Los

161

UNPRODUCED ORIGINAL FAULKNER SCREENPLAY. FAULKNER, WILLIAM. 1897-1962. 2 screenplays of the unf...

In Fine Books & Manuscripts

Diese Auktion ist eine LIVE Auktion! Sie müssen für diese Auktion registriert und als Bieter freigeschaltet sein, um bieten zu können.
Sie wurden überboten. Um die größte Chance zu haben zu gewinnen, erhöhen Sie bitte Ihr Maximal Gebot.
Ihre Registrierung wurde noch nicht durch das Auktionshaus genehmigt. Bitte, prüfen Sie Ihr E-Mail Konto für mehr Details.
Leider wurde Ihre Registrierung durch das Auktionshaus abgelehnt. Sie können das Auktionshaus direkt kontaktieren über +1 212 644 9001 um mehr Informationen zu erhalten.
Sie sind zurzeit Höchstbieter! Um sicherzustellen, dass Sie das Los erfolgreich ersteigern, loggen Sie sich erneut ein, bevor die Versteigerung des Loses am schließt, um Ihr Maximalgebot zu erhöhen.
Geben Sie jetzt ein Gebot ab! Ihre Registrierung war erfolgreich.
Entschuldigung, die Gebotsabgabephase ist leider beendet. Es erscheinen täglich 1000 neue Lose auf lot-tissimo.com, bitte starten Sie eine neue Anfrage.
Das Bieten auf dieser Auktion hat noch nicht begonnen. Bitte, registrieren Sie sich jetzt, so dass Sie zugelassen werden bis die Auktion startet.
UNPRODUCED ORIGINAL FAULKNER SCREENPLAY. FAULKNER, WILLIAM. 1897-1962. 2 screenplays of the unf...
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
New York, New York

UNPRODUCED ORIGINAL FAULKNER SCREENPLAY. FAULKNER, WILLIAM. 1897-1962. 2 screenplays of the unfilmed Howard Hawks project Battle Cry, comprising: 1. Typed Carbon, 'Battle Cry—Hawks,' 213 pp on 3-hole onion skin paper, 4to, Burbank, April 21, 1943, marked '#2' on p 1, bound in Charles K. Feldman Group Productions brown textured paper covers with brass brads. Covers worn, a few pages creased. Faulkner's draft of the epic tale of modern warfare imagined by Hawks. 2. Mimeographed Manuscript, no author given on title but Faulkner listed as author on half title before section A, 235 pp (paginated 1-27, A1-32, B1-43, C1-62, D1-71), Burbank, June 21, 1943, many yellow revision pages bound in, housed in brown paper wrappers, bound with brass brads marked 'Property of Warner Bros. Pictures Inc... Return to Stenographic Department' ink stamps on front wrapper, and with 'Chas Feldman' inked to upper left and 'Hawks' to half-title of section B. Wear and chipping to cover, horizontal crease from front wrapper to p 17. AND WITH: 3.STURDY, JOHN RHODES. Typed Carbon, 'Battle Cry / English Episode,' 26 pp, 4to, May 17, 1943, bound with staples in green typed wrappers, some chipping, loss and toning to covers. Sturdy's section appears in the mimeographed script (#2) above. Faulkner wrote Battle Cry for Howard Hawks, who intended it to star Ronald Reagan and Henry Fonda (in the typed carbon, Faulkner has named his leads 'Reagan' and 'Fonda,' using an old screenwriter trick of relying on an actor's known quantities to flesh out a character on the page). Hawks asked Faulkner to combine short stories, a radio drama, and other sources to create a sweeping epic running around 3 hours in length, capturing the enormity of World War II and the lives it disrupted worldwide. The typescript in particular feels very Faulknerian, using a decidedly non-standard script format for a story that moves in and out of various characters' consciousnesses. Battle Cry was supposed to be the means by which Faulkner truly achieved economic and artistic freedom in the film industry: it was the be the first of a series of films the two men would make together over the years. When Hawks asked Warner Bros. for $4 million to make the film, he was denied, given his reputation for going over budget, and the dream of a joint production company evaporated with the financing. The typescript draft is all Faulkner, written in his expansive style, while the mimeograph has taken his draft and reworked the text into a more traditional screenplay format. Much of Faulkner's ideas remain in the mimeo draft, although the English Episode matches the text credited to John Rhodes Sturdy in the additional typescript. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

UNPRODUCED ORIGINAL FAULKNER SCREENPLAY. FAULKNER, WILLIAM. 1897-1962. 2 screenplays of the unfilmed Howard Hawks project Battle Cry, comprising: 1. Typed Carbon, 'Battle Cry—Hawks,' 213 pp on 3-hole onion skin paper, 4to, Burbank, April 21, 1943, marked '#2' on p 1, bound in Charles K. Feldman Group Productions brown textured paper covers with brass brads. Covers worn, a few pages creased. Faulkner's draft of the epic tale of modern warfare imagined by Hawks. 2. Mimeographed Manuscript, no author given on title but Faulkner listed as author on half title before section A, 235 pp (paginated 1-27, A1-32, B1-43, C1-62, D1-71), Burbank, June 21, 1943, many yellow revision pages bound in, housed in brown paper wrappers, bound with brass brads marked 'Property of Warner Bros. Pictures Inc... Return to Stenographic Department' ink stamps on front wrapper, and with 'Chas Feldman' inked to upper left and 'Hawks' to half-title of section B. Wear and chipping to cover, horizontal crease from front wrapper to p 17. AND WITH: 3.STURDY, JOHN RHODES. Typed Carbon, 'Battle Cry / English Episode,' 26 pp, 4to, May 17, 1943, bound with staples in green typed wrappers, some chipping, loss and toning to covers. Sturdy's section appears in the mimeographed script (#2) above. Faulkner wrote Battle Cry for Howard Hawks, who intended it to star Ronald Reagan and Henry Fonda (in the typed carbon, Faulkner has named his leads 'Reagan' and 'Fonda,' using an old screenwriter trick of relying on an actor's known quantities to flesh out a character on the page). Hawks asked Faulkner to combine short stories, a radio drama, and other sources to create a sweeping epic running around 3 hours in length, capturing the enormity of World War II and the lives it disrupted worldwide. The typescript in particular feels very Faulknerian, using a decidedly non-standard script format for a story that moves in and out of various characters' consciousnesses. Battle Cry was supposed to be the means by which Faulkner truly achieved economic and artistic freedom in the film industry: it was the be the first of a series of films the two men would make together over the years. When Hawks asked Warner Bros. for $4 million to make the film, he was denied, given his reputation for going over budget, and the dream of a joint production company evaporated with the financing. The typescript draft is all Faulkner, written in his expansive style, while the mimeograph has taken his draft and reworked the text into a more traditional screenplay format. Much of Faulkner's ideas remain in the mimeo draft, although the English Episode matches the text credited to John Rhodes Sturdy in the additional typescript. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

Fine Books & Manuscripts

Endet ab
Ort der Versteigerung
580 Madison Avenue
New York
New York
10022
United States
...

Wichtige Informationen

This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact client services. You are advised to visit www.bonhams.com for any additional information regarding auction 30066 which may have come to light for any Lot after producing the catalogue, which will be included in a "Sale Room Notice" accompanying each Lot.

AGB

https://www.bonhams.com/legals/
Vollständige AGBs

Stichworte: Manuskript