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TWO ORNITHOLOGICAL STUDIES OF BIRDS
Possibly East Indies and Melanesia, Oceania, South East Asian Commonwealth territories, late 18th - early 19th century
Black and sepia ink, pencil and light opaque pigments on paper, comprising a black ink study of a Great Hornbill (Buceros bicornis), native to South and South East Asia and one of the largest members of the hornbill family, characterised by a large casque on top of his curved and pronounced bill, with pencil annotations in English on the bottom reading the number '13' and two fainted lines of commentaries and dates; and a tinted study of an Australian White Ibis (Threskiornis molucca), with white plumage, a bare, black head, long downcurved bill, and black legs, closely related to the African sacred ibis, native of Australia and Melanesia, with several sepia ink annotations meticulously recording facts and sizes of this species, the upper right corner with an inscription reading 'From Mapoua Coast' (modern-day New Zealand), the verso with another inscription reading 'Seen generally picking grubs sometimes sitting on branches of lofty trees as is also the Derhomia - all black excepting Wattle', marked with number '95' and a literary reference dated 1706.
The Hornbill folio 35.5cm x 48cm
The White Ibis folio 35.5cm x 49.5cm
This pair of finely executed gouache and pen drawings showcases a blend of scientific observation, faunistic curiosity and artistic skill, most probably created during a time when natural history illustration flourished under colonial patronage. Both works are rendered on aged paper, displaying a naturalistic approach characteristic of early ornithological studies produced in colonial India and South East Asian territories by the so-called Company School of paintings. The level of detail and careful observation suggest their potential use as part of scientific documentation by Western travellers or even artistic commissions for European patrons. Among the most famous 19th-century British artists renowned for their avian studies, John Gould (1804 - 1881) and Edward Lear (1812 - 1888) stand out for their comprehensive and detailed illustrations.
Für Azca Auctions Versandinformtation bitte wählen Sie 020 3911 6741.
The first Online Only sale of Azca Auctions has landed.
We will accompany you through the Christmas holidays with some extravagant, quirky, and sparkly lots. The auction is entirely online, with bidding beginning on the 11th December and closing on the 7th January 2025.
Terms and Conditions for Buyers
1. Definition
In these Terms and Conditions, the words ‘Azca Auctions’ refer to the ‘Auction House’. Similarly, the words ‘we’, ‘us’, etc. refer to ‘Azca Auctions’. The word ‘you’ refers to the ‘Buyer’.
2. Agency
3. Buyer’s Premium
4. Export of Goods Buyers planning to export goods should confirm if an export license is necessary and check for any specific restrictions on importing such goods, such as those containing prohibited materials like ivory.
5. Estimates
6. Reserves Numerous Lots are presented with a reserve price, which is the confidential minimum selling price. The reserve price will never surpass the low estimate listed in the catalogue. Azca Auctions reserve the right to commence the bidding on any Lot below the reserve by making a bid on behalf of the seller and may choose to keep bidding up to the reserve price at their discretion. This can be done by responding to other bidders or by placing successive bids.
7. Sale Finality
8. Item Descriptions
Any descriptions or representations in our catalogue, online listings, or other materials, including but not limited to statements regarding origin, date, age, attribution, authenticity, or estimated selling price of any lot, are opinions only. These statements do not constitute a warranty, representation, or assumption of liability by Azca Auctions. Prospective buyers are strongly encouraged to inspect all lots in person or request a condition report prior to the sale to satisfy themselves of the accuracy of any descriptions.
9. Condition
10. Refunds
11. Buyer Responsibility
12. Bidding
e. Online bidding: bidders are able to bid online, however, Azca Auctions will not be held responsible over issues relating to connectivity, resulting in the failure of the bidder to obtain their lot.
13. Bidding Platforms
14. Proof of Identity and Financial Checks
e. Company documents for corporate Buyers.
15. Ivory and Restricted Materials Lots marked with the symbol ‘~’ have been identified during cataloging as containing organic material, which may be subject to import or export restrictions. Azca Auctions commits to fully complying with CITES and DEFRA regulations. Buyers are advised to familiarize themselves with all relevant regulations and should anticipate that arranging the export of items may take some time. Azca Auctions recommends that buyers consult their respective government authorities regarding wildlife import requirements before placing a bid.
16. Electrical Goods
17. Watches and Clocks
Due to the intricate mechanisms in clocks and watches, Buyers should note that a general service, battery replacement, or additional repairs, for which the Buyer is solely responsible, may be required. Importantly, the Buyer should be informed that the importation of certain watches like Rolex, Frank Muller, and Corum into the United States faces significant restrictions. These watches cannot be shipped to the USA and must be personally imported.
18. Wines and Spirits
Azca Auctions does not guarantee the drinkability of the wine or spirit. Buyers should be aware of the potential for taste alteration due to factors like age, storage conditions, oxidation, and more.
19. Jewellery
20. Settlement
21. Failure to Settle
e. Refuse bids from the Buyer in future auctions.
22. Transfer of Property
23. Storage
24. Collections Purchased and unsold lots can be collected during Azca Auctions' opening hours. Any delay must be communicated to Azca Auctions in advance.
25. Shipping
26. Loss or Damage
27. Data Protection
28. Amendments
Ihre Anfrage wurde an das Auktionshaus geschickt
Entschuldigung, es gab eine Fehlermeldung bei der Sendung Ihrer Anfrage. Bitte versuchen Sie es zu einem späteren Zeitpunkt noch einmal.
TWO ORNITHOLOGICAL STUDIES OF BIRDS
Possibly East Indies and Melanesia, Oceania, South East Asian Commonwealth territories, late 18th - early 19th century
Black and sepia ink, pencil and light opaque pigments on paper, comprising a black ink study of a Great Hornbill (Buceros bicornis), native to South and South East Asia and one of the largest members of the hornbill family, characterised by a large casque on top of his curved and pronounced bill, with pencil annotations in English on the bottom reading the number '13' and two fainted lines of commentaries and dates; and a tinted study of an Australian White Ibis (Threskiornis molucca), with white plumage, a bare, black head, long downcurved bill, and black legs, closely related to the African sacred ibis, native of Australia and Melanesia, with several sepia ink annotations meticulously recording facts and sizes of this species, the upper right corner with an inscription reading 'From Mapoua Coast' (modern-day New Zealand), the verso with another inscription reading 'Seen generally picking grubs sometimes sitting on branches of lofty trees as is also the Derhomia - all black excepting Wattle', marked with number '95' and a literary reference dated 1706.
The Hornbill folio 35.5cm x 48cm
The White Ibis folio 35.5cm x 49.5cm
This pair of finely executed gouache and pen drawings showcases a blend of scientific observation, faunistic curiosity and artistic skill, most probably created during a time when natural history illustration flourished under colonial patronage. Both works are rendered on aged paper, displaying a naturalistic approach characteristic of early ornithological studies produced in colonial India and South East Asian territories by the so-called Company School of paintings. The level of detail and careful observation suggest their potential use as part of scientific documentation by Western travellers or even artistic commissions for European patrons. Among the most famous 19th-century British artists renowned for their avian studies, John Gould (1804 - 1881) and Edward Lear (1812 - 1888) stand out for their comprehensive and detailed illustrations.
Für Azca Auctions Versandinformtation bitte wählen Sie 020 3911 6741.
The first Online Only sale of Azca Auctions has landed.
We will accompany you through the Christmas holidays with some extravagant, quirky, and sparkly lots. The auction is entirely online, with bidding beginning on the 11th December and closing on the 7th January 2025.
Terms and Conditions for Buyers
1. Definition
In these Terms and Conditions, the words ‘Azca Auctions’ refer to the ‘Auction House’. Similarly, the words ‘we’, ‘us’, etc. refer to ‘Azca Auctions’. The word ‘you’ refers to the ‘Buyer’.
2. Agency
3. Buyer’s Premium
4. Export of Goods Buyers planning to export goods should confirm if an export license is necessary and check for any specific restrictions on importing such goods, such as those containing prohibited materials like ivory.
5. Estimates
6. Reserves Numerous Lots are presented with a reserve price, which is the confidential minimum selling price. The reserve price will never surpass the low estimate listed in the catalogue. Azca Auctions reserve the right to commence the bidding on any Lot below the reserve by making a bid on behalf of the seller and may choose to keep bidding up to the reserve price at their discretion. This can be done by responding to other bidders or by placing successive bids.
7. Sale Finality
8. Item Descriptions
Any descriptions or representations in our catalogue, online listings, or other materials, including but not limited to statements regarding origin, date, age, attribution, authenticity, or estimated selling price of any lot, are opinions only. These statements do not constitute a warranty, representation, or assumption of liability by Azca Auctions. Prospective buyers are strongly encouraged to inspect all lots in person or request a condition report prior to the sale to satisfy themselves of the accuracy of any descriptions.
9. Condition
10. Refunds
11. Buyer Responsibility
12. Bidding
e. Online bidding: bidders are able to bid online, however, Azca Auctions will not be held responsible over issues relating to connectivity, resulting in the failure of the bidder to obtain their lot.
13. Bidding Platforms
14. Proof of Identity and Financial Checks
e. Company documents for corporate Buyers.
15. Ivory and Restricted Materials Lots marked with the symbol ‘~’ have been identified during cataloging as containing organic material, which may be subject to import or export restrictions. Azca Auctions commits to fully complying with CITES and DEFRA regulations. Buyers are advised to familiarize themselves with all relevant regulations and should anticipate that arranging the export of items may take some time. Azca Auctions recommends that buyers consult their respective government authorities regarding wildlife import requirements before placing a bid.
16. Electrical Goods
17. Watches and Clocks
Due to the intricate mechanisms in clocks and watches, Buyers should note that a general service, battery replacement, or additional repairs, for which the Buyer is solely responsible, may be required. Importantly, the Buyer should be informed that the importation of certain watches like Rolex, Frank Muller, and Corum into the United States faces significant restrictions. These watches cannot be shipped to the USA and must be personally imported.
18. Wines and Spirits
Azca Auctions does not guarantee the drinkability of the wine or spirit. Buyers should be aware of the potential for taste alteration due to factors like age, storage conditions, oxidation, and more.
19. Jewellery
20. Settlement
21. Failure to Settle
e. Refuse bids from the Buyer in future auctions.
22. Transfer of Property
23. Storage
24. Collections Purchased and unsold lots can be collected during Azca Auctions' opening hours. Any delay must be communicated to Azca Auctions in advance.
25. Shipping
26. Loss or Damage
27. Data Protection
28. Amendments
Katalog
Stichworte: Edward Lear, Gouache, 19th-21st Century Art