (1943-1944) and some with 'Interior Decorating (36)' stamped to verso, 3 featuring Loretta Young. Together with approximately 80 smaller photos, 4 x 5 in., 2 featuring Loretta Young. Salty O'Rourke (Paramount Pictures, 1945). Starring Alan Ladd. Director Raoul Walsh. Approximately 55 silver gelatin photographs, 8 x10 in., many with location descriptions handwritten in ink to border, some date stamped (Sept. 1944) and some with 'Interior Decorating (36)' stamped to verso. Together with approximately 20 smaller photos, 4 x 5 in. O.S.S. (Paramount Pictures, 1946). Starring Alan Ladd. Director Irving Pichel. Approximately 75 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 50 smaller photos, 4 x 5 in., one featuring Alan Ladd. The Blue Dahlia (Paramount Pictures, 1946). Starring Alan Ladd, Veronica Lake. Director George Marshall. Approximately 70 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd. Together with 4 smaller photos, 4 x 5 in. Two Years Before the Mast (Paramount Pictures, 1946). Starring Alan Ladd. Director John Farrow. Approximately 55 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, some date stamped (April-May 1944) and some with 'Interior Decorating (36)' stamped to verso. Together with 22 smaller photos, 4 x 5 in. Calcutta (Paramount Pictures, 1946). Starring Alan Ladd, Gail Russell. Director John Farrow. Approximately 60 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some date stamped (July 1945), some with 'Interior Decorating (36)' stamped to verso. Together with 9 smaller photos, 4 x 5 in. Saigon (Paramount Pictures, 1947). Starring Alan Ladd, Veronica Lake. Director Leslie Fenton. Approximately 80 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Veronica Lake. Together with 12 smaller photos, 4 x 5 in. Wild Harvest (aka The Big Haircut) (Paramount Pictures, 1947). Starring Alan Ladd. Director Tay Garnett. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd. Together with approximately 75 smaller photos, 4 x 5 in. Whispering Smith (Paramount Pictures, 1948). Starring Alan Ladd. Director Leslie Fenton. Approximately 65 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd and one featuring Donald Crisp. Together with 22 smaller photos, 4 x 5 in. Beyond Glory (aka The Long Grey Line) (Paramount Pictures, 1948). Starring Alan Ladd. Director John Farrow. Approximately 55 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with 'Interior Decorating (36)' stamped to verso. Together with 3 smaller photos, 4 x 5 in. Captain Carey, U.S.A. (aka After Midnight) (Paramount Pictures, 1949). Starring Alan Ladd. Director Mitchell Leisen. Approximately 70 silver gelatin photographs, 4 x 5 in., almost all with location descriptions handwritten in ink to border, one date stamped (March 1949), some with 'Interior Decorating (36)' stamped to verso. Together with 2 larger photos, 8 x 10 in. Chicago Deadline (aka One Woman) (Paramount Pictures, 1949). Starring Alan Ladd. Director Lewis Allen. Approximately 160 silver gelatin photographs, 4 x 5 in., almost all with location descriptions handwritten in ink to border, some date stamped (Aug.-Sept. 1948), some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd and one featuring Donna Reed. Together with a larger photo, 8 x 10 in. The Great Gatsby (Paramount Pictures, 1949). Starring Alan Ladd. Director Elliott Nugent. Approximately 100 silver gelatin photographs, 4 x 5 in., almost all with descriptions in upper border handwritten in ink, some with 'Interior Decorating (36)' stamped to verso, one featuring Alan Ladd. Together with 2 larger photos, 8 x 10 in. Appointment with Danger (aka Postal Inspector) (Paramount Pictures, 1950). Starring Alan Ladd. Director Lewis Allen. Approximately 285 silver gelatin photographs, 4 x 5 in., almost all with location descriptions handwritten in ink to border, some date stamped (July-Aug. 1949), many with 'Interior Decorating (36)' stamped to verso, 3 featuring Alan Ladd and 2 featuring Jan Sterling. Together with approximately 15 larger photos, 8 x 10 in., one featuring Alan Ladd. Branded (aka Montana Rides) (Paramount Pictures, 1950). Starring Alan Ladd. Director Rudolph Mate. Approximately 160 silver gelatin photographs, 4 x 5 in., many with location descriptions handwritten in ink to border, some date stamped (March-April 1950), some with 'Interior Decorating' stamped to verso, 3 featuring Alan Ladd and one featuring Mona Freeman. Red Mountain (aka Quantrell's Raiders) (Paramount Pictures, 1951). Starring Alan Ladd. Director William For further information about this lot please visit the lot listing
Gone with the Wind: The Walter O'Connor Collection
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