Los

102

A Qajar cuerda seca pottery tile panel depicting an assembly of Shah 'Abbas with dancers and mus...

In Islamic and Indian Art Online

Diese Auktion ist eine LIVE Auktion! Sie müssen für diese Auktion registriert und als Bieter freigeschaltet sein, um bieten zu können.
Sie wurden überboten. Um die größte Chance zu haben zu gewinnen, erhöhen Sie bitte Ihr Maximal Gebot.
Ihre Registrierung wurde noch nicht durch das Auktionshaus genehmigt. Bitte, prüfen Sie Ihr E-Mail Konto für mehr Details.
Leider wurde Ihre Registrierung durch das Auktionshaus abgelehnt. Sie können das Auktionshaus direkt kontaktieren über +44 20 7447 7447 um mehr Informationen zu erhalten.
Sie sind zurzeit Höchstbieter! Um sicherzustellen, dass Sie das Los erfolgreich ersteigern, loggen Sie sich erneut ein, bevor die Versteigerung des Loses am schließt, um Ihr Maximalgebot zu erhöhen.
Geben Sie jetzt ein Gebot ab! Ihre Registrierung war erfolgreich.
Entschuldigung, die Gebotsabgabephase ist leider beendet. Es erscheinen täglich 1000 neue Lose auf lot-tissimo.com, bitte starten Sie eine neue Anfrage.
Das Bieten auf dieser Auktion hat noch nicht begonnen. Bitte, registrieren Sie sich jetzt, so dass Sie zugelassen werden bis die Auktion startet.
A Qajar cuerda seca pottery tile panel depicting an assembly of Shah 'Abbas with dancers and mus...
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
London, United Kingdom

A Qajar cuerda seca pottery tile panel depicting an assembly of Shah 'Abbas with dancers and musicians Persia, 19th Century of rectangular form, comprising twenty-four tiles decorated in polychrome on a white ground with a feast scene depicting the ruler encircled by seated courtiers and serving vessels with drinks and fruit, the foreground with musicians and dancers, the scene enclosed within a lobed cartouche-shaped panel, quatrefoil motifs containing inscriptions and lobed vegetal motifs at the four corners, the interstices with scrolling foliate and palmette designs, the border with a scrolling split-palmette vine design, framed each tile 25 x 24.5 cm.; the frame 105 x 155 cm. Footnotes: Provenance Formerly in situ in the summer residence of Hugh Grosvenor, 2nd Duke of Westminster (1879-1953), Isle of Wight, UK. Believed to have been acquired in Persia by an earlier resident in the early 20th century. Private UK collection. Inscriptions: the repeat of, 'The assembly of Shah 'Abbas, the work of Muhammad (? Majid ?).' Scenes of royal feasting and assemblies, particularly those that resembled earlier Safavid counterparts such as the murals of lavish assemblies hosted by Shah 'Abbas I, Shah 'Abbas II, and Shah Tahmasp in the Chehel Sotun, featured prominently in Qajar paintings, tiles, and lacquer. The Qajar dynasty promoted themselves as the rightful heirs to the Safavid empire, as the Qajar tribes had supported the Safavid rulers in the 16th and 17th Centuries (Layla S. Diba, 'Images of Power and the Power of Images: Intention and Response in Early Qajar Painting (1785-1834)', in Royal Persian Paintings: The Qajar Epoch, 1785-1925, eds. Layla Diba and Maryam Ekhtiar, New York: Brooklyn Museum of Art, 1998, p. 33). Safavid-style imagery and references to the great Safavid kings were therefore thoroughly integrated into the visual culture of 19th Century Qajar Persia. One of the most famous examples of this 19th Century 'Safavid Revival' movement is a painted chest at the Museum für Islamische Kunst, Berlin, which features the court of Shah 'Abbas I on the lid, alongside scenes from Firdausi's Shahnama and Nizami's Khamsa (J 4655). Please note that this item is stored in our warehouse. Important Notice to Buyers Some countries, e.g., the US, prohibit or restrict the purchase by its citizens (wherever located) and/or the import of certain types of works of particular origins. As a convenience to buyers, Bonhams has marked with the symbol R all lots of Iranian (Persian) and Syrian origin. It is each buyer's responsibility to ensure that they do not bid on or import a lot in contravention of the sanctions or trade embargoes that apply to them. This lot is subject to the following lot symbols: W R W Lot is located in the Bonhams Warehouse and will only be available for collection from this location. R This lot is subject to import restrictions when shipped to the United States. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

A Qajar cuerda seca pottery tile panel depicting an assembly of Shah 'Abbas with dancers and musicians Persia, 19th Century of rectangular form, comprising twenty-four tiles decorated in polychrome on a white ground with a feast scene depicting the ruler encircled by seated courtiers and serving vessels with drinks and fruit, the foreground with musicians and dancers, the scene enclosed within a lobed cartouche-shaped panel, quatrefoil motifs containing inscriptions and lobed vegetal motifs at the four corners, the interstices with scrolling foliate and palmette designs, the border with a scrolling split-palmette vine design, framed each tile 25 x 24.5 cm.; the frame 105 x 155 cm. Footnotes: Provenance Formerly in situ in the summer residence of Hugh Grosvenor, 2nd Duke of Westminster (1879-1953), Isle of Wight, UK. Believed to have been acquired in Persia by an earlier resident in the early 20th century. Private UK collection. Inscriptions: the repeat of, 'The assembly of Shah 'Abbas, the work of Muhammad (? Majid ?).' Scenes of royal feasting and assemblies, particularly those that resembled earlier Safavid counterparts such as the murals of lavish assemblies hosted by Shah 'Abbas I, Shah 'Abbas II, and Shah Tahmasp in the Chehel Sotun, featured prominently in Qajar paintings, tiles, and lacquer. The Qajar dynasty promoted themselves as the rightful heirs to the Safavid empire, as the Qajar tribes had supported the Safavid rulers in the 16th and 17th Centuries (Layla S. Diba, 'Images of Power and the Power of Images: Intention and Response in Early Qajar Painting (1785-1834)', in Royal Persian Paintings: The Qajar Epoch, 1785-1925, eds. Layla Diba and Maryam Ekhtiar, New York: Brooklyn Museum of Art, 1998, p. 33). Safavid-style imagery and references to the great Safavid kings were therefore thoroughly integrated into the visual culture of 19th Century Qajar Persia. One of the most famous examples of this 19th Century 'Safavid Revival' movement is a painted chest at the Museum für Islamische Kunst, Berlin, which features the court of Shah 'Abbas I on the lid, alongside scenes from Firdausi's Shahnama and Nizami's Khamsa (J 4655). Please note that this item is stored in our warehouse. Important Notice to Buyers Some countries, e.g., the US, prohibit or restrict the purchase by its citizens (wherever located) and/or the import of certain types of works of particular origins. As a convenience to buyers, Bonhams has marked with the symbol R all lots of Iranian (Persian) and Syrian origin. It is each buyer's responsibility to ensure that they do not bid on or import a lot in contravention of the sanctions or trade embargoes that apply to them. This lot is subject to the following lot symbols: W R W Lot is located in the Bonhams Warehouse and will only be available for collection from this location. R This lot is subject to import restrictions when shipped to the United States. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

Islamic and Indian Art Online

Endet ab
Ort der Versteigerung
101 New Bond Street
London
United Kingdom
W1S 1SR
United Kingdom
...

Wichtige Informationen

This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact client services. View further information about this auction

AGB

https://www.bonhams.com/legals/
Vollständige AGBs

Stichworte: Safavid, Qajar, Painting, Islamic Art by Period / Style